Yamaha DTX550K Electronic Drumset


Description
Yamaha DTX-PAD Snare
As the focal point of the drum kit, the Yamaha DTX550K is equipped with a DTX-PAD Snare, the Yamaha XP100SD. In its development Yamaha set out to do more than just offer a drumhead that plays like an acoustic drum. In order to find out exactly how the feel of a drum encourages a drummer to keep playing, Yamaha worked with some of the industry's top drummers. The Yamaha DTX-PAD is the result of this collaboration, and is crafted with a textured cellular silicone head with the inner air bubbles configured to give near perfect response for continuous play and subtle stick work.
Yamaha Moving Hi-Hat Pad
A great hi-hat is a crucial part of any drum kit, and the DTX550K is no exception. With the Yamaha RHH135 moving-type electronic hi-hat, you can play the most nuanced of passages with precision and clarity.
Yamaha DTX-500 Sound Module
Contained within the compact body of the Yamaha DTX500 drum module are 427 amazing percussion sounds, created by a tone generator that handles both subtly nuanced snare work and dynamic, powerful drum strokes with ease. 50 preset drum kits have been carefully chosen to cover a diverse range of genres, including rock, funk, jazz, reggae, and Latin. The Yamaha DTX500 drum module stores up to 20 original drum kits and also features an onboard high-quality digital reverb. It offers a suite of comprehensive training functions to help you improve your drumming. The combination of a realistic hi-hat with the DTX-PAD's natural feel provides an enjoyable practice experience that's difficult to beat.
Kick pedal sold separately.



Features
- Natural, comfortable feel that's perfect for performing onstage or practicing at home
- Astonishingly quiet, making home practice easy
- Proven durability
- Floating construction offers the sensitivity required for a broad dynamic range while remaining vibration free
- 3-zone construction for open and closed rimshots
- Easy tuning and snappy adjustment thanks to a conveniently located pad control
- Comes with HS650A hi-hat stand
- Footsplash capable
- RHH135 integrated pad and controller provides natural feel when performing
- 2-zone construction features separate pad and edge zones, allowing you to play in a broad range of styles
- Extremely quiet
- 50 preset drum kits have been carefully chosen to cover a diverse range of genres, including rock, funk, jazz, reggae, and Latin
- Stores up to 20 original drum kits
- Onboard high-quality digital reverb
- 63 internal practice tunes in a diverse range of genres. Mute drum parts to enjoy the feeling of playing along with a band, just as if you were live onstage
- Aux in jack lets you connect a CD player or an MP3 player to the module "DTX500" to practice with your favorite tunes
- High-quality click function that lets you customize rhythm and tone settings as much as you like
- Challenging groove-check and rhythm-gate functions that let you enjoy practice and develop your timing
- Recording functions that let you capture your own performances and listen to them over again to improve your technique
Specs
- Snare: XP100SD (TCS Head, 10", 3-zone, Controller)
- Tom: 3 x TP65
- Ride Cymbal: PCY155 (15", 3-zone)
- Crash Cymbal: PCY155 (13", 3-zone)
- Kick: KP65
- Hi-Hat: RHH135 (13", 2-zone), HS650A Hi-Hat Stand
Size and weight:
- Width: 252mm (9-15/16")
- Height: 52mm (2-1/16")
- Depth: 147mm (5-13/16")
- Weight: 898g (2lb.)
Tone Generator:
- Tone Generator: AWM2
- Maximum polyphony: 32
- Voices: 427 drum and percussion Voices, 22 keyboard voices
- Effects: reverb x 19 types, master EQ
- Drum kits: Preset: 50, User: 20
Trigger:
- Trigger setup: 7 preset, 4 user
- Pad songs: Start/Stop, Chase, Cut Off, 3 songs (max.) can be played simultaneously
- Pad Controller: snares adjustment, tuning, tempo
- Pad Functions: Drum Kit INC/DEC, Click Set INC/DEC, Tempo INC/DEC, Click ON/OFF
Sequencer:
- Note capacity: approximately 16,000 notes
- Note resolution: 96 parts per quarter note
- Song recording type: Real Time Replace
- Song tracks: 1
- Songs: 3 demo songs, 41 practice songs, 19 pad songs, 20 user songs
Click:
- Tempo: 30-300 beats/minute, Tap Tempo function
- Beat: 1-9
- Timing: accent, quarter note, eighth note, sixteenth note, triplet
- Click Sound Sets: 6 preset, 1 user
- Click Timer: 0-600 seconds (in 30-second steps)
- Training Functions: Measure Break, Groove Check, Rhythm Gate
Other:
- Controllers: Buttons: DRUMKIT, CLICK, SONG Play/Stop, SHIFT, Cursor , ON/OFF, SAVE/ENTER Controllers: Volume, Jog Dial
- Display: 16 characters x 2 lines backlit LCD, 7-segment LED (3-digit), Tempo LED x 2
- Connectors: Trigger inputs 1, 5, 6, 7 (stereo phone jack L: trigger input, R: rim switch) Trigger inputs 2, 3, 4, 8 (stereo phone jack L: trigger input, R: trigger input) HI HAT CONTROL (stereo phone jack) OUTPUT L/MONO, R (mono phone jack) PHONES (stereo phone jack), AUX IN (stereo mini jack) MIDI OUT, DC IN
- Power Consumption: 8.0W (DTX500), 13.0W (DTX500 and AC Power adapter)
Reviews
4.16
186 Reviews
81%
of respondents would recommend this to a friend
Most Liked Positive Review
A very cool guitar, if you're into the 1980's shred thing!
I have been in the market for an 80's style shredder for a few years now. As a big fan of George Lynch, in particular the stuff he did from 1985 to 1990, I've been looking for a used ESP Skulls and Snakes model. That said, they are hard to find on the used market, and they command a premium price. Enter the Friedman Cali model. With its high-output humbuckers, Floyd Rose tremolo, and single volume knob, it's got similar specs as the Skulls and Snakes, and with a much lower point of entry. So, I jumped on it, and I am glad I did. I've spent the last few days getting to know my new Friedman Cali and I can say with confidence this is an excellent guitar for the price. That said, it does have some minor drawbacks that I will gladly look past given how amazing the guitar feels and sounds. My particular guitar was a scratch and dent, which in my case means pre-owned. I say this because when I took delivery of the guitar, I noticed a tremolo stop had been installed, poorly I might add. I confirmed with Friedman they did not install these at the factory; hence my opinion the guitar was previously sold to another customer. In any case, there are no other blemishes or visual imperfections to speak of other than, of course, the factory relic job. After my initial inspection, I put the guitar back in the case to chill out for 24 hours to acclimate to the environment. After that, I remove the old strings, cleaned and polished the frets, lubricated the hardware, applied contact cleaner to the pot and switch, put on fresh strings, and gave it a proper set-up. Some things I noticed during the whole process: the b-string tuner doesn't seem to work as smoothly as the other tuners. These appear to be Hipshot open gear locking tuners, similar to what I have on my Tyler, and I know they usually work very well. Next time I change strings, i will pull the tuner and take it apart for inspection. Another thing I noticed is the screw-in style tremolo bar on the Floyd Rose. This is simply an antiquated design and needs to go the way of the rest of the dinosaurs: extinction. I much prefer the convenience, feel, and adjustability of the drop-in replacement bar, so that is what I installed. Now the tremolo feels expressive and smooth, and the bar drops in quickly. Once I got the Cali set up, I was amazed how comfortable it is to play. Let's first talk materials and craftsmanship. The relic job on the maple neck and fingerboard, combined with the rolled fret edges and slick fret crowning, make this guitar feel like you've been playing it for decades. It's really quite special and something you have to play to understand. because of the compound radius and excellent fretwork, I am able to set the action very low without excessive buzzing. I use 9-gauge strings, and two tremolo springs are sufficient to ensure the tremolo sits parallel to the body while keeping low tension on the strings. Bending is super easy and very smooth, and the tremolo feels so expressive. The guitar just feels slinky and rather addicting to play. On the tone front, it's an absolute monster. The Friedman Classic pickups feature Alnico 5 magnets, which happen to be my favorite for hard rock tones. The bridge pickup sounds thick with gobs of sustain, while the neck pickup is round and fat. Both pickups are articulate and clear, and allow single notes in complex chords to shine through. Rolling back the volume knob will clean up your tone nicely, especially with a good tube amp. These guitars were a collaboration between Dave Friedman and Grover Jackson. Unfortunately, they are no longer working together, and Grover has moved to the Nashville, TN area. I do believe Friedman guitars will be hitting the market again soon, made by someone other than Grover. With that said, the Grover-era are pretty amazing guitars, and may become harder to find. So, if you are in the market for a 1980's super-Strat style shredder, I'd recommend checking out a Grover-era Friedman while you can.
Most Liked Negative Review
Amazing bass with a major flaw
Being mainly a guitarist, this bass is perfectly ideal for what my needs are. A great bass with a great sound/tone for recording, and many option with the knobs to fine tune and tweak that sound to my preference. However, my biggest gripe is that the string action is ridiculously tight for this bass. I like to play with ticker gauge strings, as I typically go for lower tunings, but this bass is (ironically with it being a 5 string) is simply not made for it. The action towards the neck of the fretboard makes thicker strings unplayable. They make contact with the fretboard at around the 2nd-3rd fret, and raising the bridge to compensate isn't enough. To make matters worse, the screws that are used to raise the strings on the bridge are very easily stripped, and I'm struggling to find any sort of replacements for them.
- Practice4
- Recording3
- All around great guitar1
- Metal songs1
- Rock songs1
- None6
- Poor Quality2
- Virtually no low end warmth.1
- Kind of expensive1
- Shipping box arrived damaged1
- Beginner2
- Stray player since 19741
- 74 years old, been playing 60 years.1
- Jazz, rock, classical player for 60 years1
- Metal,hard rock and instrumental rock1
- Sound4
- Attractive3
- Stays in Tune2
- Stays in tune2
- Tone2
Reviewed by 186 customers
Great all around strat
submitted8 days ago
byCass
fromDenver
Price is right
Sounds really good
submitteda month ago
byTrenton
fromGladwin county
This pedal sounds quite good. It is quite customizable. If you do buy this, if you do not have the cord used to power it, there is a battery adapter under the actual pedal part. you just put the black pins on the pedal in and take the pedal off. anyways, really good sound if you want a proper rock or metal distortion/overdrive for an affordable price.
Not too bad for the price
submitteda month ago
byJeff
fromNashville TN
Typical Chinese bling, the sound is lacking.
This drum is just like the vintage ones
submitteda month ago
byJeff
fromSeattle, WA
Play with freelance jazz and rock standards groups. All kinds of gigs and shows. I want to buy one of the sets.
Love this guitar.
submitted2 months ago
byLarry
fromMinnesota
Love this guitar. Easy/Good tuning, very playable, thin neck is fast.
Its so good it fits my church setting well
submitted2 months ago
byjordan
fromHamilton, new jersey
This product is the best drums i've ever played on because the shells are a nice color and when you tune the drums up, it sounds so good. When you play it in a open space it fills the room and when you play it in an enclosed space it sounds even better. All Im saying is that this is hands down one of the best drum sets.
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