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Wren And Cuff Two-Five 25V Drive-Boost Effects Pedal

Why 25V for the Wren and Cuff Two Five drive-boost? Muscle! Thats why. Operating at 25V opens things up considerably, creating an unusually wide dynamic range, more headroom and more output. You’ll really feel it when you dig into the strings. The response is super reactive, and the overall feel of the pedal is much different than a typical overdrive. It just feels powerful. EQ The EQ section of the pedal is set up a bit differently than many other pedals. The controls are basically like a vintage Fender amp (although the pedal in no way sounds like a Fender). One thing this means is that the controls are interactive in relation to one another. An example would be that turning down the treble will not only cut the higher frequencies, but also raise the lower frequencies a bit. This type of interaction opens up an almost endless palette of tones by adjusting the Lows, Mids, and Highs, as opposed to a simple high pass / low pass setup. It's one of the things that makes the Two Five unique. Voice Switch The voice switch allows you to configure the clipping section of the pedal in two different ways: Voice switch toggled down, there are two Mosfet transistors used as diodes, and a germanium diode as well used to create a super rich, saturated gain (sorta Marshall™ like). Flick the switch up, and two LED’s are used for the clipping. These LED’s have a much wider range of dynamics and lend to a more open, somewhat cleaner sound sort of Fender-like). The Two Five gain will be more crunchy, cutting, and less saturated than the other setting. Op-Amp After many hours of testing, A/B’ing, and comparing, the designers finally settled upon a JRC3404. A distant relative of the famous JRC4558 some covet for their use in vintage Tube Screamer pedals, this op-amp is tough enough to put up with 25V, but still has a warm enough tone to keep things nice a sweet. Output There is a ton of output on tap. Be careful with this! You can peg the front end of your amp incredibly hard which is great for pushing it into a natural overdrive. If you really want to dig deep on this before you purchase, download the manual to learn even more.
 
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Distortion & Overdrive Effects Pedals

Unleash powerful rock tones with Distortion Pedals, the essential stompboxes for adding grit, sustain, and harmonic richness to your guitar signal. Born from early experiments like intentionally overloading amps or even slashing speaker cones, the quest for saturated guitar distortion led to dedicated pedal circuits. These gain pedals work by clipping your signal, ranging from smooth overdrive pedals that push your amp gently, to full-bore distortion that transforms your sound entirely. Whether you seek classic crunch or modern high-gain mayhem, it all starts here. ...

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Since the early days of the electric guitar, blues musicians searched for different ways to overdrive their amplifier's signal. Of course, when rock'n'roll took off, the process of "distorting" a guitar tone became a lot easier thanks to new amp and pickup designs. Soon, musicians like Link Wray were making a name for themselves with the use of distortion. By the mid-60s, fuzz pedals were being used by teenage garage rockers around the world while performers like Dave Davies and Pete Townshend made distortion and overdrive a part of their signature sound. Today, distortion and overdrive effects pedals are a dime a dozen, and a quick glance at this section will make that obvious.

If you're new to distortion and overdrive pedals, you might be wondering what the difference is between them. For the most part, they do the same thing and are both often referred to as gain pedals. How they differ is that distortion pedals usually provide a harsher, grittier tone with increased sustain. When it comes to distortion, think of genres like grunge and death metal. On the other hand, overdrive pedals are designed to emulate the sound of a tube amp when you increase their volume. The result is a warm yet crunchy sound that's ideal for playing blues and classic rock. Of course, one is not better than the other, and the right distortion or overdrive pedal for you will be a matter of personal preference.

For an overdrive pedal, turn your attention to the Fulltone OCD Obsessive Compulsive Drive Overdrive Guitar Effects Pedal. Compact yet versatile, this pedal is great for anyone who likes a raw vintage-like overdrive, and it even makes a great boost pedal. Now, if it's a distortion pedal that you're after, take a closer look at the Electro-Harmonix Classics USA Big Muff Pi Distortion/Sustainer Guitar Effects Pedal. The Big Muff Pi is a legendary pedal in itself, and this reissue has 3 controls that let you dial in the finest harmonic distortion/sustain ever produced. From warm bass to crisp treble, you'll be blown away by what this distortion pedal can do for your hard-rocking guitar performance.

Along with the options mentioned, be sure to check out overdrive pedals like the Ibanez Tube Screamer or the Boss Super OverDrive SD-1. As for distortion pedals, be on the lookout for the TC Electric Dark Matter Distortion Pedal or the MXR M75 Super Badass Pedal. Whether you're going for a heavy Sabbath-like snarl, the cutting buzzsaw tone of Johnny Ramone or Cobain's feedback-drenched squeals, the distortion and overdrive effects pedal for you is waiting in this catalog.