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Search Results for "rock"

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Two years ago, when Emily Wolfe stepped into the studio with Alabama Shakes’ keyboardist Ben Tanner at the board, she had already mapped out just about every sound she envisioned for the record. “The good thing about Emily is that she knows the sound when it’s there. The songs were fully formed in her head by the time she got the studio,” said Ben. Emily, a native of Austin, Texas, has spent the last several years making a name for herself as an electrifying, blues-driven live rock act, accompanied on the road by her trusty Epiphone Sheraton (picked up at Guitar Center Austin at the start of her career) and ever-evolving pedal board. With the release of her debut self-titled album, she effortlessly harnesses the raw power of her live performances in collaboration with Ben’s in-studio experimentation - creating an album that marries the roots of rock with the soaring choruses of modern pop. We sat down with Emily and Ben to talk about inspiration for the album, the process and gear behind nailing the sound, and how they brought to life Emily’s genre-bending dream of mixing “Demi Lovato with Queens of the Stone Age.”
San Diego’s WAVVES brought their signature surf-rock punk energy (and a seriously rad Epiphone Flying V Bass) to their packed showcase at Clive Bar in Austin. We caught up with the band backstage at SXSW to tour their road gear, and talk about how Nathan made one fan’s day by raffling his Fender Mustang on social media.
Southern California-based L.A. Witch recently released their retro-groove-laden debut on Seattle's Suicide Squeeze Records. While the three-piece group manifests decidedly vintage-inspired tones on their album, their touring setup consists of a number of reliable, modern, road-ready pieces of gear. The band discusses a few of their favorite items, including singer/guitarist Sade Sanchez's trusty Lock-It strap that keeps her new Fender Jazzmaster right where she wants it, Irita Pai's preferred D'Addario flatwound bass strings and the Evans-equipped Pork Pie snare used by drummer Ellie English.

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