Behringer

collapse expand iconDescription

The Behringer XENYX 1002SFX mixer delivers premium sound quality and flexible connectivity ideal for podcasters, streamers and musicians. With award-winning XENYX preamps, the 1002SFX provides warm, musical tone for any microphone or input source. The integrated Klark Teknik FX processor offers 100 stunning presets to add depth and dimension to your mix.

Achieve Broadcast-Quality Sound

With the 1002SFX, you can achieve clear, professional sound for streaming thanks to the premium XENYX preamps and Klark Teknik effects. The ultramusical preamps provide rich, transparent amplification that makes vocals shine and instruments come to life. Dial in the perfect tone with 3-band EQ, low cut filter and 12dB boost on stereo channels. Add rich reverb, delay, chorus or other effects with the built-in FX processor. Whether you're podcasting, playing live or recording music, the 1002SFX delivers sound quality that rivals high-end mixers.

Connect Any Source Flexibly

This versatile 10-channel mixer makes it easy to integrate mics, instruments, computers and mobile devices. Two XLR mono channels accept mics or instruments, with phantom power for condensers. Four stereo line channels work with keyboards, drum machines, MP3 players and more. The dedicated RCA input is perfect for connecting a smartphone or tablet for playing music, and the USB streaming input lets you bring in audio from a computer seamlessly. Use the mixer's outputs to feed powered monitors, PA systems or to record the main mix.

Intuitive Controls Provide Total Command

With its logical interface and precision 60 mm fader, the XENYX 1002SFX puts you in complete control. Gain, 3-band EQ, pan and FX send knobs on every channel enable fine-tuning. Engage the low-cut filter on mono channels to remove rumble. Get an extra 12dB boost on the stereo channels when you need more volume. The smooth, high-resolution main fader allows fine level adjustments. Mute and solo buttons help manage the mix. Every function is laid out intuitively so you can shape flawless sound with ease.

Ideal for Podcasting, Streaming and Recording

Whether you're launching an online talk show, recording a demo or playing a gig, the XENYX 1002SFX provides the connectivity, sound quality and control you need. The RCA and USB inputs make integrating modern devices for streaming a breeze. With warm, transparent preamps and lush effects, you can achieve polished, professional results and with its compact footprint, the 1002SFX is easy to transport wherever you create audio. Give your productions broadcast-worthy polish with the Behringer XENYX 1002SFX mixer.

Open Box Behringer XENYX 1002SFX 10-Channel Analog Mixer With USB Level 1
Open Box Behringer XENYX 1002SFX 10-Channel Analog Mixer With USB Level 1
Open Box Behringer XENYX 1002SFX 10-Channel Analog Mixer With USB Level 1

collapse expand iconSpecs

Mono InputsMicrophone Input
  • Balanced XLR, discrete input circuit
  • Mic EIN (22 Hz-22kHz) @ 50 ohm: 132dB, A-weighted
  • Frequency response Gain +10dB: 10Hzto 150kHz
  • Frequency response Gain +60dB: 20Hzto 70kHz
  • Gain range: +10dB to +60dB
  • Max input level @ +10dB Gain: +12dBu
  • Input Impedance 2 kohm balanced
  • Distortion (THD + N) 1kHz@ +10dB Gain: 0.005%
Mono Line Inputs
  • 1/4" TRS connector balanced
  • Impedance: 22 kohm Balanced, 10 kohm unbalanced
  • Gain range: -10dB to +40dB
  • Max input level @ 0dB Gain: +21dBu
Stereo Inputs
  • Stereo Line
  • 1/4" TRS connector balanced
  • Frequency response: 20Hzto 200kHz
  • Impedance: 22 kohm Balanced, 10 kohm unbalanced
  • Max input level @ 0dB Gain: +21dBu
STREAM Inputs (Analog)
  • RCA connector unbalanced
  • Impedance: 10 kohm unbalanced
  • Max input level: 10dBu
Equalizer
  • Low: 80 Hz/±15dB
  • Mid: 2.5kHz/±15dB
  • High: 12kHz/±15dB
Main, Monitor & FX Send Outputs Type
  • 1/4" TRS connector impedance-balanced
  • Impedance: 120 ohm
  • Max output level: 21dBu
Phones Out
  • Type: 1/4" TRS connector unbalanced
  • Impedance: 23 ohm
  • Max output level: 19dBu/150 ohm
STREAM out (Analog)
  • Type: RCA connector unbalanced
  • Impedance: 1 kohm unbalanced
  • Max output level: 10dBu
Main Mix Noise
  • Main Mix @ -∞: -108dBu A-weighted
  • Channel @ -∞: -108dBu A-weighted
FX Section
  • Type: Klark Teknik
  • Converter: 24-bit Sigma Delta
  • Sample Rate: 40kHz
USB
  • Type: Type-B connector
  • USB Audio Data: 48kHz/16-bit
  • UAC2 Class Compliant: Stereo in/out

collapse expand iconReviews

4.15

188 Reviews

81%

of respondents would recommend this to a friend

120527413362221

Most Liked Positive Review

4

A very cool guitar, if you're into the 1980's shred thing!

I have been in the market for an 80's style shredder for a few years now. As a big fan of George Lynch, in particular the stuff he did from 1985 to 1990, I've been looking for a used ESP Skulls and Snakes model. That said, they are hard to find on the used market, and they command a premium price. Enter the Friedman Cali model. With its high-output humbuckers, Floyd Rose tremolo, and single volume knob, it's got similar specs as the Skulls and Snakes, and with a much lower point of entry. So, I jumped on it, and I am glad I did. I've spent the last few days getting to know my new Friedman Cali and I can say with confidence this is an excellent guitar for the price. That said, it does have some minor drawbacks that I will gladly look past given how amazing the guitar feels and sounds. My particular guitar was a scratch and dent, which in my case means pre-owned. I say this because when I took delivery of the guitar, I noticed a tremolo stop had been installed, poorly I might add. I confirmed with Friedman they did not install these at the factory; hence my opinion the guitar was previously sold to another customer. In any case, there are no other blemishes or visual imperfections to speak of other than, of course, the factory relic job. After my initial inspection, I put the guitar back in the case to chill out for 24 hours to acclimate to the environment. After that, I remove the old strings, cleaned and polished the frets, lubricated the hardware, applied contact cleaner to the pot and switch, put on fresh strings, and gave it a proper set-up. Some things I noticed during the whole process: the b-string tuner doesn't seem to work as smoothly as the other tuners. These appear to be Hipshot open gear locking tuners, similar to what I have on my Tyler, and I know they usually work very well. Next time I change strings, i will pull the tuner and take it apart for inspection. Another thing I noticed is the screw-in style tremolo bar on the Floyd Rose. This is simply an antiquated design and needs to go the way of the rest of the dinosaurs: extinction. I much prefer the convenience, feel, and adjustability of the drop-in replacement bar, so that is what I installed. Now the tremolo feels expressive and smooth, and the bar drops in quickly. Once I got the Cali set up, I was amazed how comfortable it is to play. Let's first talk materials and craftsmanship. The relic job on the maple neck and fingerboard, combined with the rolled fret edges and slick fret crowning, make this guitar feel like you've been playing it for decades. It's really quite special and something you have to play to understand. because of the compound radius and excellent fretwork, I am able to set the action very low without excessive buzzing. I use 9-gauge strings, and two tremolo springs are sufficient to ensure the tremolo sits parallel to the body while keeping low tension on the strings. Bending is super easy and very smooth, and the tremolo feels so expressive. The guitar just feels slinky and rather addicting to play. On the tone front, it's an absolute monster. The Friedman Classic pickups feature Alnico 5 magnets, which happen to be my favorite for hard rock tones. The bridge pickup sounds thick with gobs of sustain, while the neck pickup is round and fat. Both pickups are articulate and clear, and allow single notes in complex chords to shine through. Rolling back the volume knob will clean up your tone nicely, especially with a good tube amp. These guitars were a collaboration between Dave Friedman and Grover Jackson. Unfortunately, they are no longer working together, and Grover has moved to the Nashville, TN area. I do believe Friedman guitars will be hitting the market again soon, made by someone other than Grover. With that said, the Grover-era are pretty amazing guitars, and may become harder to find. So, if you are in the market for a 1980's super-Strat style shredder, I'd recommend checking out a Grover-era Friedman while you can.

VS

Most Liked Negative Review

3

Amazing bass with a major flaw

Being mainly a guitarist, this bass is perfectly ideal for what my needs are. A great bass with a great sound/tone for recording, and many option with the knobs to fine tune and tweak that sound to my preference. However, my biggest gripe is that the string action is ridiculously tight for this bass. I like to play with ticker gauge strings, as I typically go for lower tunings, but this bass is (ironically with it being a 5 string) is simply not made for it. The action towards the neck of the fretboard makes thicker strings unplayable. They make contact with the fretboard at around the 2nd-3rd fret, and raising the bridge to compensate isn't enough. To make matters worse, the screws that are used to raise the strings on the bridge are very easily stripped, and I'm struggling to find any sort of replacements for them.

Filters
Best Uses
  1. Practice4
  2. Recording3
  3. All around great guitar1
  4. Metal songs1
  5. Rock songs1
Cons
  1. None6
  2. Poor Quality2
  3. Virtually no low end warmth.1
  4. Kind of expensive1
  5. Shipping box arrived damaged1
Describe Yourself
  1. Beginner2
  2. Stray player since 19741
  3. 74 years old, been playing 60 years.1
  4. Jazz, rock, classical player for 60 years1
  5. Metal,hard rock and instrumental rock1
Pros
  1. Sound4
  2. Attractive3
  3. Stays in Tune2
  4. Stays in tune2
  5. Tone2
  • Advertised as new

    3

    submitted2 days ago

    byJay

    fromNew Hampshire

    Bought it a day ago.New 730. Came used the offered ten percent off. Came with a chip in the paint and a piece missing they fixed. Except I still paid more for this then if I would have bought used and the discount they said they would put through they didn't do.

  • Great multifex device, Easy to use.

    5

    submitted6 days ago

    byJames

    fromPortland, OR

    I thought about getting this pedal for a while but the day Maris released the Enzo X I ordered that and the Mercury X from them. After playing on those for a couple weeks I had to order the LVX and I'm so glad that I did. Lots of great sounds and an easy user interface. I highly recommend.

  • Great all around strat

    5

    submitted25 days ago

    byCass

    fromDenver

    Price is right

  • Sounds really good

    5

    submitted2 months ago

    byTrenton

    fromGladwin county

    This pedal sounds quite good. It is quite customizable. If you do buy this, if you do not have the cord used to power it, there is a battery adapter under the actual pedal part. you just put the black pins on the pedal in and take the pedal off. anyways, really good sound if you want a proper rock or metal distortion/overdrive for an affordable price.

  • Not too bad for the price

    3

    submitted2 months ago

    byJeff

    fromNashville TN

    Typical Chinese bling, the sound is lacking.

  • This drum is just like the vintage ones

    5

    submitted2 months ago

    byJeff

    fromSeattle, WA

    Play with freelance jazz and rock standards groups. All kinds of gigs and shows. I want to buy one of the sets.

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