Zoom G1N Guitar Multi-Effects Pedal


Description
All-New Drive Sounds
The first thing you notice with the G1N is its totally new drive sounds that were developed using the state-of-the-art ZFX modeling technology. Featuring 15 amp and stomp-box models that faithfully replicate every detail of the classics, from gain settings to harmonic character, the G1N delivers natural expression from nuanced playing to total bone-sizzling shreds. And the new, original amp models designed especially by Zoom for the G1N will amaze.
Easy Operation
It's never been easier to edit effects. Simply select the effect module with the selector knob then edit the value with the value knob. That's all there is to it. You can easily design your own tones to suit to your music. Dedicated buttons for saving patches, a bank switcher and integrated rhythm patterns make fine-tuning your sounds a breeze. A chromatic tuner is available simply by stepping on the two pedal buttons simultaneously. And with bright LED indicators, you'll get easy operation even on a dark stage.
Xtreme Artist Patches
The G1N has 9 types of presets that simulate the sounds of 'Rock Legends' like Jimi Hendrix, Jimmy Page, Eric Clapton and many more. Plus, there are 21 types of the artist patches designed by amazing guitar heroes like Michael Amott, Kiko Loureiro, Richie Kotzen, Rob Caggiano, Mike Stone and Matt Bachand, so you can use these professionally designed guitar sounds in your music. Also, there are 10 types of presets for any style of guitar playing such as power chords, arpeggio, lead, cutting and much more. You can even save 40 patches you create in the G1N user memory.
Tube Amp Modeling
Replicating the high frequency overtones created by the distortion effect of tube amplifiers is made possible by Zoom's original 32-bit, ZFX-3 processor. This allows the frequency response for the G1N to extend to an amazing 20 Hz thru 40 kHz with 96 kHz sampling rates. You get the rich harmonics of distortion specific to various types of tube amps, made possible with 24-bit A/D/A conversion and the processing power that only Zoom digital modeling technology can reproduce.
54 Studio quality effects
A total of eight modules provide 54 effect types ranging from 'must-have' historic sounds of DynaComp, Vox Wah, Crybaby Wah, to Harmonized Pitch Shifter to let you play along in key, long delay and echo settings of up to 5 seconds, and many more. A multitude of high-performance choices opens up totally new creative possibilities.
Drum machine with PCM sound sources
Realistic drum sounds derived from PCM sources are arranged in a variety of rhythm patterns for different musical genres. The 40 rhythm variations include the steady 8-beat of Rock and Pop, funky 16-beat, a "Jazzy" 4-beat, some great shuffle for Blues sessions, and many more choices. Rhythm training is a cinch, and tap input allows you to specify the tempo easily.


Features
- 8 effect modules and 54 effect types
- 80 patches (40 user defined and 40 preset patches) including 9 types of presets that replicate legendary rock sounds and 21 types of new artist patches
- 15 types of authentic drive tones
- Advanced ZFX-3 processing engine
- 96kHz sampling
- 24-bit A/D/A Conversion
- 32-bit signal processing
- Frequency Response: 20Hz - 40kHz
- 1/4-inch input jack
- 1/4-inch stereo output jack
- Control input for expression pedal or footswitch
- Built-in drum machine, harmonized pitch shifter and chromatic tuner
- Runs on four AA batteries, AD-0006D AC adapter (included) or USB bus power
Specs
- Effect Types: 54
- Effect Modules: 8
- Patch Memory: User 40 + Preset 40, for a total of 80
- Sampling Frequency: 96kHz
- A/D Conversion: 24-bit, 128 times over-sampling
- D/A Conversion: 24-bit, 128 times over-sampling
- Signal processing: 32-bit
- Frequency response: 20Hz-40kHz +1.0dB/-4.0dB (with 10kÎ load) Display: 2-digit, 7-segment LED
- Input: 1/4" phone jack (Rated input level: -20dBm, Input impedance : 470kÎ)
- Output (Line / Headphones combined): 1/4" stereo phone jack (maximum output level: {Line} +3dBm, output load impedance 10kÎ or higher / {Headphones} 20mW + 20mW, into 32Î load)
- Control input: Expression pedal, footswitch
- Power requirements (not included): AA size (LR6) battery x 4, or AC adaptor DC9V/300mA / Center minus type (AD-0006 recommended)
- Battery life: 12 hours (with alkaline batteries)
- Dimensions (mm): 155(D) x 136(W) x 52(H)
- Weight (without batteries): 350g
Reviews
4.16
186 Reviews
81%
of respondents would recommend this to a friend
Most Liked Positive Review
A very cool guitar, if you're into the 1980's shred thing!
I have been in the market for an 80's style shredder for a few years now. As a big fan of George Lynch, in particular the stuff he did from 1985 to 1990, I've been looking for a used ESP Skulls and Snakes model. That said, they are hard to find on the used market, and they command a premium price. Enter the Friedman Cali model. With its high-output humbuckers, Floyd Rose tremolo, and single volume knob, it's got similar specs as the Skulls and Snakes, and with a much lower point of entry. So, I jumped on it, and I am glad I did. I've spent the last few days getting to know my new Friedman Cali and I can say with confidence this is an excellent guitar for the price. That said, it does have some minor drawbacks that I will gladly look past given how amazing the guitar feels and sounds. My particular guitar was a scratch and dent, which in my case means pre-owned. I say this because when I took delivery of the guitar, I noticed a tremolo stop had been installed, poorly I might add. I confirmed with Friedman they did not install these at the factory; hence my opinion the guitar was previously sold to another customer. In any case, there are no other blemishes or visual imperfections to speak of other than, of course, the factory relic job. After my initial inspection, I put the guitar back in the case to chill out for 24 hours to acclimate to the environment. After that, I remove the old strings, cleaned and polished the frets, lubricated the hardware, applied contact cleaner to the pot and switch, put on fresh strings, and gave it a proper set-up. Some things I noticed during the whole process: the b-string tuner doesn't seem to work as smoothly as the other tuners. These appear to be Hipshot open gear locking tuners, similar to what I have on my Tyler, and I know they usually work very well. Next time I change strings, i will pull the tuner and take it apart for inspection. Another thing I noticed is the screw-in style tremolo bar on the Floyd Rose. This is simply an antiquated design and needs to go the way of the rest of the dinosaurs: extinction. I much prefer the convenience, feel, and adjustability of the drop-in replacement bar, so that is what I installed. Now the tremolo feels expressive and smooth, and the bar drops in quickly. Once I got the Cali set up, I was amazed how comfortable it is to play. Let's first talk materials and craftsmanship. The relic job on the maple neck and fingerboard, combined with the rolled fret edges and slick fret crowning, make this guitar feel like you've been playing it for decades. It's really quite special and something you have to play to understand. because of the compound radius and excellent fretwork, I am able to set the action very low without excessive buzzing. I use 9-gauge strings, and two tremolo springs are sufficient to ensure the tremolo sits parallel to the body while keeping low tension on the strings. Bending is super easy and very smooth, and the tremolo feels so expressive. The guitar just feels slinky and rather addicting to play. On the tone front, it's an absolute monster. The Friedman Classic pickups feature Alnico 5 magnets, which happen to be my favorite for hard rock tones. The bridge pickup sounds thick with gobs of sustain, while the neck pickup is round and fat. Both pickups are articulate and clear, and allow single notes in complex chords to shine through. Rolling back the volume knob will clean up your tone nicely, especially with a good tube amp. These guitars were a collaboration between Dave Friedman and Grover Jackson. Unfortunately, they are no longer working together, and Grover has moved to the Nashville, TN area. I do believe Friedman guitars will be hitting the market again soon, made by someone other than Grover. With that said, the Grover-era are pretty amazing guitars, and may become harder to find. So, if you are in the market for a 1980's super-Strat style shredder, I'd recommend checking out a Grover-era Friedman while you can.
Most Liked Negative Review
Amazing bass with a major flaw
Being mainly a guitarist, this bass is perfectly ideal for what my needs are. A great bass with a great sound/tone for recording, and many option with the knobs to fine tune and tweak that sound to my preference. However, my biggest gripe is that the string action is ridiculously tight for this bass. I like to play with ticker gauge strings, as I typically go for lower tunings, but this bass is (ironically with it being a 5 string) is simply not made for it. The action towards the neck of the fretboard makes thicker strings unplayable. They make contact with the fretboard at around the 2nd-3rd fret, and raising the bridge to compensate isn't enough. To make matters worse, the screws that are used to raise the strings on the bridge are very easily stripped, and I'm struggling to find any sort of replacements for them.
- Practice4
- Recording3
- All around great guitar1
- Metal songs1
- Rock songs1
- None6
- Poor Quality2
- Virtually no low end warmth.1
- Kind of expensive1
- Shipping box arrived damaged1
- Beginner2
- Stray player since 19741
- 74 years old, been playing 60 years.1
- Jazz, rock, classical player for 60 years1
- Metal,hard rock and instrumental rock1
- Sound4
- Attractive3
- Stays in Tune2
- Stays in tune2
- Tone2
Reviewed by 186 customers
Great all around strat
submitted7 days ago
byCass
fromDenver
Price is right
Sounds really good
submitteda month ago
byTrenton
fromGladwin county
This pedal sounds quite good. It is quite customizable. If you do buy this, if you do not have the cord used to power it, there is a battery adapter under the actual pedal part. you just put the black pins on the pedal in and take the pedal off. anyways, really good sound if you want a proper rock or metal distortion/overdrive for an affordable price.
Not too bad for the price
submitteda month ago
byJeff
fromNashville TN
Typical Chinese bling, the sound is lacking.
This drum is just like the vintage ones
submitteda month ago
byJeff
fromSeattle, WA
Play with freelance jazz and rock standards groups. All kinds of gigs and shows. I want to buy one of the sets.
Love this guitar.
submitteda month ago
byLarry
fromMinnesota
Love this guitar. Easy/Good tuning, very playable, thin neck is fast.
Its so good it fits my church setting well
submitteda month ago
byjordan
fromHamilton, new jersey
This product is the best drums i've ever played on because the shells are a nice color and when you tune the drums up, it sounds so good. When you play it in a open space it fills the room and when you play it in an enclosed space it sounds even better. All Im saying is that this is hands down one of the best drum sets.
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