Open Box KORG Modwave MKII Wavetable Synthesizer Level 1


Description
The KORG modwave mkII is a powerhouse compact wavetable synthesizer capable of producing a massive array of sounds, from classic analog to complex digital. A predecessor to the modwave, KORG released the DW-8000 in 1985, which combined digital wavetables with analog filters to put an entirely new world of sound at users’ fingertips. The cult success of the DW-8000 naturally set the wheels of innovation in motion, leading to the original modwave, and the updated modwave mkII wavetable creation station. Musicians, sound designers or anyone seeking a compact synthesizer with virtually limitless customization can take advantage of the modwave mkII’s advanced feature set. Get lost in an elaborate synthesis engine and delve into interactive Kaoss Physics that transform gestures into intricate musical textures. The KORG modwave mkII is a powerful tool that promotes enjoyment and gratification from the first note played.

Deep Wavetable Engine
The modwave mkII’s wavetable engine dives to oceanic depths of sonic exploration. Embark on a journey with over 200 stock wavetables, each containing up to 64 waveforms. Over 30 modifiers alter the basic characteristics of the selected wavetable, allowing isolation of odd or even harmonics, or the ability to emulate the grittiness of old-school wavetable synths. From here, the KORG modwave mkII synthesizer offers 13 Morph Types: stretch, squeeze and modulate wavetables in real time for additional motion and depth. Of course, you can blend any two wavetables together using A/B mode—enrich anemic sounds or liven up a tone that’s too mellow. If you’ve run out of waters to explore, simply import your own wavetables using the Editor/Librarian software. The modwave mkII is as fathomless as you’re willing to go.

60 Notes of Polyphony
Up nearly double from the previous model, the KORG modwave mkII wavetable synthesizer handles 60 stereo voices of polyphony, which is astounding for any wavetable synth at any price. This remarkable increase from the first modwave’s 32 voices expands the synthesizer’s sonic palette to the extreme. Experiment with richly layered timbres practically unachievable anywhere else through the groundbreaking technology and engine driving the KORG modwave mkII. Sound designers and those with a penchant for the avant-garde can see just how far their soundscapes go with 60-voice polyphony.

Kaoss Physics
The modwave mkII features a built-in Kaoss Physics pad for interactive, gestural sound manipulation. The touchscreen models a ball rolling on a surface and bouncing off walls inside the X/Y pad. Speed and movement of the model are adjustable and modulable in real time, and the position of the ball corresponds to eight modulation signals. Flicking a finger on the screen launches the ball and initiates a chaotic trajectory, while holding a finger on the pad lets you control its movement and position directly. Kaoss Physics’ X/Y axes represent customizable modulation values, and as the ball bounces around these planes, it generates outlandish musicality that’s hands-on in an arcade-style way.

Motion Sequencing 2.0
The modwave mkII’s Motion Sequencing 2.0 is a highly controllable step sequencer that breaks down alterable parameters into “lanes”—timing, pitch, shape and step values. Each of the lanes has its own loop start and end point, and every time a sequence moves forward, the sum of all four lanes creates the output. There’s an inherent level of randomization in Motion Sequencing 2.0, in which timing, pitch and shape may be assigned a different step value every time they play. Lanes can randomize the step order each time as well, and individual steps can be randomly skipped with a user-set probability from 0–100%. Motion Sequencing 2.0 provides extensive control over phrases in a seamlessly organic way that feels musical and responsive to player input.
The KORG modwave mkII wavetable synthesizer bridles boundless inspiration in a sleek, 37-key chassis. With a pair of high-octane oscillators, filters for days, modulation galore and an arsenal of effects, the modwave mkII is creativity incarnate. KORG carefully crafted a synthesizer that’s unimaginably diverse in range and performance, yet nothing about the modwave mkII screams "overwhelming." All controls and parameters are thoughtfully laid out in way that welcomes players of all levels to explore, as long as you’re ready for the voyage. Check out the new and improved KORG modwave mkII synth at your local Guitar Center today.
Specs
- Keyboard: 37 keys (velocity and release-velocity sensitive)
- Maximum Polyphony: 60 stereo voices
- Sound generating system: modwave synthesis engine
- Controllers: Mod Wheel, Pitch Wheel, Kaoss Physics, 4x Mod Knobs
- Other Sources: 4x Envelopes, 5x LFOs, 2x Mod Processors, 2x Key Track, Seq Lanes A-D, Step Pulse, Tempo, Program/Performance Note Count, Program/Performance Voice Count, Poly Legato, Velocity, Exponential Velocity, Release Velocity, Gate, Gate+Damper, Note-On Trigger, Note-On Trigger+Damper, Note Number, Aftertouch and Poly Aftertouch (external MIDI only), MIDI CCs +/-, MIDI CCs +
- Destinations: Most parameters can be modulated, including parameters of individual Motion Sequence Steps. Depending on Motion Sequence length, there can be more than 1,000 potential modulation targets per Program.
- Pre FX: Decimator, Graphic EQ, Guitar Amp, Modern Compressor, Parametric EQ, Red Compressor, Ring Modulator, Tremolo, Wave Shaper
- Mod FX: Black Chorus/Flanger, Black Phase, CX-3 Vibrato Chorus, EP Chorus, Harmonic Chorus, Modern Chorus, Modern Phaser, Orange Phase, Polysix Ensemble, Small Phase, Talking Modulator, Vintage Chorus, Vintage Flanger, Vintage/Custom Wah, Vox Wah
- Delay: L/C/R Delay, Multiband Mod Delay, Reverse Delay, Stereo/Cross Delay, Tape Echo
- Master Reverb: Early Reflections, Overb
- Master EQ: 4-band parametric EQ
- Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks), DAMPER (6.3 mm phone jack, half-damper not supported), MIDI IN and OUT connectors, USB B port
- Power supply: AC adapter (DC12V, 2500mA)
- Power consumption: 5W
- Included items: AC adapter, Precautions, Quick Start Guide
- Dimensions (W x D x H): 565 x 338 x 92 mm/22.24” × 13.31” × 3.62”
- Weight: 2.9 kg/6.93 lb.
Reviews
4.15
188 Reviews
81%
of respondents would recommend this to a friend
Most Liked Positive Review
A very cool guitar, if you're into the 1980's shred thing!
I have been in the market for an 80's style shredder for a few years now. As a big fan of George Lynch, in particular the stuff he did from 1985 to 1990, I've been looking for a used ESP Skulls and Snakes model. That said, they are hard to find on the used market, and they command a premium price. Enter the Friedman Cali model. With its high-output humbuckers, Floyd Rose tremolo, and single volume knob, it's got similar specs as the Skulls and Snakes, and with a much lower point of entry. So, I jumped on it, and I am glad I did. I've spent the last few days getting to know my new Friedman Cali and I can say with confidence this is an excellent guitar for the price. That said, it does have some minor drawbacks that I will gladly look past given how amazing the guitar feels and sounds. My particular guitar was a scratch and dent, which in my case means pre-owned. I say this because when I took delivery of the guitar, I noticed a tremolo stop had been installed, poorly I might add. I confirmed with Friedman they did not install these at the factory; hence my opinion the guitar was previously sold to another customer. In any case, there are no other blemishes or visual imperfections to speak of other than, of course, the factory relic job. After my initial inspection, I put the guitar back in the case to chill out for 24 hours to acclimate to the environment. After that, I remove the old strings, cleaned and polished the frets, lubricated the hardware, applied contact cleaner to the pot and switch, put on fresh strings, and gave it a proper set-up. Some things I noticed during the whole process: the b-string tuner doesn't seem to work as smoothly as the other tuners. These appear to be Hipshot open gear locking tuners, similar to what I have on my Tyler, and I know they usually work very well. Next time I change strings, i will pull the tuner and take it apart for inspection. Another thing I noticed is the screw-in style tremolo bar on the Floyd Rose. This is simply an antiquated design and needs to go the way of the rest of the dinosaurs: extinction. I much prefer the convenience, feel, and adjustability of the drop-in replacement bar, so that is what I installed. Now the tremolo feels expressive and smooth, and the bar drops in quickly. Once I got the Cali set up, I was amazed how comfortable it is to play. Let's first talk materials and craftsmanship. The relic job on the maple neck and fingerboard, combined with the rolled fret edges and slick fret crowning, make this guitar feel like you've been playing it for decades. It's really quite special and something you have to play to understand. because of the compound radius and excellent fretwork, I am able to set the action very low without excessive buzzing. I use 9-gauge strings, and two tremolo springs are sufficient to ensure the tremolo sits parallel to the body while keeping low tension on the strings. Bending is super easy and very smooth, and the tremolo feels so expressive. The guitar just feels slinky and rather addicting to play. On the tone front, it's an absolute monster. The Friedman Classic pickups feature Alnico 5 magnets, which happen to be my favorite for hard rock tones. The bridge pickup sounds thick with gobs of sustain, while the neck pickup is round and fat. Both pickups are articulate and clear, and allow single notes in complex chords to shine through. Rolling back the volume knob will clean up your tone nicely, especially with a good tube amp. These guitars were a collaboration between Dave Friedman and Grover Jackson. Unfortunately, they are no longer working together, and Grover has moved to the Nashville, TN area. I do believe Friedman guitars will be hitting the market again soon, made by someone other than Grover. With that said, the Grover-era are pretty amazing guitars, and may become harder to find. So, if you are in the market for a 1980's super-Strat style shredder, I'd recommend checking out a Grover-era Friedman while you can.
Most Liked Negative Review
Amazing bass with a major flaw
Being mainly a guitarist, this bass is perfectly ideal for what my needs are. A great bass with a great sound/tone for recording, and many option with the knobs to fine tune and tweak that sound to my preference. However, my biggest gripe is that the string action is ridiculously tight for this bass. I like to play with ticker gauge strings, as I typically go for lower tunings, but this bass is (ironically with it being a 5 string) is simply not made for it. The action towards the neck of the fretboard makes thicker strings unplayable. They make contact with the fretboard at around the 2nd-3rd fret, and raising the bridge to compensate isn't enough. To make matters worse, the screws that are used to raise the strings on the bridge are very easily stripped, and I'm struggling to find any sort of replacements for them.
- Practice4
- Recording3
- All around great guitar1
- Metal songs1
- Rock songs1
- None6
- Poor Quality2
- Virtually no low end warmth.1
- Kind of expensive1
- Shipping box arrived damaged1
- Beginner2
- Stray player since 19741
- 74 years old, been playing 60 years.1
- Jazz, rock, classical player for 60 years1
- Metal,hard rock and instrumental rock1
- Sound4
- Attractive3
- Stays in Tune2
- Stays in tune2
- Tone2
Reviewed by 188 customers
Advertised as new
submitted2 days ago
byJay
fromNew Hampshire
Bought it a day ago.New 730. Came used the offered ten percent off. Came with a chip in the paint and a piece missing they fixed. Except I still paid more for this then if I would have bought used and the discount they said they would put through they didn't do.
Great multifex device, Easy to use.
submitted5 days ago
byJames
fromPortland, OR
I thought about getting this pedal for a while but the day Maris released the Enzo X I ordered that and the Mercury X from them. After playing on those for a couple weeks I had to order the LVX and I'm so glad that I did. Lots of great sounds and an easy user interface. I highly recommend.
Great all around strat
submitted25 days ago
byCass
fromDenver
Price is right
Sounds really good
submitted2 months ago
byTrenton
fromGladwin county
This pedal sounds quite good. It is quite customizable. If you do buy this, if you do not have the cord used to power it, there is a battery adapter under the actual pedal part. you just put the black pins on the pedal in and take the pedal off. anyways, really good sound if you want a proper rock or metal distortion/overdrive for an affordable price.
Not too bad for the price
submitted2 months ago
byJeff
fromNashville TN
Typical Chinese bling, the sound is lacking.
This drum is just like the vintage ones
submitted2 months ago
byJeff
fromSeattle, WA
Play with freelance jazz and rock standards groups. All kinds of gigs and shows. I want to buy one of the sets.
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