Back when humanity was still stacking up rocks to make festival stages, bass players were confined to an amp, a cable and an instrument, while guitar players got all the cool toys. It took several decades before bass players began to put together pedalboards of their own, seeking equity with the stage real estate guitarists had claimed. In this article, we're going to balance the equation and look at the best effects pedals for bass, from EQ and compression to distortion, filters, modulation pedals and more. We'll be covering a little history first, but if you just want to get to the gear, feel free to use the links below in the handy Table of Contents to jump right there.

Pictured: BOSS GT-1B Bass Multi-Effects Pedal

Table of Contents

History of Bass Pedals
Our Choices by Effect Type
Best Preamp and DI Bass Pedals
   MXR M81
   Ampeg SCR-DI Bass DI Preamp With Scrambler Overdrive
   Two notes Audio Engineering ReVolt
   Aguilar Tone Hammer V2
   Darkglass Alpha Omega
Best Boost and Distortion Bass Pedals
   Darkglass Luminal Booster Ultra Compression and Harmonic Boost Combo
   Aguilar Storm King Distortion/Fuzz Pedal
   MXR M85 Bass Distortion
   Death By Audio Bass War Fuzz/Distortion Pedal
   Electro-Harmonix Bass Big Muff Pi
Best Compressor Bass Pedals
   Darkglass Hyper Luminal Compressor
   MXR M87 Bass Compressor
   Keeley Bassist Limiting Amplifier
   Empress Effects Bass Compressor
Best Filter and EQ Bass Pedals
   BOSS GEB-7 Bass Equalizer
   Dunlop Cry Baby 105Q Bass Wah
   Morley Cliff Burton Tribute Power Wah Fuzz
   MXR M82 Bass Envelope Filter
   Electro-Harmonix Blurst Modulated Filter
Best Modulation Bass Pedals
   BOSS BF-3 Flanger
   Electro-Harmonix Bass Clone Analog Chorus
   BOSS CEB-3 Bass Chorus
   Aguilar Chorusaurus Bass Chorus
Best Multi-Effects Bass Pedals
   Fender Downtown Express Bass Multi-Effects
   BOSS GT-1B Bass Multi-Effects
   Line 6 POD Express Bass
   Zoom B1X FOUR
   BOSS ME-90B Multi-Effects Processor
Best Bass Pedal for Strangeness
   Electro-Harmonix Bass MicroSynth
Wrapping It All Up

History of Bass Pedals

It's interesting that the first use of a fuzz tone on record wasn't rock and wasn't a guitar. It was on country singer Marty Robbins' 1961 hit, "Don't Worry." The 19 seconds of fuzz bass solo in the middle of what was otherwise a mostly acoustic song was the result of a malfunction in a channel of the mixing board. After the producer and engineer decided to keep "that weird sound," engineer Glenn T. Snoddy figured out exactly what had happened, and recreated the "faulty" circuit, just in case anybody wanted it again. This circuit ended up in a box with a footswitch as the Maestro FZ-1 Fuzz-Tone, and the modern age of stompboxes was off to the races.

For the first several years, it was primarily guitarists using these new boxes. But an increasing number of bass players were dipping their toes into the pool—for example, Bill Wyman's use of fuzz bass on The Rolling Stones' 1966 recording of "Under My Thumb." The first big breakthrough for bass effects pedal use, though, occurred when Sly Stone hired bassist Larry Graham away from Graham’s mother's gospel trio for his new band. In addition to his slap and pop bass style, Graham, a one-time guitarist, was a pioneer in the use of effects pedals for bass. He famously used the built-in fuzz of his Acoustic 360 bass amp on Sly and the Family Stone's well-documented set at the 1969 Woodstock Music Festival. But Graham, throughout his career, has also used fuzz pedals, wah pedals and phase shifters. He was also one of the first to use an envelope filter on the bass.

Pictured: MXR M82 Bass Envelope Filter

Many of the bassists who incorporated Graham's "thumping and plucking" playing style, like Bootsy Collins, Stanley Clarke and others, also adopted his use of pedals, with some, like Collins, adding delay and other effects to expand their palette of sonic tricks. But there was one big problem holding bass players back from a more widespread adoption of effects pedals. Battery-powered effects designed for guitar simply couldn't deal gracefully with bass. Inherent frequency response limitations in the designs meant a loss of bass frequencies, turning many pedals that sounded great for guitars into serious tone sucks for bass. So, bassists had to wait.

In the late 1980s, Roland/BOSS began designing pedals that were intended specifically for bass guitar. One key to the success of these pedals was the use of low-pass and high-pass filters to leave the fundamentals of bass notes untouched while processing overtones so that the impact of the bass didn't get lost. This period also saw the first rackmount multi-effects units designed specifically for bass. As the '90s began, many more companies, seeing the popularity of the BOSS bass effects, began to develop pedals specifically to enhance and expand the sonic possibilities bassists had.

Pictured: Electro-Harmonix Bass Big Muff Pi Bass Effects Pedal 

The increasing presence and popularity of DSP-based physical modeling in the mid-'90s began to be felt in the bass world as well as the guitar world. Analog and digital products inspired each other to up their respective games as well. From the analog Tech 21 SansAmp Bass Driver to the Line 6 Bass POD, bass-specific products, many of which combined preamps with effects, started hitting the stores, offering bassists far more options and beginning to change the sound and role of the bass in popular music. Thirty years later, the variety and quality of bass-specific effects continues to expand and grow.

Our Choices By Effect Type

We've broken down our choices into six basic categories to help you zero in more quickly on the best bass effect pedals for your needs. First, we'll break down what those categories are, then walk you through our selections for each category.

Types of Bass Effects

Unlike earlier decades, there are many dedicated bass effects pedals available today, but they tend to break down into a handful of basic categories.

Pictured: Darkglass Alpha Omega Bass Effects Pedal

Preamps and DIs:

While the DI (Direct Injection) box has been one of the most prominent ways of recording bass and getting a solid bass signal into a live mixing board, having a DI combined with a preamp specifically designed for bass makes it a far more powerful tool. The development of pedals that combine the two is especially handy for the growing use of "silent stage" setups for houses of worship, clubs, shows at venues like casinos, and touring bands who like to keep stage gear to a minimum. They range from basic EQ and gain controls to more comprehensive units that include switchable channels, built-in distortion/overdrive and more.

Boost and Distortion:

Whether you're looking for just a quick boost from hot to hotter or want a full-blown fuzz, this is the place to get that extra edge on your sound. These can be very basic volume boosts or pedals with split outputs and multiple voicing.

Compressor:

Probably the most widely used effect for bass, a good compressor helps smooth out your signal and keep your sound in the right spot in the mix. It's essential for the pop and snap of modern funk playing and for keeping dynamics even and controlled.

Filter and EQ:

We're grouping these effects together because they're related in concept and in use. Envelope filters (aka auto-wah) and wah pedals were among the earliest effects used on bass guitar, second only to distortion. The use of a supplementary equalizer pedal (EQ) enables bassists to further expand their tonal palette beyond the basic tone they have dialed in on their amplifier or preamp. 

Modulation:

Whether time-based (chorus) or frequency-based (phase shifter), modulation effects add that rich, harmonic "swoosh" to your sound. Important for bass versions of this effect is to have some sort of filter that leaves the fundamental untouched.

Multi-Effects:

All of the above, plus more.

Best Preamp and DI Bass Pedals

Whatever else you're doing, you'll need a preamp to shape your sound on the way to your amp, and a DI to get it into a mixer or interface. We've got some great choices here.

Pedals	Tonal Characteristics	Power Supply and Draw	Direct Out
MXR M81	Transparent	9V, 8.5mA	Yes
Ampeg SCR-DI Bass DI Preamp With Scrambler Overdrive	Lush to aggressive grit	9V or proprietary PSU, 100mA	Yes
Two notes Audio Engineering ReVolt	Clean tube to British crunch	12V, 600mA	No
Aguilar Tone Hammer V2	Warm and rich	18V, 36mA	Yes
Darkglass Alpha Omega	Punchy and tight to brutal and raw	9V, 30mA	Yes

MXR M81

Why It’s Cool: This workhorse pedal packs a 3-band EQ and impressive routing features into a compact, board-friendly package.

Things to Consider:

• Small footprint conserves pedalboard space
• PRE/POST EQ switch lets you bypass the EQ section on the direct out signal
• GROUND LIFT switch keeps your signal clean and free of hum

Shop Now: MXR M81 Bass Preamp 

The most basic of the pedals in this category, the all-analog MXR M81 features three-band EQ and a pro-level DI that can be toggled pre- or post-EQ. This enables a super-clean, flat signal to the console while using the tone controls to alter your amp's tone, or the EQ'd signal to hit both the amp and the console, depending on need. The mid control is sweepable from 250Hz to 1kHz for easy access to a wide range of tonalities. Using MXR's Constant Headroom Technology to keep the clean headroom at the max, this is a great tool for the bassist who lives primarily in the world of clean signal or who prefers to use a separate overdrive or distortion pedal. The size is extremely pedalboard friendly, and this would be a great pedal to serve as the center of a bass setup aimed at silent stage or a "fly rig" for touring bassists.

Ampeg SCR-DI Bass DI With Overdrive

Why It’s Cool: Designed by bass players for bass players, this pedal is packed full of classic Ampeg tones.

Things to Consider:

• Blendable drive section lets you dial in your overdriven tones
• Balanced XLR out lets you send your signal to front-of-house as well as your onstage amp
• Headphone output for silent practice

Shop Now: Ampeg SCR-DI Bass DI with Scrambler Overdrive 

Ampeg has been a big name in bass amplification for over 60 years. The Ampeg SCR-DI Bass DI with Scrambler Overdrive is based on the popular preamp section from their recent BA Series bass amps along with their Scrambler overdrive circuit, set up as a convenient pedal. If you're familiar with the classic Ampeg bass amps (SVT, B-15 Portaflex, etc.) and their three-band EQ tone stack, you'll be right at home here, with solid sounds that are undeniably Ampeg. The preamp side also carries over the Ultra-Low and Ultra-High switches from those amps as well.

The SCR-DI is very much two pedals in one, as the Scrambler overdrive can be run with or without the preamp section. The Scrambler is a blendable overdrive, so you can go from adding just a little bit of "hair" to the signal to full-on raging crunch, all depending on how you have the drive and blend knobs set.

The pedal's XLR and 1/4" line outs carry duplicate signals, so it's easy to have the same sound going to an onstage power amp and cabinet, and to a mixing console. Set up this way, you can effectively run a virtual four-channel bass system—plain DI only, DI with tone stack, DI with Scrambler, and DI with tone stack and Scrambler. That's a lot of versatility for one pedal. There is also an unprocessed Thru output if you want to do some parallel processing of your bass signal, or just run to your regular amp, using the pedal only for feeding front of house or a recording board. The SCR-DI also has a built-in headphone amp and both 1/4" and 1/8" AUX ins for use as an ideal desktop silent practice amp. Since the AUX in signal only appears on the headphone out, it's use as an amp for in-ear monitors shouldn't be overlooked. Effectively, it's an entire amp system, and at this price, it's a worthwhile investment just to have a backup bass rig if your regular amp goes out in a critical situation.

Two notes Audio Engineering ReVolt

Why It’s Cool: This all-analog amp simulator is an adaptable option for players of any style or genre.

Things to Consider:

• Three versatile tones to choose from
• Dry/wet blend lets you dial in your desired drive settings
• FX Loop and MIDI I/O make this a flexible centerpiece for your pedalboard

Shop Now: Two notes Audio Engineering ReVolt 3-Channel Preamp

The ReVolt from Two notes Audio Engeneeing is a forward-thinking, 3-channel preamp purpose-built to serve as the beating heart of your rig. This critically acclaimed preamp solution has been engineered with a singular mission: to empower players with an array of foundational tones. Forget any preconceptions you have about a typical amp-in-a-box, preamp or DI—ReVolt Bass stands apart. It’s inspired by a trio of iconic tones, fueled by 200V of power and a genuine all-analog signal path. Versatile enough to take on a myriad of usage scenarios, it delivers the edge you need thanks to its integrated dry/wet drive channel blend. This rock-solid option will make your bass the bedrock of any performance.

Aguilar Tone Hammer V2

Why It’s Cool: This powerful, contemporary tonal masterpiece is ready for any gig, no matter how you use it.

Things to Consider:

• Ideal for gigging and touring
• Enhanced drive circuit and expanded gain range
• Round, full tones inspired by Aguilar’s best-selling tube amps

Shop Now: Aguilar Tone Hammer V2 Preamp Bass Effects Pedal

Taking a tonal nod of the head from its sibling, the Tone Hammer 700 V2 amp head, the Aguilar Tone Hammer V2 preamp bass effects pedal delivers an updated drive circuit, direct recording and monitoring capabilities, as well as the added bonus of being able to drive a power amp, allowing you to use it as a standalone preamp. With sounds reminiscent of Aguilar’s legendary amps, this sturdy pedal delivers iconic tube amp tones that the brand is known for. Included, you’ll find a 3-band EQ with a sweepable midrange so you can hone in on the perfect frequency, as well as a drive control that adds an impressive amount of grit and punch when you want more aggression. These tone-shaping features combine to provide you with a wide range of sonic possibilities, from vintage warmth to modern grind. Whether you’re cranking things up on stage or utilizing the headphone jack for silent jam sessions, the Tone Hammer V2 is a force to be reckoned with.

Darkglass Alpha Omega

Why It’s Cool: This rugged and feature-packed pedal sports a built-in optical compressor that enhances sustain and provides smooth, musical compression.

Things to Consider:

• Onboard optical compressor for transparent, dynamic control
• Versatile enough for studio and live applications
• 3-band EQ with sweepable midrange

Shop Now: Darkglass Alpha Omega Bass Effects Pedal

The Darkglass Alpha Omega is an extremely flexible option that houses EQ, compression, drive and blend settings in a road-tested enclosure. If you’re looking for an adaptable preamp that provides a bevy of onboard effects, this pedal delivers in spades. Striking a nice balance between its array of different settings, the blend knob allows you to mix your distorted and clean signals to create the perfect ratio of drive and clarity. Whether you play modern metal, classic rock or jazz fusion, the Alpha × Omega has the tools for you to craft your own unique, one-of-a-kind sound.

Best Boost and Distortion Bass Pedals

Need just a little extra level to pop your bass out or drive your amp a little more? Looking for roaring fuzz bass? This section is where to find your answer.

Pedals	Tonal Characteristics	Power Supply and Draw	Included Effects
Darkglass Luminal Booster Ultra Compression and Harmonic Boost Combo	Clean + IR cab sims	9V, 400mA	Compression, EQ, Impulse Responses
Aguilar Storm King	Warm and saturated to aggressive and dirty	9V, 4mA	Distortion
MXR M85	Wide open to sharp and biting	9V, 11mA	Distortion
Death By Audio Bass War	Harmonically rich fuzz to brutal growl	9V, 33mA	Fuzz
Electro-Harmonix Bass Big Muff Pi	Fat and sludgy to clear and present	9V, 7mA	Fuzz

 

Darkglass Luminal Booster Ultra Compression and Harmonic Boost Combo

Why It’s Cool: This pedal is a front-runner for bassists seeking a pristine, controlled tone.

Things to Consider:

• Onboard 6-band EQ for maximum tonal versatility
• Load up to seven custom IRs via USB
• Built-in multi-band compressor provides even, transparent dynamic response

Shop Now: Darkglass Luminal Booster Ultra Compression and Harmonic Boost Combo Bass Effects Pedal

A welcome addition to any pedalboard, the Darkglass Luminal Booster Ultra Compression and Harmonic Boost Combo effects pedal serves as a perfect option for the beginning of your chain, or, if you’re looking for the most pure, uncolored sound you can achieve, the only pedal in your chain. This contemporary combo effects unit comes fully equipped and ready for the stage or studio with an in-depth EQ section, smooth multi-band compressor, headphone output, onboard metering and a USB-C connection that enables you to upload seven impulse responses so you can experiment with different cabinet simulations to fully define your sonic footprint. Seemingly packing only the best parts of multiple pedals into one unit, this is a formidable option for any bassist seeking their true dream tone.

Aguilar Storm King

Why It’s Cool: If you’re looking for a pint-sized powerhouse that gives you everything from Motown to mayhem, look no further.

Things to Consider:

• Extremely small footprint saves space on your board
• Tonally versatile distortion and fuzz pedal with no frills
• Rugged build quality fit for touring musicians

Shop Now: Aguilar Storm King Distortion/Fuzz Bass Effects Pedal

Small and mighty, the Aguilar Storm King packs a punch that’s not to be underestimated. Fans of Aguilar’s Tone Hammer amp will find themselves in a similar tonal landscape full of tube-like tones and gritty textures. From subtle saturation to full-on fuzz chaos, the Storm King delivers a full spectrum of flavors for you to dial in the perfect distortion. Boasting an all-analog signal path, this pedal features a Shape setting as opposed to a traditional Tone knob, giving you an extended range varying from a warm, responsive tube overdrive to aggressive heavy metal bite. Taking things a step further, the Storm King includes a Kick button. When engaged, a tailored midrange bump enhances the presence and boost of your distortion, making your bass jump out and cut through a dense mix. An easy choice for your pedalboard, the Storm King will bring a wide array of powerful bass tones to your tracks and performances.

MXR M85 Bass Distortion

Why It’s Cool: Cash-conscious bassists will love this boutique-style distortion’s wet and dry blending capabilities.

Things to Consider:

• Heavy-handed distortion flavors aren’t for everyone
• Two different clipping modes
• Completely independent wet and dry volume controls

Shop Now: MXR M85 Bass Distortion Effects Pedal

Finally, the best of both worlds in a small, easy-to-use package. When MXR set out to design the M85 Bass Distortion, they enlisted the help of pedal guru and Fuzzrocious Pedals founder Ryan Ratajski to take a classic, gritty distortion circuit and tailor it for modern bass players. What came to be is a flexible and detailed distortion pedal with just the right set of parameters that allow you to dial in your tone without losing definition or bite. Aside from Tone and Distortion controls, there are dedicated volume controls for both your dry and wet signals, so you can blend them to your exact taste with ease. The M85 features two clipping modes that deliver distinct, complementary sounds for you to choose from. Silicon-diode mode provides a more compressed, even distortion while LED mode gives your bass a wider, punchier sound with a more prominent midrange. Whether you’re looking for pure, modern crushing power, or for a pedal to tackle classic rock with ease, the M85 will be right at home on any bassist’s pedalboard.

Death By Audio Bass War Fuzz/Distortion Pedal

Why It’s Cool: This pedal takes the over-the-top, nasty tone of the Fuzz War and tailors it specifically for bass.

Things to Consider:

• Massive gain with up to 64dB of fuzz
• Built for bassists to use on stage or in the studio
• MIX knob lets you blend in your clean tone to retain clarity

Shop Now: Death By Audio Bass War Fuzz/Distortion Bass Effects Pedal

The Death By Audio Bass War pedal is a sonic creation made to take your bass tone to places it has never been before. A harmonically rich octave fuzz, this pedal boasts intense levels of gain, a wide-ranging tone sweep and a MIX knob so you can retain the definition of your performances. Capable of producing some of the heaviest tones imaginable, the sheer volume of unique sounds that come out of this pedal is astonishing. One twist of the TONE knob, and you’ll get a preview of what the Bass War is capable of. Not only does it sport some of the most impressive fuzz tones available, but it delivers bone-crushing gain without sacrificing clarity. Every aspect of this pedal is heavy duty. From its construction to its power, the Bass War is sure to be a favorite for years to come.

Electro-Harmonix Bass Big Muff Pi

Why It’s Cool: What could be the most popular fuzz effect of all time, the Big Muff Pi is now tailor-made for bass.

Things to Consider:

• Classic Big Muff Pi fuzz tones
• Dual outputs give you recording/performing flexibility
• Bass boost EQ reintroduces low frequencies when tone settings are high

Shop Now: Electro-Harmonix Bass Big Muff Pi Bass Effects Pedal 

The Electro-Harmonix Big Muff Pi is one of the most widely used fuzz pedals in the history of amplified music, and the Bass Big Muff Pi takes all that insanity and voices it specifically for bass. One very important feature here is the split Dry and Effect outputs, which enable you to record the clean and fuzz outputs separately, run to two separate amps, two channels of the same amp or to separate mixer inputs live. Best of all, because nothing exceeds like excess, there's a switchable bass boost to send the fuzz totally over the top. For sheer, unadulterated fun, fuzz bass has got to be right up near the top of the list.

Best Compressor Bass Pedals

Every bassist needs a good compressor somewhere in their signal chain. No matter what style or genre you play, that's just a fact.

Pedal	Tonal Characteristics	Power Draw	Attack and Release
Darkglass Hyper Luminal Compressor	Punchy and modern to gluey	9V, 250mA	Variable
MXR M87	Transparent	9V, 19mA	Variable
Keeley Bassist Limiting Amplifier	Musical and clean	9V, 50mA	Fixed
Empress Effects Bass Compressor	Organic to harmonically rich and colorful	9V, 100mA	Variable

Darkglass Hyper Luminal Compressorx

Why It’s Cool: This hybrid analog/digital compressor pedal gives your bass tone a jolt of studio-tested outboard compressors.

Things to Consider:

• Set detailed compression settings via USB-C and the Darkglass Suite
• Variable onboard ratio settings as well as gain reduction metering
• Emulations of classic outboard effects, such as the SSL Bus compressor and UA 1176

Shop Now: Darkglass Hyper Luminal Compressor Bass Effects Pedal

Darkglass has built a reputation for bass-specific pedals and preamps, and the Darkglass Hyper Luminal Compressor is a brilliant example of why they've become so well considered. Packing three different types of compressors into one box, the Hyper Luminal is a hybrid design using an analog VCA (voltage-controlled amplifier) controlled by digital circuitry. This keeps the signal path completely analog but enables very flexible controls, including Darkglass' unique touch controls for compression ratio and compressor type selection.

The three compressor types in the Darkglass Hyper Luminal are labeled—from left to right on the touch control—Bus, Sym and FET. Bus is modeled after the Solid State Logic bus compressor, with its feedback design that was closely related to the original UREI LA2A compressor, for a smooth, almost seamless compression. Sym is Darkglass' own, now discontinued, Super Symmetry 115 GeV Compressor, known for its smooth action and an almost envelope-like attack. FET is inspired by the legendary UREI/Universal Audio 1176, with lightning-fast response and just enough grit to make it interesting.

The Hyper Luminal's controls are simplicity itself. Blend controls the mix of original and effected signal. One neat feature here is that it's placed before the Output control, so the box can be used as a clean boost when the Blend knob is all the way down. The Time knob is connected to the attack and release time constants. Lest you think that a single knob to control both is a problem, these time constants are editable via the Hyper Luminal's USB connector and the Darkglass Suite software app, which even allow you to customize the settings for each compressor type. The Compression knob controls the overall amount of compression, and the Output knob should be fairly self-explanatory. The two touch controls change compression ratio and select compressor type. That's an awful lot of power and versatility for a standard-size stompbox. With the ability to update the digital control software, there's a promise of new compressors to come as well. With the equivalent of two classic studio rack compressors and an in-demand stompbox compressor in a single package, this one should be on every bass player's list.

MXR M87 Bass Compressor

Why It’s Cool: This pedal excels at compression in a natural, transparent way, without negatively effecting your tone.

Things to Consider:

• Onboard gain reduction metering
• Not a one-knob solution—has variable attack, release and ratio settings
• Interactive controls might not be the best for beginners

Shop Now: MXR M87 Bass Compressor Effects Pedal

This compact, handy compressor pedal is a formidable option for bassists seeking clean, dynamic control of their performances. The MXR M87 gives you all the settings you need to dial in the perfect amount of control. From light compression that still lets through power and feeling while enhancing sustain to harder, limiting-style settings for players who like slapping, the M87 delivers the tools you need to sound your best. It stands out as a pure, flexible compressor that adds no noise to your signal, making it a gig-ready choice for bassists who need ultimate control over their dynamics. At the same time, if you’re looking for a set-and-forget-style compression pedal, you might want to explore other options with a simpler design.

Keeley Bassist Limiting Amplifier

Why It’s Cool: The simple design and transparency of this compressor has made it a staple on pedalboards far and wide.

Things to Consider:

• Adaptable to either active or passive basses
• Straightforward, variable compression effortlessly controls dynamics
• Easy to dial in, color-free tone perfectly suits studio settings

Shop Now: Keeley Bassist Limiting Amplifier Bass Compressor Pedal

A very quiet pedal that can handle extremely hot signals, the Keeley Bassist Limiting Amplifier pedal is a studio musicians dream. Flexible enough to use with either active or passive basses, this masterpiece is versatile and player-friendly straight out of the box. With a clean 20dB of gain (when compression is set to a 1:1 ratio), this transparent option for your effects rig delivers power when you need it. This pedal truly shines when it comes to dialing in your compression settings fast and easy. Its three-knob architecture allows you to quickly tweak settings and achieve neutral, organic compression in the blink of an eye. The Bassist consistently exceeds expectations in recording settings and makes a wonderful companion for any player’s rig.

Empress Effects Bass Compressor

Why It’s Cool: This pedal features everything players love about the original Empress Effects Compressor pedal, with bass-centric features in a pedalboard-friendly size.

Things to Consider:

• Onboard metering of both the input signal, and gain reduction
• Small footprint and top-mounted jacks
• Sidechain functionality gives you a wider range of compression possibilities

Shop Now: Empress Effects Bass Compressor Effects Pedal

An extremely versatile effects pedal, the Empress Effects Bass Compressor packs loads of functionality into a footprint that will make any pedalboard enthusiast happy. From its variable attack and release settings to a switchable ratio that ranges between 2:1 and 10:1, this pedal offers complete control of your dynamic range. The standout feature of the Bass Compressor is the three-way switch that controls the Tone and Colour setting. Giving you the ability to dial in transparent, mid-scoop and mid-bump settings, this functionality takes your compression from clean to colored on demand. A nice addition is the built-in side chain HPF so you can retain your powerful low end while smoothly controlling your mids to avoid nasty, distracting bite. Plus, with additional external sidechain I/O, the possibilities on stage or in the studio are seemingly endless.

Best Filter and EQ Bass Pedals

EQ and its ability to fine-tune an instrument's tone has been central to recording and performance since it was first invented, but putting it in a stompbox and making it usable as an effect opened up new frontiers. The vocal-like sound of wah pedals and envelope filters have been second only to distortion as an effect for bass players since those effects first arrived on the scene. The sub-octave, also known as octave-down effect, has enabled bassists to thicken and reinforce their dominance of the deep.

Pedal	Tonal Characteristics	Power Draw	Onboard Expression Pedal
BOSS GEB-7 Bass Equalizer	N/A	9V, 30mA	No
Dunlop Cry Baby 105Q	Muted and wonky to wide open	9V, 20mA	Yes
Morley Cliff Burton Tribute Power Wah Fuzz	Wah + gritty fuzz	9V, ---	Yes
MXR M82	Classic '70s funk bass tone	9V, 6mA	No
Electro-Harmonix Blurst	Sweeping, synth-style resonance	9V, 56 mA	No, but has I/O

BOSS GEB-7 Bass Equalizer

Why It’s Cool: The extended EQ range of this pedal makes it a must-have for bassist of all styles and genres.

Things to Consider:

• Seven bands of EQ give you total control over your tone
• Easy-to-use sliders give you a visual representation of your EQ curve
• Great for electric and acoustic-electric basses

Shop Now: Boss GEB-7 Bass Equalizer

A seven-band graphic equalizer pedal with EQ center points customized for electric bass guitar, the BOSS GEB-7 has a range from 50Hz to 10kHz and a dedicated level control slider, which enables the pedal to be used for boost or cut. The GEB-7 can easily shape your tone precisely, going from subtle to extreme with a tap of your toe.

One other use for an EQ pedal is to maintain level and tonal consistency between two basses. For example, if one of your stage instruments is active and one is passive, you can set the GEB-7 to keep everything consistent when you swap instruments. This makes for a seamless transition for you, and (maybe more importantly) for the Front of House mixer, who won't have to jump up and make hurried changes.

Dunlop Cry Baby 105Q Bass Wah

Why It’s Cool: This wah was designed intentionally for bass, with the added functionality of a Q control to dial in the amount of wah effect.

Things to Consider:

• Tuned to effect midrange and high-end frequencies, keeping your low end untouched
• Classic wah tone provides an extremely unique sound
• Ideal for solos and stand-out performances

Shop Now: Dunlop Cry Baby 105Q Bass Wah

From early on, bass players experimented with wah pedals, but mostly switched to envelope filters because the wah pedals designed for guitarists were not kind to low frequencies when they were switched on. The Dunlop 105Q Bass Wah takes a unique approach to that problem achieving a "best of both worlds" solution.

The 105Q was designed from scratch expressly as a pedal for bassists, and it is almost a hybrid of a wah and an envelope filter. Dunlop engineers borrowed circuitry from their envelope filters but control the sweep of the filter with the pedal. They also mixed in the fundamental frequencies of the bass so low end is never lost, while the effect is primarily applied to the mid and high frequencies of the signal. A variable Q (filter resonance) control is located on the side of the pedal, enabling you to go from a standard Cry Baby wah sound to a more intense, focused sound at higher (which equals narrower) Q settings. There is also an adjustable boost of up to 20dB. For a touch of added coolness, Dunlop's neat switching system turns off the wah when you just lift your foot off the pedal.

Morley Cliff Burton Tribute Power Wah Fuzz

Why It’s Cool: This pedal delivers the iconic sound of the Metallica bassist, combining wah and fuzz into a textural wonder.

Things to Consider:

• Electro-optical design provides era-defining tones
• Rugged steel housing
• Fuzz effect is reminiscent of a ripped speaker

Shop Now: Morley Cliff Burton Tribute Power Wah Fuzz

Widely recognized as one of the greatest bassists of all time, Cliff Burton was a pioneer whose magic has been captured on the first three Metallica records. A major part of his inimitable sound was the Morley Power Wah Fuzz, which he used to dramatic effect on tracks like “(Anesthesia) - Pulling Teeth,” “For Whom the Bell Tolls” and “The Call of Ktulu.” The Morley Cliff Burton Tribute Power Wah Fuzz is a reissue of a classic, complete with its unique frequency sweep and electro-optical circuitry. Housed in a distressed chrome enclosure and featuring a glow-in-the-dark rubber treadle, the Morley Cliff Burton Power Wah Fuzz emulates the old-school, broken-speaker sound of the original while paying homage to a legend. Famous Morley switchless activation engages the effect as pressure is applied to the treadle and bypasses it when you step off. The wah circuit also features up to 15dB of level boost, so you can solo just like the master himself.

Guitar Center is honored to exclusively offer the Cliff Burton Tribute Series Power Wah Fuzz by Morley—take your bass, guitar or keyboard sounds over the top with a tonal icon.

MXR M82 Bass Envelope Filter

Why It’s Cool: This pedal delivers classic ’70s funk bass tones from your favorite records with the added flexibility of independent wet and dry blend controls.

Things to Consider:

• Retains more transient definition than a wah pedal
• Ability to keep your low end intact with the DRY blend knob
• Takes careful adjustment to dial in the right settings

Shop Now: MXR M82 Bass Envelope Filter

One of the most iconic sounds in funk is the "wow-wow-wow" of an envelope filter. From OG Larry Graham with Sly and the Family Stone and Bootsy Collins' summoning of the Mothership with Parliament/Funkadelic to Flea and Marcus Miller, that particular type of sweeping filter is an integral part of funk bass history. The MXR M82 Bass Envelope Filter's all-analog design and simple controls make it an excellent choice if you are laying it down on the one.

One of the key features that puts the M82 on our list is the use of separate Dry and Effect level knobs as opposed to a single-blend knob. Separate levels allow for a greater range of filter effects from just barely noticeable to totally over the top. For the filter itself, there are three controls available. First, Decay, which sets the frequency where the envelope sweep will end. Next, Q sets the resonant frequency of the filter peak. Lastly, Sens (sensitivity) determines what level of attack will trigger the filter, making it possible, for example, for the envelope to only trigger on the loudest notes, such as a thumb pop, leaving regular fingerstyle plucks with medium dynamics untouched.

Electro-Harmonix Blurst Modulated Filter

Why It’s Cool: This pedal finds its roots in electronic synthesis and can bring truly out-of-this-world tone to your low end.

Things to Consider:

• Modulation is controlled by an internal oscillator, not the dynamics of your playing
• Expression pedal input
• Three modulation waveform shapes—triangle, rising sawtooth and falling sawtooth

Shop Now: Electro-Harmonix Blurst Modulated Filter

The Electro-Harmonix Blurst Modulated Filter can get pretty trippy, which is appropriate considering the long EHX tradition. It's also one of the most flexible filter pedals out there. You can think of it as an envelope filter that's controlled by the sweep of an LFO (low frequency oscillator) instead of your playing dynamics. Or, like a chorus pedal that sweeps frequency instead of time.

There's a lot of available control here, with five knobs, three mini toggle switches and a pair of footswitches, plus an expression pedal input. Let's take a quick cruise through the functions, knobs first.

The Output knob simply controls the volume of the pedal when the effect is engaged. The Blend knob mixes your dry and effected signals. The next three knobs, Resonance, Rate and Range control the filter and the LFO. Resonance controls the Q factor of the filter and Range controls the width of the frequency sweep. Rate, naturally, controls the speed of the LFO. You'd think that would be enough, but those mini toggles add a whole other layer.

Going from left to right, the first toggle switch, Exp Mode, sets what is controlled by the expression pedal/CV (yes, the pedal can use control voltage, as a nod to its analog synthesis roots), should have one connected. The choices are Range, Rate and Filter. The first two essentially change the settings of the associated knobs, enabling you to sweep them manually with a pedal. Selecting Filter, though, bypasses the LFO and sweeps the filter itself with the pedal, effectively turning the Blurst into a very cool wah pedal. The second toggle, Tap Divide, operates in conjunction with the Tap switch to set the sweep rate to quarter note, dotted eighth note or eighth-note triplets for the tempo you tapped in. The third switch, Shape, switches between sawtooth, triangle and reverse sawtooth waveforms for the LFO.

As mentioned, there's a lot here, and the range of textures this pedal can produce take it from subtle to total madness. Plus, the Electro-Harmonix Blurst's function as a cool wah pedal is a distinct plus. This one is well worth a spot on your pedalboard if you're exploring funk, psychedelia or contemporary fusion.

Best Modulation Bass Pedals

Swoosh, swirl and swim in the rich wash of modulation effects. We've got a pair of solid choices here to help liquify your sound.

Pedal	Tonal Characteristics	Power Draw	EQ
BOSS BF-3 Flanger	Thick and swirling	9V, 40mA	None
Electro-Harmonix Bass Clone	Tight and defined with a shimmering top end	9.6V, 15mA	2-band, Low cut
BOSS CEB-3 Chorus	Warm and rich	9V, 55mA	Low filter
Aguilar Chorusaurus	Lush and organic	9V, 12mA	None

BOSS BF-3 Flanger

Why It’s Cool: This adaptable, stereo effects pedal provides tantalizing, swirling tones for guitar or bass, and can add an extraterrestrial flavor to your pedalboard.

Things to Consider:

• Works with guitar and bass
• Tap tempo adjustable via pedal
• Momentary mode turns flanging on instantly

Shop Now: BOSS BF-3 Flanger Effects Pedal

The BOSS BF-3 Flanger adds features to the original BF-2 Flanger, creating a pedal that's great for bass or for guitar. While the BF-3 is a stereo/mono pedal, most bassists are likely to keep it in mono on their pedalboard. The unit has separate bass and guitar inputs, so if you play both, you can easily pop it from your bass pedalboard to your guitar one. BOSS offers four distinct modes for the pedal with amp control to tweak it to exactly where you need.

The control knobs start with a stacked pot that controls both the center frequency of the sweep (Manual) and the amount of feedback (Res), which controls the resonance of the effect. Next is the Depth knob, which controls the width of the flanger's sweep. This is followed by the Rate knob, which controls the speed. The final knob, going from left to right, controls the BF-3's mode of operation. There are four choices, the first two of which control the strength of the effect: Ultra provides an extra-strong flanging sound, whereas Standard is a normal flanger. The next choice, Gate/Pan creates massive volume differences in the flange sweep. In stereo mode, this acts as panning. In Mono, which is where you're most likely to be running it for bass, it creates a rhythmic gating effect, which can be a "chopper"-type of effect at extreme settings. Finally, Momentary activates the BF-3 in Standard flange mode only while the toe switch is depressed—great for adding a little touch of texture in the middle of a chorus.

Electro-Harmonix Bass Clone Analog Chorus

Why It’s Cool: This chorus pedal will leave you swimming in tone from head to toe with its flexible controls and classic sound.

Things to Consider:

• Bass-specific version of the infamous Electro-Harmonix Small Clone
• Crossover switch ensures articulate, defined low end
• Compact footprint saves space on your pedalboard

Shop Now: Electro-Harmonix Bass Clone Analog Chorus

The Electro-Harmonix Bass Clone Analog Chorus is a bass-specific version of their classic Small Clone guitar pedal. The mods for the bass version are a very clever combination of tricks that make this an excellent choice for your pedalboard.

The first, and most important change, if you ask us, is adding a crossover to keep the bass fundamental frequencies out of the modulated signal, so you always have a solid foundation in your bass line. The second cool tweak is in the tone controls. The Treble knob affects the whole signal, but the Bass knob will only affect the original, dry signal, once again, keeping the foundation solid and keeping the effect from getting muddy.

The controls for the chorus effect itself are the standard two-knob setup—Depth and Rate, which should be self-explanatory. The all-analog chorus circuit can easily go from a subtle doubling effect to the full-blown seasick warble of full-depth and high-rate settings. For modern pop and styles like emo and shoegaze, it's an essential sound.

BOSS CEB-3 Bass Chorus

Why It’s Cool: This easy-to-dial-in pedal is just what you need if you’re looking for a straightforward, versatile bass chorus.

Things to Consider:

• Low filter helps keep your low end intact
• One of the simplest chorus pedals to operate
• Blend knob to control the intensity of the chorus effect

Shop Now: BOSS CEB-3 Bass Chorus

BOSS has become a mainstay on pedalboards around the world thanks to their reliability and accessibility. With a rich history in crafting useful, in-depth effects, they deliver player-friendly results time and time again. With the CEB-3, BOSS has passed the baton from guitarists to bassists looking for their own shimmering, dream-like tone. With its built-in crossover, players can dial in warm, decadent chorusing to the high and midrange frequencies without muddying their low end. This pedal is durable enough for touring musicians looking for a road-worthy stompbox, and versatile enough to pull long nights in the studio. It won’t take long for you to find the sound you’re looking for with the CEB-3, making it a shoo-in as a pedalboard necessity for every bass player.

Aguilar Chorusaurus

Why It’s Cool: This chorus pedal delivers fat, warm and organic sounds thanks to its bucket-brigade style circuitry.

Things to Consider:

• All-analog, bucket-brigade style chorus
• No HPF or crossover—the entire frequency range is affected
• RATIO control allows you to blend clean and effected signals

Shop Now: Aguilar Chorusaurus Bass Chorus Effects Pedal

Over the years, Aguilar has become synonymous with low end. Their amps and pickups are sought by bassists far and wide due to their thunderous, natural tone. Well, bass purists unite, because the Chorusaurus does not disappoint. Warm and versatile, this pedal is perfect for everything from fattening up your root signal, to full-blown underwater soundscapes. It has a deceptively simple set of controls that allow for a plethora of usable sounds fit for any genre or style. While the Chorusaurus can sound incredibly natural, it can be pushed into the beyond with more extreme settings, truly spanning the full range of musical possibilities any bassist could be searching for.

Best Multi-Effects Bass Pedals

Modern multi-effects units aren't just for guitarists. The ones we look at here are a solid basis for any bassist's effects arsenal.

Pedal	Number Of Inputs	Power Draw	Onboard Expression Pedal
Fender Downtown Express	1 INST	9V, 400mA	No
BOSS GT-1B Bass Multi-Effects	1 INST, 1 AUX	9V, 200mA	Yes
Line 6 POD Express Bass	1 INST, 1 EXP/FS	9V, ---	No
Zoom B1X FOUR	1 INST, 1 AUX	9V, 500mA	Yes
BOSS ME-90B	1 INST, 1 FX RETURN	9V, 195mA	Yes

Fender Downtown Express Bass Multi-Effects

Why It’s Cool: This flexible Fender powerhouse covers all the bases with an onboard compressor, three-band EQ and overdrive circuit.

Things to Consider:

• Easy to reorder the compressor and overdrive circuits
• Direct output allows you to interface with mixers and studio gear
• Mute switch allows for silent tuning

Shop Now: Fender Downtown Express Bass Multi-Effects Pedal

The Fender Downtown Express Bass multi-effects pedal puts the most basic bass effects in a single unit and adds a couple of interesting twists. Designed by bass guru Alex Aguilar, the Downtown Express combines an overdrive, compressor and three-band EQ in a very pedalboard-friendly form factor.

The overdrive section offers basic three-knob control: Level, Tone and Drive. It can go from just a touch of grit to an extremely aggressive distortion. Aguilar designed in a cabinet simulation to the overdrive to avoid excess "fizziness" when used with a modern bass amp that includes a tweeter, which is a nice touch and saves you having to EQ it out on the amp.

The compressor is a true RMS compressor. This means that, unlike many guitar compressor pedals, it doesn't just look at the loudest part of your signal and reduce its volume, but also looks at the overall level of your playing and averages that out, retaining more of the original dynamics. Controls are Blend, which enables you to add in some uncompressed signal for cleaner attacks; Gain, to make up for any level drop higher compression settings may cause; and Threshold, which sets the overall compression.

The Downtown Express' three-band EQ features a classic inductor-based mid control, like many vintage bass amps of the '60s and '70s. This adds a distinct, classic sonic signature.

One very nicely done feature is the ability to swap the order of the overdrive and the compressor. Overdrive first keeps the tonal dynamics of the distortion in place, while smoothing level. Placing the compressor first in the signal chain makes for an overall smoother and uniform attack to the distortion sound.

The Fender Downtown Express also has a DI out, for feeding a mixer or audio interface, a dedicated tuner output and a master volume knob to make sure your amp is always seeing the right level for best performance. If you're just starting to put together a pedalboard for your bass, this is a great starting point, since its all-in-one nature covers the most bass-ic effects.

BOSS GT-1B Bass Multi-Effects

Why It’s Cool: If you’re looking for an all-in-one solution full of time-tested effects and functionality, BOSS (as always) has you covered.

Things to Consider:

• Built-in expression pedal
• Full suite of onboard effects
• Lightweight and rugged design is perfect for touring musicians

Shop Now: BOSS GT-1B Bass Multi-Effects Pedal

The BOSS GT-1B Bass multi-effects processor may be part of a pedalboard, or it could be your entire bass rig, especially if you do a lot of "silent stage" gigs. There are so many features here that we could probably write an entire article the length of the one you're reading now just on the GT-1B, so we're just going to touch on a few things.

First, the amp models use the well-respected Roland/BOSS COSM modeling engine. The available models include sounds based on vintage classics like the Ampeg B-15 and SVT, Fender Bassman and Acoustic 360, as well as modern amps from Gallien-Kruger, SWR, Markbass and more.

There are over 90 effects available, ranging from simple overdrives, wahs, compressors and EQs to bass synths, pitch shifting, harmonizers, ring modulators and more. We're pretty sure that every class of bass effect is covered in here somewhere and exploring the possibilities in this type of multi-effect is more than half the fun. For even more fun, there's a built-in looper.

I/O on the GT-1B is comprehensive with regular and AUX inputs, expression pedal input, stereo/mono output, headphone out, and a USB connection to use it as a class-compliant audio interface, edit the 99 supplied presets or create new ones in the 99 available user presets.

So, after using the built-in tuner, there is a lot to explore here. For sonically adventurous bassists, or for those who want to be, the BOSS GT-1B is an Aladdin's cave of musical magic, waiting to discover.

Line 6 POD Express Bass

Why It’s Cool: This compact pedal packs Line 6’s world-renowned effects and amp simulations into a pedalboard-friendly form factor fit for the most demanding of bassists.

Things to Consider:

• Built-in, award-winning HX modeling technology
• Versatile connectivity for studio use
• Portable design lets you take your tone with you

Shop Now: Line 6 POD Express Bass Effects Processor

A best-selling pedal we’ve all come to know over the years, the POD from Line 6 is now available in an on-the-go package made specifically for bassists. The POD Express Bass is the answer touring and recording players have been seeking for decades. What if you could have your compressor, distortion, delay and effects pedals, as well as an amp simulator with you wherever you went? Get ready to tap into your tone and be creative at a moment’s notice with this modern-day masterpiece. Essentially cramming your rig into one easy-to-use box, the POD Express Bass is able to tackle any task. With award-winning HX modeling powering seven amp models (and seven cabinets to match), there’s something for everyone in this musical multi-tool.

Seventeen effects, ranging from distortions to compressors and synths to modulations, give you the colors you need to paint a rich sonic landscape of unique, professional tones no matter what genre you play. Whenever and wherever inspiration strikes, you’ll be ready with the POD Express Bass.

Zoom B1X FOUR

Why It’s Cool: A built-in expression pedal, looper and over 70 studio-quality effects give you a multitude of options to craft and carve your tone.

Things to Consider:

• Nine amp models that simulate classic bass rigs
• Onboard expression pedal gives you control over any parameter
• Looper for recording up to 30 seconds of CD-quality audio

Shop Now: Zoom B1X FOUR Bass Multi-Effects Pedal

A highly reviewed multi-effects unit capable of keeping up with the most creative musicians, the Zoom B1X FOUR comes loaded with user-friendly features that modern-day bassists need. A drum machine to jam along to, a looper to compose your most intricate parts with and USB connectivity let you dive into your songs with gusto. Your imagination can run wild with a bevy of presets, effects and in-depth customization options for you to dig deep and dial in your rig with precision. Whether functioning as your entire pedalboard, or playing a role in a larger setup, the B1X FOUR shines in many scenarios. From basic needs like enabling silent practice via its headphone output, to more advanced functions, such as rearranging your patches and placing your virtual pedals in any order you wish, this multi-effects processor is perfect for even the most seasoned pedal professionals.

BOSS ME-90B Bass Multi-Effects Processor

Why It’s Cool: This BOSS offering is a lightweight, seemingly do-it-all bass multi-effects processor with a boatload of features.

Things to Consider:

• Built-in USB-C, high-resolution audio interface
• Can be battery-powered
• 61 varied effect algorithms specifically for bass

Shop Now: BOSS ME-90B Bass Multi-Effects Pedal

BOSS managed to fit nearly everything a bassist could ever need into the ME-90B. An easy-to-transport floor processor worthy of the most discerning players, it includes a staggering array of options, from a built-in expression pedal and 93 types of effects to a phrase looper, modulator, compressor, pitch shifter, drive section and reverb. If you can’t find the effect you’re looking for in the ME-90B, it might not exist yet. Ten bass preamps are also included, along with a more than capable preset bank that is comprised of 36 factory and 36 user presets. Equally astonishing is the quality of all these sounds. Sporting 24-bit AD and 32-bit DA conversion, you’ll be playing (and even recording) in high definition utilizing the ME-90B’s internal 32-bit floating architecture. The unit also comes with Tone Studio, a PC-based app that lets you program and save presets easily.
For a price that’s comparable to purchasing a small handful (or sometimes just one) of individual stompboxes, the ME-90B delivers a whole spectrum of sonic possibilities and lays them at your feet.

Best Bass Pedal for Strangeness

There's only one pedal here, simply because it stands alone in what it does. But what it does is very special.

Pedal	Tonal Characteristics	Power Draw	Total Voicings
Electro-Harmonix Bass MicroSynth	Unique, synth-style weirdness	9V, 40mA	4

Electro-Harmonix Bass MicroSynth

Why It’s Cool: This extremely unique pedal gives you the ability to separate frequency ranges, process them through a heavy-handed filter section and mix them together to form tonal creations all your own.

Things to Consider:

• Four-voice mixer section consisting of sub octave, original, octave up and square wave
• All-analog design
• Delivers synth-like tones otherwise unachievable without a carefully designed signal chain

Shop Now: Electro-Harmonix Bass MicroSynth Effects Pedal

We were unsure just where to place the Electro-Harmonix Bass MicroSynth in this list. We wrestled with if it belonged with the filter, EQ and octave effects, because it can do all of that. Or, should it be with the multi-effects units, because it can do a whole lot of very, very cool stuff. At the last minute, we decided that it is so individual, it gets a category of its very own.

Designed to emulate the sounds of vintage analog synths of the '70s and '80s, the all-analog Bass MicroSynth uses your bass as a signal source to morph, mutate and mangle into glorious electro-madness.

The first step in the process is to take the one bass voice and process it to get four separate sounds—a sub-octave, straight bass sound, an octave above and a square wave at the original pitch. Mixing these together can create worthwhile sounds on its own, but the real magic happens when you process this through the filter section.

The filter section is a sweepable, three-pole resonant filter with sliders for Resonance, Start and Stop frequencies, and Rate of sweep. Before your signal hits the filter, there's also an Attack Delay slider that lets you go from instant attack to a slow volume swell. With a few adjustments, you can come up with a classic synth bass tone or a truly twisted warbling dinosaur war cry. No presets, but half the fun of this pedal is just playing and changing faders on the fly. Add a delay pedal after and you can really get in touch with your inner, weird child.

Wrapping It All Up

There's a lot to choose from here, and we hope we've pointed you in a good direction. We recommend that you relax, experiment and have as much fun as possible in assembling your collection of bass pedals. Once you've got three or more pedals, you'll probably want to check out our articles on building a pedalboard and choosing the right power supply for it.

Pictured: Dunlop Cry Baby 105Q Bass Wah

We're also going to remind you that you'll need some accessories to go along with your pedals. Essentials include power supplies, quality patch cables to hook everything up, a tuner—whether stompbox or headstock clip-on—and spare batteries. You'll also want a proper carrying bag for your pedals, especially if you're not building that full-blown pedalboard system yet. If you've got any questions, we'd also recommend having a chat with one of our knowledgeable associates, either at your local Guitar Center store or at our Call Center. They've been fielding questions about gear for years, and it's a pretty safe bet that most of them have stories about how stuff has gone wrong on gigs or in the studio, and how to solve those problems without panic.

Always remember, no matter how serious you are about it, playing is supposed to be fun. So, relax, enjoy, get out there.