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A Closer Look at the LEWITT Audio RAY | In-Focus Audio

A Closer Look at the LEWITT Audio RAY | In-Focus Audio
Max McAllister

Founded by Roman Perschon in 2009, and driven by an international team headquartered in Vienna, LEWITT Audio has been at the forefront of microphone innovation in the modern era. Dedicated to pushing the envelope by blending the best of old-school mic design with cutting-edge digital versatility, LEWITT builds transducers for professional audio engineers, beginning home studio enthusiasts, producers, musicians, content creators and more. The groundbreaking LEWITT Audio RAY is yet another feature-rich entry in the brand’s lineup, redefining what a contemporary condenser microphone can be.

LEWITT logo on LEWITT RAY Condenser Microphone

Pictured: LEWITT Audio RAY Large-Diaphragm Condenser Microphone  LEWITT Logo

Table of Contents

Exploring the LEWITT Audio RAY Condenser Microphone
   Constructing the LEWITT Audio RAY
   Popular Applications for the LEWITT Audio RAY
Comparing the RAY to LEWITT’s Other Condenser Microphone Offerings
   LEWITT RAY Large-Diaphragm Condenser Microphone
   LEWITT LCT 240 PRO Condenser Microphone
   LEWITT LCT 440 PURE Large-Diaphragm Condenser Microphone
   LEWITT LCT 441 FLEX Condenser Microphone
   LEWITT LCT 540 S Large-Diaphragm Condenser Microphone
   LEWITT LCT 640 TS Multi-Pattern Large-Diaphragm Condenser Microphone
Right This Way for the LEWITT RAY

Exploring the LEWITT Audio RAY Condenser Microphone

Conceptualized as the first microphone with “autofocus for your voice,” the LEWITT Audio RAY strives to remove the guesswork from high-quality recordings—particularly for those who’ve recently begun their audio adventure. RAY intelligently balances levels and tonality in relation to a performer’s proximity to the microphone for clear, consistent results, every time.

LEWITT Audio RAY Condenser Microphone Capsule

Pictured: LEWITT Audio RAY Large-Diaphragm Condenser Microphone Capsule

This is a major breakthrough for livestreamers and content creators in a world where high-fidelity sound is considered the norm. It opens opportunities for animated, engaging performance without necessarily being tethered inches from the mic. Plus, top-tier specs derived from LEWITT’s best-selling offering—the LCT 440 PURE—make it an excellent overall studio companion in virtually any scenario.

Constructing the LEWITT Audio RAY

Stripped down to bare bones, the LEWITT RAY is simply a great large-diaphragm condenser microphone. Its unique functionality separates it from the pack, including distinct features not found anywhere else. Representing LEWITT’s philosophy of old-school integrity and new-school evolution, RAY meshes classic condenser design with pioneering proprietary technology to create a microphone all its own.    

  • AURA: Using a time-of-flight sensor, AURA measures a vocalist’s/creator’s distance from the microphone. A real-time filter, reacting dynamically to this sensed distance, compensates for volume and tonal shifts relative to positioning. For levels, this means increasing the volume as you back away from the mic—for tone, AURA reduces proximity effect up close.
  • MUTE by Distance: RAY is the world’s first condenser microphone with a dedicated MUTE button, which you can engage or disengage at will. But, by utilizing the same AURA sensor, the MUTE by Distance feature automatically reduces signal strength by –70dB based on proximity to the microphone.     
  • 1" capsule, gold-sputtered Mylar diaphragm: Quality components ensure the LEWITT Audio RAY is a solid all-around condenser microphone first and foremost. This is a sensitive, detailed mic reproducing performances with lifelike realism—novel under-the-hood tech only takes it over the top. You can expect broad dynamic range, low self-noise and consistent, full-spectrum frequency capture.
  • Camera-ready design: Built with creators in mind, RAY’s compact form factor, unobtrusive shockmount and magnetic pop filter keep your face in frame, never hidden behind a bulky microphone setup.

Popular Applications for the LEWITT Audio RAY

Large-diaphragm condensers are among the most versatile, widely used microphones in the studio, and the LEWITT RAY functions accordingly. With AURA off, you can place it on static sources like vocalists (who have solid mic technique), acoustic guitar, piano, drum overheads and more, and achieve great-sounding results.

The magic occurs when AURA is on. Podcasters and streamers benefit from intelligent level adjustment, which is a game changer for consistent audio during a live broadcast. For voice over, ADR and other prerecorded content, AURA can minimize the amount of post-production work necessary to keep volume in a steady range.

LEWITT Audio RAY AURA and MUTE Buttons

Pictured: LEWITT Audio RAY Large-Diaphragm Condenser Microphone AURA and MUTE Controls

Similarly, MUTE by Distance ensures unwanted sound isn’t broadcast to an audience, like when a streamer needs to step away from their show momentarily. If a podcast host or guest needs to clear their throat, they can back away from the microphone and be unheard. And again, this makes post-production editing that much easier for recorded podcasts and videos. MUTE by Distance also works well for vocalists supplying backgrounds or rappers performing ad libs, cutting the signal in between words and phrases.

Looking to upgrade your Zoom or Teams audio quality while working from home? The LEWITT RAY is a fabulous choice for that, too, keeping the noise of the neighborhood and day-to-day life out of your meetings.    

Moreover, the LEWITT Audio RAY is an awesome microphone for beginners, based on the features listed above. Between automatic leveling and muting, users can enjoy professional sound quality at the touch of a couple buttons—extensive studio experience not required.

Comparing the RAY to LEWITT's Other Condenser Microphone Offerings

Model

Capsule Type

Price

Polar Pattern

Weight

Sensitivity

Frequency Range

Common Applications

LEWITT RAY

1" condenser, externally polarized

$349

Cardioid

11.6 oz

22.6 mV/Pa

20Hz–20kHz

Vocals, podcasts, livestreaming

LEWITT LCT 240 PRO

.67" condenser, permanently polarized

$99

Cardioid

10.9 oz

16.7 mV/Pa

20Hz–20kHz

Vocals, podcasts, livestreaming, acoustic instruments

LEWITT LCT 440 PURE

1" condenser, externally polarized

$289

Cardioid

10.9 oz

27.4 mV/Pa

20Hz–20kHz

Vocals, acoustic guitar, drum overheads, electric guitar

LEWITT LCT 441 FLEX

1" condenser, externally polarized

$399

Omni, wide cardioid, cardioid, supercardioid, figure-8, reverse cardioid, reverse wide cardioid, reverse supercardioid

11.5 oz

17.2 mV/Pa

20Hz–20kHz

Vocals, piano, acoustic guitar, drum overheads, electric guitar, strings, room ambience

LEWITT LCT 540 S

1" condenser, externally polarized

$699

Cardioid

13.1 oz

41 mV/Pa

20Hz–20kHz

Vocals, acoustic guitar, piano, drum overheads, electric guitar, strings

LEWITT LCT 640 TS

1" condenser, externally polarized

$899

Omni, wide cardioid, cardioid, supercardioid, figure-8

14.9 oz

31.4 mV/Pa

20Hz–20kHz

Vocals, acoustic guitar, upright bass, piano, drum overheads, room, electric guitar, strings, room ambience

LEWITT RAY Large-Diaphragm Condenser Microphone

Why It’s Cool: As the first of its kind, the LEWITT RAY’s groundbreaking technology brings studio-grade audio quality to content creators.   

Things to Consider:

  • Signature LEWITT Record-Ready sound
  • High-end specifications based on LCT 440 PURE
  • Digital microcontroller, 100% analog signal path

 

LEWITT Audio RAY Large-Diaphragm Condenser Microphone

Shop Now: LEWITT Audio RAY Large-Diaphragm Condenser Microphone

The LEWITT RAY large-diaphragm condenser microphone simplifies modern content creation, thanks to “smart” features that help non-audio professionals sound their best. Whether you’re a first-time podcaster or a longtime streamer seeking easier, more consistent quality, RAY boasts the impressive ability to automatically balance your audio in a variety of scenarios. Intelligent technology aside, the LEWITT RAY is a fantastic all-around condenser for “everyday” studio applications, as well.

LEWITT LCT 240 PRO Condenser Microphone

Why It’s Cool: The entry-level LCT 240 PRO offers exceptional performance on a budget.

Things to Consider:

  • Tailored frequency response for pro-level recordings
  • Monstrous SPL tolerance up to 142dB
  • Includes mic mount, foam windscreen and transport bag

LEWITT Audio LCT 240 PRO Condenser Microphone

Shop Now: LEWITT Audio LCT 240 PRO Condenser Microphone

Every home studio needs a solid workhorse condenser (or two), and the LEWITT LCT 240 PRO is up to the task. This point-and-shoot microphone boasts the nuanced, transparent tonality for which LEWITT transducers are known. Substantial SPL handling takes on everything from intimate vocals and acoustic guitar to explosively loud amplifiers and drums, making this an exceptionally versatile choice for budget-minded home or project studios. If you don’t need the intelligent features of RAY, the LCT 240 PRO’s quality is among the best at its price. Guitar Center reviewers rate the LCT 240 PRO a full 5/5 stars.

LEWITT LCT 440 PURE Large-Diaphragm Condenser Microphone

Why It’s Cool: The flagship LEWITT LCT 440 PURE large-diaphragm condenser punches above its weight with mix-ready sound quality at an affordable price.    

Things to Consider:

  • Low self-noise (7dBA) and high SPL handling (140dB)
  • Modern frequency response with forward mids and airy highs
  • Includes shockmount, magnetic pop filter, foam windscreen and transport bag

LEWITT Audio LCT 440 PURE Large-Diaphragm Condenser Microphone

Shop Now: LEWITT Audio LCT 440 PURE Large-Diaphragm Condenser Microphone

LEWITT’s best-selling microphone, the LCT 440 PURE large-diaphragm condenser distills the essence of the brand’s premium offerings, bringing studio-quality sound and high-end specs to users on a home studio budget. The 440 PURE’s voice is forward and organic, with a sense of openness granted by slightly boosted, not overly bright highs. It utilizes many of the same components found in LEWITT’s higher-end microphones. Guitar Center reviewers likewise give the LCT 440 PURE 5/5 stars, and it’s the perfect alternative to the LEWITT RAY if you’re looking for a more traditional microphone.

LEWITT LCT 441 FLEX Condenser Microphone

Why It’s Cool: With eight selectable polar patterns and FLEX in the name, the LEWITT LCT 441 can take on any and all studio recording challenges.

Things to Consider:

  • Big, clear LEWITT voice without harshness up top
  • Technically flexible studio chameleon
  • Low self-noise (7dBA) and high SPL handling (144dB)

LEWITT Audio LCT 441 FLEX Condenser Microphone

Shop Now: LEWITT Audio LCT 441 FLEX Condenser Microphone

The LEWITT LCT 441 FLEX condenser microphone provides a whopping eight polar patterns for engineers to experiment with. Tighten the focus in supercardioid, or open the room in omni, capturing precise close-miked sources or instruments in a space with ease. Compared to the LEWITT RAY, the 441 FLEX leans a bit more to the project studio side of audio production, ready to record a broad range of sources in potentially complex setups. Both share signature LEWITT sonics, described as clear, open and natural.

LEWITT LCT 540 S Large-Diaphragm Condenser Microphone

Why It’s Cool: The LEWITT LCT 540 S condenser’s cutting-edge circuitry and capsule allow it to capture typically unheard details in a variety of sound sources.   

Things to Consider:

  • Self-noise below the threshold of human hearing
  • Accepts extreme outboard/plug-in processing
  • Includes stepped high-pass filter and pad

LEWITT Audio LCT 540 S Large-Diaphragm Condenser Microphone

Shop Now: LEWITT Audio LCT 540 S Large-Diaphragm Condenser Microphone

The premium LEWITT LCT 540 S large-diaphragm condenser boasts high sensitivity, inaudible self-noise and 132dB of dynamic range for immaculately detailed recordings that respond well even to heavy post-processing during mixdown. Featuring a fixed cardioid polar pattern, –6 and –12dB pads, and 80 and 160Hz high-pass filters, the LCT 540 S records numerous instruments with ease. The LEWITT LCT 540 S holds its own against microphones nearly twice the price and offers serious engineers a top-notch, everyday tool for professional recording. If we’re comparing it to the LEWITT RAY, the LCT 540 S caters to another demographic of users with different needs.

LEWITT LCT 640 TS Multi-Pattern Large-Diaphragm Condenser Microphone

Why It’s Cool: Touted as LEWITT’s ultimate studio FET condenser, the LCT 640 TS includes a forward-thinking feature set for pro-level recording.

Things to Consider:

  • Stereo recording with a single mic (Dual Output Mode)
  • POLARIZER plug-in changes polar patterns in your DAW
  • –6, –12 or –18dB pad, and 40, 80 or 160Hz high-pass filter

LEWITT Audio LCT 640 TS Multi-Pattern Large-Diaphragm Condenser Microphone

Shop Now: LEWITT Audio LCT 640 TS Multi-Pattern Large-Diaphragm Condenser Microphone

In terms of sheer flexibility, the LEWITT LCT 640 TS large-diaphragm condenser works as a standard multi-pattern microphone, a stereo recording device or a powerful post-production tool to change polar patterns after recording. Its revolutionary Dual Output Mode lets you capture both sides of the capsule for perfectly in-phase stereo, and the dedicated POLARIZER plug-in allows you to manipulate the microphone’s pickup response in your DAW. Of course, you can run it “normally”—that is, as a regular, mono mic—in one of five polar patterns to capture any instrument you wish. The LCT 640 TS is LEWITT’S most advanced large-diaphragm condenser mic under $1,000.

Right This Way for the LEWITT RAY

If you’re a content creator hoping to streamline your audio, the LEWITT RAY awaits. Like an autofocusing camera, RAY “magically” keeps incoming signals crisp and clear, so you can focus on the creative aspects of your content. Audiences will appreciate the quality and the consistency of your sound—even when you’re not centered behind the microphone.

LEWITT Audio RAY Condenser Microphone Shockmount

Pictured: LEWITT Audio RAY Large-Diaphragm Condenser Microphone Shockmount

LEWITT produces a wide selection of both studio and stage mics, and you’re welcome to swipe through the catalog to see everything they have to offer. Should any questions arise, feel free to call or connect with a Gear Adviser online, or stop by your local Guitar Center to test some of these microphones in person. LEWITT is ready to outfit your mic locker with high-quality, accessible transducers for every type of audio capture.

Max McAllister

Max McAllister is an audio engineer, guitarist and writer. At the Brewery Recording Studio, he earned engineering credits on Kid Cudi’s Man on the Moon III, Duckwrth’s SuperGood and the LeBron James Space Jam compilation, among others. Max previously wrote for Produce Like A Pro, where he authored over 600 articles, and has also contributed to Adorama’s 42West. He’s proudly served Guitar Center as a senior writer since 2023.

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