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collapse expand iconDescription

The Zoom G7.1ut Tube Guitar Multi-Effects Pedal/USB Interface features a 12AX7 tube for natural overdrive and compression, and an astounding collection of effects.

Energizer using 12AX7 tube
Giving body to the guitar sound and adding supple power and intensity - that is the task of the Energizer. Turning up the TUBE control to drive the 12AX7 produces warm crunch with rich harmonics. The BOOST control spruces up highs and lows, resulting in more transparency. Enjoy a powerful tone also when recording directly to a line input or via USB on a computer.

ZFX-3 - a 32-bit DSP designed by ZOOM
The heart of any multi-effect device is its processor and decoder section. ZOOM has started a fresh chapter with its new ZFX-3 chip. The 32-bit architecture ensures outstanding performance and allows smooth and detailed signal processing. Accuracy and speed ensure that even delicate picking and fingering work come across with impressive clarity.

DSP sound modeling plus tube circuitry create the ultimate in distortion
96 kHz sampling and 24-bit A/D/A conversion assure super high resolution sound. An abundance of signal processing power allows accurate recreation of the complex upper-range harmonics that are the hallmark of tube amplifiers. Analog circuitry using a 12AX7 tube then adds that classic warmth and sonic impact to the DSP sound. The result combines the best of the digital and analog worlds: distortion so advanced and sophisticated it elevates your guitar playing to the next level.

Preamp section with two channels
The preamp section, comprised of the amp/drive-modeling, and EQ modules offers two channels per patch. You can easily select a channel by simple foot switch operation. Toggle between a Fender clean sound for rhythm and a Marshall drive sound for lead, while keeping modulation and spatial effect settings the same. The user interface with analog knobs lets you shape the sound with the same facility as on a guitar amp.

Great for stage work or direct recording
The amp/drive-modeling blocks have two dedicated algorithms for each amp/drive type, designed for live playing and direct recording. The CABINET effect simulates amp and mic recording characteristics as well, and the algorithm is automatically switched according to the CABINET on/off setting.This lets you bring the same guitar sound that you used during practice or recording right on to the stage. Alternatively, sound settings that were determined during a session with the band can be used seamlessly in the studio as well.

USB based audio interface functions
The USB port allows the unit to function as an audio interface for a computer. Simply plug the unit in to your computer with a USB cable to use the high-quality sound of the G7.1ut in a computer-based recording system. The high-performance DAW application "Cubase LE" comes bundled with the unit, so you can start creating sophisticated music straight away. Because playback from the DAW application can be monitored at the unit itself, there are no latency problems during recording.

MIDI IN/OUT jacks allow linking to other equipment
The ability to exchange MIDI data with other devices opens up a wealth of possibilities. You can switch patches in conjunction with a MIDI enabled preamp, or use the unit as a real-time controller for other MIDI equipment. By connecting the MIDI interface to a computer, you may use a dedicated editor/librarian application to edit and store patch data.
Zoom G7.1ut Tube Guitar Multi-Effects Pedal/USB Interface
Zoom G7.1ut Tube Guitar Multi-Effects Pedal/USB Interface

collapse expand iconFeatures

  • 32-bit ZFX-3 processor
  • 96kHz sampling rate / 24-Bit A/D/D/A converters
  • Fast patch change speed: 7ms
  • 106 effects / 10 modules
  • 12AX7 tube for natural overdrive/compression and drive/volume
  • Onboard Expression pedal
  • USB interface for connecting directly to a computer
  • Remote Patch Editor/Librarian available
  • Included Accessories
    • AD-0012D AC Adapter, Steinberg Cubase LE software

    collapse expand iconSpecs

    • Effect Types: 92
    • Effect Modules: 9
    • Maximum Simultaneous Effects: 9
    • Patch Memory: User 80 + Preset 80
    • Sampling Frequency: 96kHz
    • A/D Conversion: 24-bit, 64 times over-sampling
    • D/A Conversion: 24-bit, 128 times over-sampling
    • Signal Processing: 32-bit
    • Frequency Response: 20Hz-40kHz +1.0dB-3.0dB (10kÎload)
    • Guitar Input: 1/4" phone jack (Rated input level: -10dBm, Input impedance:1MÎ)
    • AUX Input: 1/8" stereo phone jack (Rated input level: -10dBm, Inputimpedance: 10kÎ)
    • Line Output (L/MONO, R): 2 x 1/4" phone jack (Rated output level:-10dBm/+4dBm, Maximum output level: +19dBm, Output load impedance: 10kÎ or more, Output Impedance: 1kÎ)
    • Headphone Output: 1/8" stereo phone jack (Rated output: 60mW /32Î load, 20mW /300Î, Output impedance: 47kÎ)
    • Tube Circuitry: 12AX7
    • Control Input: FP02
    • MIDI: IN/OUT
    • USB Interface: 16-bit, 32kHz/44.1kHz/48kHz
    • Display: 2-digit. 7-segment LED display, backlit LCD
    • Power requirements: 15V AC, 1.5A
    • Dimensions (mm): 460(W) x 235(D) x 81(H)
    • Weight: 4.0kg
    • Supplied Accessory: AC adaptor (AD-0012)

    collapse expand iconReviews

    4.16

    186 Reviews

    81%

    of respondents would recommend this to a friend

    119527412362221

    Most Liked Positive Review

    4

    A very cool guitar, if you're into the 1980's shred thing!

    I have been in the market for an 80's style shredder for a few years now. As a big fan of George Lynch, in particular the stuff he did from 1985 to 1990, I've been looking for a used ESP Skulls and Snakes model. That said, they are hard to find on the used market, and they command a premium price. Enter the Friedman Cali model. With its high-output humbuckers, Floyd Rose tremolo, and single volume knob, it's got similar specs as the Skulls and Snakes, and with a much lower point of entry. So, I jumped on it, and I am glad I did. I've spent the last few days getting to know my new Friedman Cali and I can say with confidence this is an excellent guitar for the price. That said, it does have some minor drawbacks that I will gladly look past given how amazing the guitar feels and sounds. My particular guitar was a scratch and dent, which in my case means pre-owned. I say this because when I took delivery of the guitar, I noticed a tremolo stop had been installed, poorly I might add. I confirmed with Friedman they did not install these at the factory; hence my opinion the guitar was previously sold to another customer. In any case, there are no other blemishes or visual imperfections to speak of other than, of course, the factory relic job. After my initial inspection, I put the guitar back in the case to chill out for 24 hours to acclimate to the environment. After that, I remove the old strings, cleaned and polished the frets, lubricated the hardware, applied contact cleaner to the pot and switch, put on fresh strings, and gave it a proper set-up. Some things I noticed during the whole process: the b-string tuner doesn't seem to work as smoothly as the other tuners. These appear to be Hipshot open gear locking tuners, similar to what I have on my Tyler, and I know they usually work very well. Next time I change strings, i will pull the tuner and take it apart for inspection. Another thing I noticed is the screw-in style tremolo bar on the Floyd Rose. This is simply an antiquated design and needs to go the way of the rest of the dinosaurs: extinction. I much prefer the convenience, feel, and adjustability of the drop-in replacement bar, so that is what I installed. Now the tremolo feels expressive and smooth, and the bar drops in quickly. Once I got the Cali set up, I was amazed how comfortable it is to play. Let's first talk materials and craftsmanship. The relic job on the maple neck and fingerboard, combined with the rolled fret edges and slick fret crowning, make this guitar feel like you've been playing it for decades. It's really quite special and something you have to play to understand. because of the compound radius and excellent fretwork, I am able to set the action very low without excessive buzzing. I use 9-gauge strings, and two tremolo springs are sufficient to ensure the tremolo sits parallel to the body while keeping low tension on the strings. Bending is super easy and very smooth, and the tremolo feels so expressive. The guitar just feels slinky and rather addicting to play. On the tone front, it's an absolute monster. The Friedman Classic pickups feature Alnico 5 magnets, which happen to be my favorite for hard rock tones. The bridge pickup sounds thick with gobs of sustain, while the neck pickup is round and fat. Both pickups are articulate and clear, and allow single notes in complex chords to shine through. Rolling back the volume knob will clean up your tone nicely, especially with a good tube amp. These guitars were a collaboration between Dave Friedman and Grover Jackson. Unfortunately, they are no longer working together, and Grover has moved to the Nashville, TN area. I do believe Friedman guitars will be hitting the market again soon, made by someone other than Grover. With that said, the Grover-era are pretty amazing guitars, and may become harder to find. So, if you are in the market for a 1980's super-Strat style shredder, I'd recommend checking out a Grover-era Friedman while you can.

    VS

    Most Liked Negative Review

    3

    Amazing bass with a major flaw

    Being mainly a guitarist, this bass is perfectly ideal for what my needs are. A great bass with a great sound/tone for recording, and many option with the knobs to fine tune and tweak that sound to my preference. However, my biggest gripe is that the string action is ridiculously tight for this bass. I like to play with ticker gauge strings, as I typically go for lower tunings, but this bass is (ironically with it being a 5 string) is simply not made for it. The action towards the neck of the fretboard makes thicker strings unplayable. They make contact with the fretboard at around the 2nd-3rd fret, and raising the bridge to compensate isn't enough. To make matters worse, the screws that are used to raise the strings on the bridge are very easily stripped, and I'm struggling to find any sort of replacements for them.

    Filters
    Best Uses
    1. Practice4
    2. Recording3
    3. All around great guitar1
    4. Metal songs1
    5. Rock songs1
    Cons
    1. None6
    2. Poor Quality2
    3. Virtually no low end warmth.1
    4. Kind of expensive1
    5. Shipping box arrived damaged1
    Describe Yourself
    1. Beginner2
    2. Stray player since 19741
    3. 74 years old, been playing 60 years.1
    4. Jazz, rock, classical player for 60 years1
    5. Metal,hard rock and instrumental rock1
    Pros
    1. Sound4
    2. Attractive3
    3. Stays in Tune2
    4. Stays in tune2
    5. Tone2
    • Great all around strat

      5

      submitted11 days ago

      byCass

      fromDenver

      Price is right

    • Sounds really good

      5

      submitteda month ago

      byTrenton

      fromGladwin county

      This pedal sounds quite good. It is quite customizable. If you do buy this, if you do not have the cord used to power it, there is a battery adapter under the actual pedal part. you just put the black pins on the pedal in and take the pedal off. anyways, really good sound if you want a proper rock or metal distortion/overdrive for an affordable price.

    • Not too bad for the price

      3

      submitteda month ago

      byJeff

      fromNashville TN

      Typical Chinese bling, the sound is lacking.

    • This drum is just like the vintage ones

      5

      submitteda month ago

      byJeff

      fromSeattle, WA

      Play with freelance jazz and rock standards groups. All kinds of gigs and shows. I want to buy one of the sets.

    • Love this guitar.

      5

      submitted2 months ago

      byLarry

      fromMinnesota

      Love this guitar. Easy/Good tuning, very playable, thin neck is fast.

    • Its so good it fits my church setting well

      5

      submitted2 months ago

      byjordan

      fromHamilton, new jersey

      This product is the best drums i've ever played on because the shells are a nice color and when you tune the drums up, it sounds so good. When you play it in a open space it fills the room and when you play it in an enclosed space it sounds even better. All Im saying is that this is hands down one of the best drum sets.

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