RCF

collapse expand iconDescription

The RCF ART 932-A professional active speaker is masterfully engineered to deliver stellar audio performance and versatility for intensive audio applications. The combination of a 3" titanium/neodymium compression driver, 12" woofer, two-channel 2100W amplifier, and the constant directivity True Resistive Waveguide produces coherent 100° x 60° coverage for the listening area with up to 132dB SPL, distortion-free sound.

Merging RCF proprietary FiRPHASE and Bass Motion Control DSP processing, perfectly tuned for each model, the audience will experience absolute clarity and deep, powerful bass response. The sleek cabinet uses a special polypropylene composite material with an M-brace internal reinforcement, making it easy to carry and secure to install on a pole, flown-, wall- or truss-mounted using the multiple rigging points available.

Power that moves

The most powerful amplifier in its class. RCF's improvements in transducer design make them stronger and powerful, so the amplifier follows the evolution. With 2,100 watts of power, the 2-channel ART 9 Class-D amplifier is 50% more powerful than previous models, able to manage extremely high sound pressure levels with an ultrafast attack, realistic transient response, and very low heat loss. ART 9 is very energy-efficient so there is no need for a cooling fan—the amplifier is attached to a solid aluminum heat exchanger in the back of the unit—with no moving parts. Being physically connected with the internal frame, the amplifier is firm and solid within the cabinet. The input circuit features a new low-distortion design with an advanced safety limiter, maintaining the true character of the input signal at all levels. All ART 9 amplifiers are designed according to EN62368-1 for maximum safety and present a Switch Mode Power Supply section joining high-efficiency with minimum weight.

M-Brace: a new cabinet design

A professional appearance of an ART 9 cabinet is ideal for live events or installed applications. The sleek cabinet uses a special polypropylene composite material with a radically new construction concept. The grille cover is heavy-duty steel protecting both transducers and vented ports. The purpose-designed M-brace connects the four internal sides of the cabinet and amplifier, preventing any deformation for a completely inert body, with augmented acoustical damping even at maximum volume settings. It also performs as a reinforcement structure, for greater resistance to mechanical stress.

Bass Motion Control

When searching for an extended bass with enhanced performance, RCF engineers found a way to remove the high-pass filter, replacing it with a forward-thinking approach. Introducing BMC (Bass Motion Control), the newly advanced woofer excursion management feature. The speaker equipped with BMC can handle the lowest audible frequencies without affecting the woofer stability, with extended linearity and better sound integrity.

The BMC method works by creating a complete map of the dynamic behavior of the woofer, to generate a custom algorithm that only limits over-excursions. This gives total freedom of signal reproduction to the transducer. When high-pass filters normally protect the woofer motion from becoming destructive but change the phase behavior, the new BMC algorithm breaks conventional rules.

New paradigms in electroacoustics

The advanced design of ART9 lies within the housing of the speaker. The new True Resistive Waveguide is the result of several refinements in both the transducers' and the vented ports' design with Finite Element Analysis, and constant measurement in RCF anechoic chambers. Thanks to FiRPHASE technology, the new shape, and the placement of the ports, the speaker now acts as a single ideal source for a perfect sound image. Acoustically, the TRW waveguide mimics a resonance-free pure resistive load reducing the high-frequency distortion of a classic horn. With its asymmetrical sound shaping, the coverage angle of the waveguide provides constant directivity to the entire listening area and improved stereo panorama.

Legendary transducers

The ND840 Compression Driver in pure Titanium with a 3" voice coil allows a crossover point at only 800Hz. This allows a better impulse response, fast decay, and superior efficiency. Lightweight and powerful, RCF neodymium drivers are a reference in performance and reliability.

The low-frequency transducer is a high-power 12" woofer with a 2.5" voice coil that delivers tight, punchy bass. Reproduction of the mid-bass frequencies is accurate, transparent and free from distortion.

New perspective on linearity

RCF speakers are designed using a proprietary and advanced digital FiR technology, conceived to deliver transparent sound, absolute clarity and perfect imaging to the listener. The special FiRPHASE filters allow for coherent distribution of sound for all listeners without phase distortions, ensuring minimum latencies in the system.

Open Box RCF ART-932A Active 2,100W 2-Way 12" Powered Speaker With 3" HF Driver Black Level 1
Open Box RCF ART-932A Active 2,100W 2-Way 12" Powered Speaker With 3" HF Driver Black Level 1
Open Box RCF ART-932A Active 2,100W 2-Way 12" Powered Speaker With 3" HF Driver Black Level 1

collapse expand iconFeatures

  • Up to 132dB sound pressure level
  • 2100W Class-D bi-amplification
  • 45–20,000Hz linear frequency response
  • 3" titanium/neodymium compression driver
  • 12" woofer
  • FiRPHASE zero-degree phase technology
  • Bass Motion Control woofer excursion management

collapse expand iconSpecs

Acoustical Specifications
  • Frequency Response: 50Hz ÷ 20,000Hz
  • Max SPL @ 1 m: 132dB
  • Horizontal coverage angle: 100°
  • Vertical coverage angle: 60°
Transducers
  • Compression driver: 1.4'' neo, 3.0'' v.c
  • Woofer: 12", 2.5'' v.c
Input/Output Sections
  • Input signal: Balanced/unbalanced
  • Input connectors: XLR, jack
  • Output connectors: XLR
  • Input sensitivity: –2dBu/+4dBu
Processor Section
  • Crossover Frequencies: 700Hz
  • Protections: Thermal, RMS
  • Limiter: Soft limiter
  • Controls: Linear, Boost, Stage, Volume
Power Section
  • Total Power: 2,100W peak
  • High frequencies: 700W peak
  • Low frequencies: 1,400W peak
  • Cooling: Convection
  • Connections: VDE
Physical Specifications
  • Cabinet/case material: PP composite
  • Hardware: 1 M10 top, 1 M10 each side
  • Handles: 1 top, 1 each side
  • Pole mount/cap: Yes
  • Grille: Steel
  • Color: Black
  • Dimensions (HxWxD): 25.28" x 14.57" x 14.29"
  • Weight: 41.45 lb.

collapse expand iconReviews

4.16

186 Reviews

81%

of respondents would recommend this to a friend

119527412362221

Most Liked Positive Review

4

A very cool guitar, if you're into the 1980's shred thing!

I have been in the market for an 80's style shredder for a few years now. As a big fan of George Lynch, in particular the stuff he did from 1985 to 1990, I've been looking for a used ESP Skulls and Snakes model. That said, they are hard to find on the used market, and they command a premium price. Enter the Friedman Cali model. With its high-output humbuckers, Floyd Rose tremolo, and single volume knob, it's got similar specs as the Skulls and Snakes, and with a much lower point of entry. So, I jumped on it, and I am glad I did. I've spent the last few days getting to know my new Friedman Cali and I can say with confidence this is an excellent guitar for the price. That said, it does have some minor drawbacks that I will gladly look past given how amazing the guitar feels and sounds. My particular guitar was a scratch and dent, which in my case means pre-owned. I say this because when I took delivery of the guitar, I noticed a tremolo stop had been installed, poorly I might add. I confirmed with Friedman they did not install these at the factory; hence my opinion the guitar was previously sold to another customer. In any case, there are no other blemishes or visual imperfections to speak of other than, of course, the factory relic job. After my initial inspection, I put the guitar back in the case to chill out for 24 hours to acclimate to the environment. After that, I remove the old strings, cleaned and polished the frets, lubricated the hardware, applied contact cleaner to the pot and switch, put on fresh strings, and gave it a proper set-up. Some things I noticed during the whole process: the b-string tuner doesn't seem to work as smoothly as the other tuners. These appear to be Hipshot open gear locking tuners, similar to what I have on my Tyler, and I know they usually work very well. Next time I change strings, i will pull the tuner and take it apart for inspection. Another thing I noticed is the screw-in style tremolo bar on the Floyd Rose. This is simply an antiquated design and needs to go the way of the rest of the dinosaurs: extinction. I much prefer the convenience, feel, and adjustability of the drop-in replacement bar, so that is what I installed. Now the tremolo feels expressive and smooth, and the bar drops in quickly. Once I got the Cali set up, I was amazed how comfortable it is to play. Let's first talk materials and craftsmanship. The relic job on the maple neck and fingerboard, combined with the rolled fret edges and slick fret crowning, make this guitar feel like you've been playing it for decades. It's really quite special and something you have to play to understand. because of the compound radius and excellent fretwork, I am able to set the action very low without excessive buzzing. I use 9-gauge strings, and two tremolo springs are sufficient to ensure the tremolo sits parallel to the body while keeping low tension on the strings. Bending is super easy and very smooth, and the tremolo feels so expressive. The guitar just feels slinky and rather addicting to play. On the tone front, it's an absolute monster. The Friedman Classic pickups feature Alnico 5 magnets, which happen to be my favorite for hard rock tones. The bridge pickup sounds thick with gobs of sustain, while the neck pickup is round and fat. Both pickups are articulate and clear, and allow single notes in complex chords to shine through. Rolling back the volume knob will clean up your tone nicely, especially with a good tube amp. These guitars were a collaboration between Dave Friedman and Grover Jackson. Unfortunately, they are no longer working together, and Grover has moved to the Nashville, TN area. I do believe Friedman guitars will be hitting the market again soon, made by someone other than Grover. With that said, the Grover-era are pretty amazing guitars, and may become harder to find. So, if you are in the market for a 1980's super-Strat style shredder, I'd recommend checking out a Grover-era Friedman while you can.

VS

Most Liked Negative Review

3

Amazing bass with a major flaw

Being mainly a guitarist, this bass is perfectly ideal for what my needs are. A great bass with a great sound/tone for recording, and many option with the knobs to fine tune and tweak that sound to my preference. However, my biggest gripe is that the string action is ridiculously tight for this bass. I like to play with ticker gauge strings, as I typically go for lower tunings, but this bass is (ironically with it being a 5 string) is simply not made for it. The action towards the neck of the fretboard makes thicker strings unplayable. They make contact with the fretboard at around the 2nd-3rd fret, and raising the bridge to compensate isn't enough. To make matters worse, the screws that are used to raise the strings on the bridge are very easily stripped, and I'm struggling to find any sort of replacements for them.

Filters
Best Uses
  1. Practice4
  2. Recording3
  3. All around great guitar1
  4. Metal songs1
  5. Rock songs1
Cons
  1. None6
  2. Poor Quality2
  3. Virtually no low end warmth.1
  4. Kind of expensive1
  5. Shipping box arrived damaged1
Describe Yourself
  1. Beginner2
  2. Stray player since 19741
  3. 74 years old, been playing 60 years.1
  4. Jazz, rock, classical player for 60 years1
  5. Metal,hard rock and instrumental rock1
Pros
  1. Sound4
  2. Attractive3
  3. Stays in Tune2
  4. Stays in tune2
  5. Tone2
  • Great all around strat

    5

    submitted10 days ago

    byCass

    fromDenver

    Price is right

  • Sounds really good

    5

    submitteda month ago

    byTrenton

    fromGladwin county

    This pedal sounds quite good. It is quite customizable. If you do buy this, if you do not have the cord used to power it, there is a battery adapter under the actual pedal part. you just put the black pins on the pedal in and take the pedal off. anyways, really good sound if you want a proper rock or metal distortion/overdrive for an affordable price.

  • Not too bad for the price

    3

    submitteda month ago

    byJeff

    fromNashville TN

    Typical Chinese bling, the sound is lacking.

  • This drum is just like the vintage ones

    5

    submitteda month ago

    byJeff

    fromSeattle, WA

    Play with freelance jazz and rock standards groups. All kinds of gigs and shows. I want to buy one of the sets.

  • Love this guitar.

    5

    submitted2 months ago

    byLarry

    fromMinnesota

    Love this guitar. Easy/Good tuning, very playable, thin neck is fast.

  • Its so good it fits my church setting well

    5

    submitted2 months ago

    byjordan

    fromHamilton, new jersey

    This product is the best drums i've ever played on because the shells are a nice color and when you tune the drums up, it sounds so good. When you play it in a open space it fills the room and when you play it in an enclosed space it sounds even better. All Im saying is that this is hands down one of the best drum sets.

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