Line 6 JTV-89 Variax Electric Guitar Black


Description
The JTV-89 is made for the shredder with a 14" fretboard radius and a James Tyler Fast n' Flat neck profile. Features include a mahogany body, and a 3-piece bolt-on maple neck with a rosewood fingerboard. A recessed heel makes reaching the upper frets a breeze. The JTV-89 is loaded with a pair of high-output PAF-style alnico humbuckers (wound to Tyler's specs). Controls include a 5-way blade pickup selector switch, a master volume & tones. A rotary model selector dials the 25 virtual guitars plus sitar, banjo, and resonator guitar tones. A rotary alt tuning selector lets you pick from 12 alternate tunings. The fully adjustable Tyler Custom stoptail bridge is fitted with an L.R. Baggs Radiance Hex piezo pickup system for sweet acoustic guitar tones. A Graph Tech Black TUSQ XL nut keeps the strings from gripping and sticking. Comes standard with a durable, padded gig bag with a stitched Line 6 logo and 2 pockets big enough for all your gig essentials.
Dual-core Processor
Dual-core processor delivers 4 times the punch. This new chip is smaller, faster, and more powerful. It has allowed Line 6 to run fuller, clearer models of guitar bodies and pickups; let all their models have alternate tunings; improved alternate tuning purity and speed; provided alternate tuning customization; and improved modes of operation and editing. The JVT-89 sounds and responds surprisingly more like a traditional guitar.
Variax Workbench Software
Variax Workbench software is a virtual custom shop. This free software, which can be downloaded from the Line 6 website, lets you create custom models on your computer and upload them to your JTV-59 via its built-in USB port. Choose from famous guitar bodies, pickups, pickup placement, tone and volume controls, and tweak away until you've designed the guitar of your dreams “ without choking on sawdust!
This combination USB interface and software package for James Tyler Variax guitars allows you to see and hear the physical changes to your custom guitar in real time. Ever wonder what a single-coil pickup would sound like on a hollowbody guitar tuned an octave down? Probably not. That's because it wasn't a reality “ until now.
The Alt Tune Knob
Each James Tyler Variax modeling guitar has a dedicated Alt Tune knob. This knob has 12 settings, including two labeled "Model" and "Standard." Set to "Model," the Alt Tune knob lets you access the alternate tunings you created using Variax Workbench virtual guitar workbench software. These tunings are stored on your Variax's Model knob. Set to "Standard," the Alt Tune knob overrides saved tunings to set every model to standard "E-to-E" tuning. The Alt Tune knob's remaining 10 settings are the most commonly used tunings used by modern metal style guitarists.
The Virtual capo feature lets you easily transpose any song to the key that suits your vocalist. And you can adjust your tuning on the fly without having to use "Workbench" software.
Battery powered DSP
A proprietary lithium-ion battery delivers at least 12 hours of continuous performance. A 4-LED battery life meter lets you know how much rocking time you have left. Rolling down the volume knob when you're not playing will automatically put the DSP to sleep and helps maximize battery life. So even with your cable still plugged in, you will not be using battery power. DSP wakes up instantly when you turn the volume back up. The JTV-89 functions as a standard electric guitar whether the battery installed or not.
Check the drop-down menu to the right to select colors and/or other options.



Features
- 1960 Fender Telecaster Custom
- 1968 Fender Telecaster
- 1968 Fender Telecaster Thinline
- 1969 Fender Stratocaster
- 1958 Gibson Les Paul Standard
- 1952 Gibson Les Paul "Goldtop"
- 1961 Gibson Les Paul Custom (3 PU)
- 1956 Gibson Les Paul Junior
- 1976 Gibson Firebird V
- 1955 Gibson Les Paul Special
- 1969 Gretsch 6120
- 1956 Gretsch Silver Jet
- 1968 Rickenbacker 360
- 1966 Rickenbacker 360-12
- 1961 Gibson ES-335
- 1967 Epiphone Casino
- 1957 Gibson ES-175
- 1953 Gibson Super 400
- 1969 Martin D-28
- 1970 Martin D 12-28
- 1967 Martin O-18
- 1966 Guild F212
- 1995 Gibson J-200
- 1935 Dobro Alumilite
- Danelectro 3021
- Coral Dano Electric Sitar
- Gibson Mastertone Banjo
- 1928 National Style 2 "Tricone"
- MODEL
- STANDARD: E A D G B E
- DROP D: D A D G B E
- 1/2 DOWN: Eb Ab Db Gb Bb Eb
- DROP Db: Db Ab Db Gb Bb Eb
- 1 DOWN: D G C F A D
- DROP C: C G C F A D
- m3 DOWN: Db Gb B E Ab Db
- DROP B: B Gb B E Ab Db
- M3 DOWN: C F Bb Eb G C
- DROP Bb: Bb F Bb Eb G C
- BARITONE: B E A D F B
Specs
- Body: mahogany
- Neck: 3-piece bolt-on maple neck
- Heel: recessed
- Fingerboard: rosewood
- Scale length: 25-1/2"
- Radius: 14"
- Number of frets: 22
- Nut: Graph Tech Black TUSQ XL
- Nut width: 1-11/16"
- Hardware: black nickel
- Pickups: 2 high-output PAF-style alnico humbuckers (wound to Tyler's specs)
- Electronics: Full Variax system
- Bridge: fully adjustable Tyler Custom stoptail bridge with L.R. Baggs Radiance Hex piezo pickup system
- Tuners: sealed with 16:1 gear ratio
- Case: padded gig bag (Made by G & G)
- Included: Workbench USB adapter, Li-Ion battery, and switching power supply
- Workbench software downloadable for free from Line 6
Reviews
4.15
185 Reviews
81%
of respondents would recommend this to a friend
Most Liked Positive Review
A very cool guitar, if you're into the 1980's shred thing!
I have been in the market for an 80's style shredder for a few years now. As a big fan of George Lynch, in particular the stuff he did from 1985 to 1990, I've been looking for a used ESP Skulls and Snakes model. That said, they are hard to find on the used market, and they command a premium price. Enter the Friedman Cali model. With its high-output humbuckers, Floyd Rose tremolo, and single volume knob, it's got similar specs as the Skulls and Snakes, and with a much lower point of entry. So, I jumped on it, and I am glad I did. I've spent the last few days getting to know my new Friedman Cali and I can say with confidence this is an excellent guitar for the price. That said, it does have some minor drawbacks that I will gladly look past given how amazing the guitar feels and sounds. My particular guitar was a scratch and dent, which in my case means pre-owned. I say this because when I took delivery of the guitar, I noticed a tremolo stop had been installed, poorly I might add. I confirmed with Friedman they did not install these at the factory; hence my opinion the guitar was previously sold to another customer. In any case, there are no other blemishes or visual imperfections to speak of other than, of course, the factory relic job. After my initial inspection, I put the guitar back in the case to chill out for 24 hours to acclimate to the environment. After that, I remove the old strings, cleaned and polished the frets, lubricated the hardware, applied contact cleaner to the pot and switch, put on fresh strings, and gave it a proper set-up. Some things I noticed during the whole process: the b-string tuner doesn't seem to work as smoothly as the other tuners. These appear to be Hipshot open gear locking tuners, similar to what I have on my Tyler, and I know they usually work very well. Next time I change strings, i will pull the tuner and take it apart for inspection. Another thing I noticed is the screw-in style tremolo bar on the Floyd Rose. This is simply an antiquated design and needs to go the way of the rest of the dinosaurs: extinction. I much prefer the convenience, feel, and adjustability of the drop-in replacement bar, so that is what I installed. Now the tremolo feels expressive and smooth, and the bar drops in quickly. Once I got the Cali set up, I was amazed how comfortable it is to play. Let's first talk materials and craftsmanship. The relic job on the maple neck and fingerboard, combined with the rolled fret edges and slick fret crowning, make this guitar feel like you've been playing it for decades. It's really quite special and something you have to play to understand. because of the compound radius and excellent fretwork, I am able to set the action very low without excessive buzzing. I use 9-gauge strings, and two tremolo springs are sufficient to ensure the tremolo sits parallel to the body while keeping low tension on the strings. Bending is super easy and very smooth, and the tremolo feels so expressive. The guitar just feels slinky and rather addicting to play. On the tone front, it's an absolute monster. The Friedman Classic pickups feature Alnico 5 magnets, which happen to be my favorite for hard rock tones. The bridge pickup sounds thick with gobs of sustain, while the neck pickup is round and fat. Both pickups are articulate and clear, and allow single notes in complex chords to shine through. Rolling back the volume knob will clean up your tone nicely, especially with a good tube amp. These guitars were a collaboration between Dave Friedman and Grover Jackson. Unfortunately, they are no longer working together, and Grover has moved to the Nashville, TN area. I do believe Friedman guitars will be hitting the market again soon, made by someone other than Grover. With that said, the Grover-era are pretty amazing guitars, and may become harder to find. So, if you are in the market for a 1980's super-Strat style shredder, I'd recommend checking out a Grover-era Friedman while you can.
Most Liked Negative Review
Amazing bass with a major flaw
Being mainly a guitarist, this bass is perfectly ideal for what my needs are. A great bass with a great sound/tone for recording, and many option with the knobs to fine tune and tweak that sound to my preference. However, my biggest gripe is that the string action is ridiculously tight for this bass. I like to play with ticker gauge strings, as I typically go for lower tunings, but this bass is (ironically with it being a 5 string) is simply not made for it. The action towards the neck of the fretboard makes thicker strings unplayable. They make contact with the fretboard at around the 2nd-3rd fret, and raising the bridge to compensate isn't enough. To make matters worse, the screws that are used to raise the strings on the bridge are very easily stripped, and I'm struggling to find any sort of replacements for them.
Filters
Best Uses
- Practice4
- Recording3
- Metal songs1
- Rock songs1
- fun. and looking cool shredding for the normies1
Cons
- None5
- Poor Quality2
- Virtually no low end warmth.1
- Kind of expensive1
- Shipping box arrived damaged1
Describe Yourself
- Beginner2
- 74 years old, been playing 60 years.1
- Jazz, rock, classical player for 60 years1
- Metal,hard rock and instrumental rock1
- Retired 64 YO beginning amateur1
Pros
- Sound4
- Attractive3
- Stays in Tune2
- Stays in tune2
- Tone2
Reviewed by 185 customers
Sounds really good
submitted19 days ago
byTrenton
fromGladwin county
This pedal sounds quite good. It is quite customizable. If you do buy this, if you do not have the cord used to power it, there is a battery adapter under the actual pedal part. you just put the black pins on the pedal in and take the pedal off. anyways, really good sound if you want a proper rock or metal distortion/overdrive for an affordable price.
Not too bad for the price
submitteda month ago
byJeff
fromNashville TN
Typical Chinese bling, the sound is lacking.
This drum is just like the vintage ones
submitteda month ago
byJeff
fromSeattle, WA
Play with freelance jazz and rock standards groups. All kinds of gigs and shows. I want to buy one of the sets.
Love this guitar.
submitteda month ago
byLarry
fromMinnesota
Love this guitar. Easy/Good tuning, very playable, thin neck is fast.
Its so good it fits my church setting well
submitteda month ago
byjordan
fromHamilton, new jersey
This product is the best drums i've ever played on because the shells are a nice color and when you tune the drums up, it sounds so good. When you play it in a open space it fills the room and when you play it in an enclosed space it sounds even better. All Im saying is that this is hands down one of the best drum sets.
23862 SYCAMORE DR
submitteda month ago
byETHAN
fromMission Viejo, CA
Electronics are really good. Was going to use it for jamming and professional playing. However, I could not lower the action due to stripped saddle screws
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