KORG

collapse expand iconDescription

The D1600 provides 8-track simultaneous recording and 16-track playback in 16-bit mode, or 4-track simultaneous recording and 8-track simultaneous playback with true 24-bit quality. 40GB hard drive yields over 120 hours of recording time (at 16-bit recording/playback, one track). Accommodates IDE hard drives for easy switching. Includes a CD-R burner for making your own CDs right onboard. 24-channel, 8-bus mixer with 16 - 60mm faders for smooth, precise level adjustments. Pairing function allows adjacent channels to be run as stereo for up to 8 mono plus 4 stereo tracks. Full input flexibility. High-quality balanced analog ins and pre-amped XLR jacks with 48V phantom power. Dedicated guitar input and much, much more. The Art Tube MP is perfect for sweetening up tracks. This 12AX7-based mic pre-amp provides high-quality sound, smooth response, and 70dB of gain while maintaining a low-noise floor suitable for digital. Features 1/4" balanced and XLR balanced inputs, 1/4" TRS and XLR balanced outputs, input and output level controls, a phantom power switch, and "soft" power-up and down. The Tube MP gives you high-cost tube pre-amp/processor sound quality and makes a perfect partner to the D1600 recorder.
KORG D1600 16-Track Digital Recorder with CD Burner and Art Tube MP
KORG D1600 16-Track Digital Recorder with CD Burner and Art Tube MP
KORG D1600 16-Track Digital Recorder with CD Burner and Art Tube MP

collapse expand iconFeatures

  • 8-track record
  • 16-track playback
  • 40GB hard drive
  • Includes 2X/8X CD-R/RW drive
  • 24-channel, 8-bus super-flexible mixer
  • The Tube MP gives you high-cost tube pre-amp/processor sound quality
  • A perfect addition to the D1600 recorder

collapse expand iconSpecs

  • Maximum storage capacity: Internal + external 1,000GB x 7 drives
  • Songs: 100 per drive
  • Locate points: 4 per song
  • Mark points: 100 per song (marks can be named)
  • A/D Conversion: 24-bit, 64 times oversampling
  • D/A Conversion: 24-bit, 128 times oversampling 
  • Sampling Frequency: 44.1kHz
  • Inputs 1,2,3, and 4
  • Connectors: XLR-3-31 type (+48V phantom power, SW), 1/4" TRS phone jack (balanced)
  • Input Impedance:
  • 10k ohm
  • Nominal Level:
  • -60dBu @TRIM=max., +4dBu @TRIM=min.
  • Maximum Level:
  • -48dBu @TRIM=max., +16dBu @TRIM=min.
  • Source Impedance:
  • 600 ohm
  • Inputs 5,6,7 and 8:
  • Connectors:
  • 1/4" TRS phone jack (balanced)
  • Input Impedance: 10k ohm
  • Nominal Level: -60dBu @TRIM=max., +4dBu @TRIM=min.
  • Maximum Level: -48dBu @TRIM=max., +16dBu @TRIM=min.
  • Source Impedance: 600 ohm
  • Guitar Input:
  • Connector:
  • 1/4" phone jack (unbalanced)
  • Input Impedance: 1M-ohm
  • Nominal Level: -60dBu @TRIM=max., +4dBu @TRIM=min.
  • Maximum Level: -48dBu @TRIM=max., +16dBu @TRIM=min.
  • Source Impedance: 600 ohm
  • Master Output L/R:
  • Connector:
  • 1/4" phone jack (unbalanced)
  •  
  • Output Impedance:
  • 150 ohm
  •  
  • Nominal Level:
  • -10dBu
  •  
  • Maximum Level:
  • +2dBu
  •  
  • Load Impedance:
  • 10k ohm or greater
  •  
  •  
  • Monitor Output L/R:
  • Connector:
  • 1/4" phone jack (unbalanced)
  •  
  • Output Impedance:
  • 150 ohm or more
  •  
  • Nominal Level:
  • -10dBu
  •  
  • Maximum Level:
  • +2dBu
  •  
  • Load Impedance:
  • 10k ohm or more
  •  
  •  
  • Aux Output:
  • Connector:
  • 1/4" phone jack (unbalanced)
  •  
  • Output Impedance:
  • 150 ohm
  •  
  • Nominal Level:
  • -10dBu
  •  
  • Maximum Level:
  • +2dBu
  •  
  • Load Impedance:
  • 10k ohm or more