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New Yamaha MODX+ Music Synthesizer | Overview and Demo with Philip Cornishplay button

New Yamaha MODX+ Music Synthesizer | Overview and Demo with Philip Cornish

MODX+ Overviewplay button

MODX+ Overview

Yamaha's Tech Talk: Introducing MODX+play button

Yamaha's Tech Talk: Introducing MODX+

Yamaha

collapse expand iconDescription

The mid-size option of the Yamaha MODX+ series with its 76 keys, the MODX7+ synthesizer packs every bit of power and sonic versatility as the MODX8+. Ideal for music production and sound design alike, its 8-operator, fully programmable FM-X engine delivers an array of sounds as vast as your imagination. The Yamaha MODX7+ features a semi-weighted, synth-action keyboard that is purpose-designed to stimulate creativity and emotive performance. Much of its muscle comes from the same technology that powers the top-of-the-line Yamaha MONTAGE synth line, blending the ingenious AMW2 (Advanced Wave Memory 2) engine with the sublime synthesis of FM-X (Frequency Modulation) for a limitless cosmos of creative possibilities—with double the polyphony of the original MODX7. Available at Guitar Center, this cutting-edge 5-octave MODX7+ synth keyboard is ready-made to inspire awe and make your ideas a reality.

Yamaha MODX7+ Keyboard

Unlock a World of Sound

Taking cues from the flagship MONTAGE keyboard synth, the MODX7+ gets its sounds from the AWM2 (Advanced Wave Memory 2) sample-based engine as well as the FM-X (Frequency Modulation) synth architecture—each with an impressive 128 notes of stereo polyphony. Exclusive to Yamaha synthesizers, the AWM2 engine boasts 16 parts, with eight programmable synthesizers apiece. Each of those contains 18 filter types, amplitude, pitch and filter envelope generators, 3-band EQ, nine LFOs and a dedicated dual insert effect featuring Virtual Circuit Modeling for stunningly realistic sound reproduction. Going above and beyond everything that made the legendary Yamaha DX7 one of the best-selling synthesizers of all time, the 8-operator FM-X architecture gives the MODX7+ classic ’80s or modern EDM synth tonality with superb fidelity, dynamic range and power. “Playing” either the touchscreen or Super Knob, Smart Morph lets you transition between up to eight FM-X sounds via its cutting-edge A.I. algorithm and its interacting morphing map. The resulting combination of the AWM2 and FM-X is a profound plethora of gorgeous sounds, begging to be blended and manipulated into something entirely new.

Yamaha MODX7+ Motion Control

Texturize With Motion Control

One of the best ways to utilize the MODX7+ to create unique sounds with evolving textures is via Motion Control. With the Super Knob, Motion Control gives you control of up to 128 parameters in a single Performance—granting unprecedented rhythmic and dynamic customization. Anything from mix functions (such as volume, pan and effect sends) to synthesis parameters (including filters, LFOs and operators) can be adjusted with ease. Tempo-synchronized and completely customizable, Motion Sequences can be assigned to almost any synth parameter, making it fun and easy to manifest never-before-heard sonic landscapes with a turn of the Super Knob. You can even plug in external instruments and adapt those signals to your liking with Motion Control.

Yamaha MODX7+ Effects

Make an Effect—or Many

Packed to the brim with DSP ingenuity, MODX7+ serves up a heap of signal processing power, from high-definition immersive reverbs to complex Virtual Circuit Modeling (VCM) effects. Break Repeat, Vinyl Break and Bit Crusher lend themselves to dancefloor-ready EDM sound, while the Spiralizer effect tricks the brain into perceiving a continuously rising or falling pitch. Play with sidechain compression for that “pumping” ducking effect, or harken to retro vibes with Analog Delay, VCM Phaser or any of the onboard amp simulators. Pianists will love the piano-focused effects, like Damper Resonance and HD reverbs, that recreate an ultrarealistic playing experience.

Yamaha MODX7+ Inputs and Outputs

Play Well With Others

True to the spirit of collaborative artistry, the MODX7+ works well with others. It’s a 2-in/10-out multichannel USB audio interface, giving it studio-centerpiece potential. Its stereo A/D input lets MODX7+ take external sources like analog synths, vocals and other instruments into the Motion Control system. With Vocoder, Envelope Follower (which converts—even live—audio into a control source for just about any synth parameter) and Audio Beat Sync (which detects BPM of audio from an external device and synchronizes the MODX7+ Arpeggiator, Motion Sequencer or Songs to the tempo of the external input), the A/D input virtually acts like its own instrument. A dedicated USB volume delivers independent control of external devices, allowing you to connect computers, iOS devices and more. MODX7+ is also directly compatible with MOTIF XS/XF Voices and Performances. And when you’ve got something so good you just can’t keep it to yourself, the Soundmondo social sound sharing network allows you to store and recall MODX+ and MONTAGE Performances, and lets you share them with other users. It’s available as an app on iOS for easy uploading and downloading.

The MODX7+ packs an astonishing amount of power and features, akin to the MONTAGE, but in a substantially lighter design. It was engineered to be a formidable powerhouse in the studio as well as a reliable stage companion, with its ease of transport making load-ins and loud-outs a breeze. In addition to being a beautifully sophisticated synth in its own right, MODX7+ packs the power of the DX7, DX7II, TX802 and TX816 synthesizers, all of the sounds created by Yamaha’s world-class sound designers and artists since they started making synths 1974, a built-in drum machine in Rhythm Pattern, as well as the coveted Bösendorder Imperial Grand Piano. With 1.75GB of integrated, non-volatile, low-latency flash memory, you can save your music and custom samples—or download synth libraries from the Yamaha MusicSoft site in a cinch.

collapse expand iconFeatures

  • 76-note semi-weighted keybed perfect for keyboardists
  • Motion Control Synthesis unifies and controls AWM2 and FM-X sound engines
  • 256 notes total polyphony (128 AWM2 + 128 FM-X)
  • 1.75GB internal Flash memory
  • Super Knob controls multiple parameters simultaneously
  • Send 10 and receive four audio channels, plus 16 channels of MIDI, via a single USB cable
  • Live Sets allow Performance organization without copying, changing order or renaming
  • Four-part seamless sound switching—change Performances while holding notes without sound or effect cutoff
  • Motion Sequences drive synthesizer parameters through rhythmic control data you can interact with in real time

collapse expand iconSpecs

  • Keys: 76
  • Keybed: Weighted action
  • Polyphony: 256 notes (128 AWM2 + 128 FM-X)
  • Internal Flash memory: 1.75GB
  • Weight: 16.3 lb.

collapse expand iconReviews

4.16

186 Reviews

81%

of respondents would recommend this to a friend

119527412362221

Most Liked Positive Review

4

A very cool guitar, if you're into the 1980's shred thing!

I have been in the market for an 80's style shredder for a few years now. As a big fan of George Lynch, in particular the stuff he did from 1985 to 1990, I've been looking for a used ESP Skulls and Snakes model. That said, they are hard to find on the used market, and they command a premium price. Enter the Friedman Cali model. With its high-output humbuckers, Floyd Rose tremolo, and single volume knob, it's got similar specs as the Skulls and Snakes, and with a much lower point of entry. So, I jumped on it, and I am glad I did. I've spent the last few days getting to know my new Friedman Cali and I can say with confidence this is an excellent guitar for the price. That said, it does have some minor drawbacks that I will gladly look past given how amazing the guitar feels and sounds. My particular guitar was a scratch and dent, which in my case means pre-owned. I say this because when I took delivery of the guitar, I noticed a tremolo stop had been installed, poorly I might add. I confirmed with Friedman they did not install these at the factory; hence my opinion the guitar was previously sold to another customer. In any case, there are no other blemishes or visual imperfections to speak of other than, of course, the factory relic job. After my initial inspection, I put the guitar back in the case to chill out for 24 hours to acclimate to the environment. After that, I remove the old strings, cleaned and polished the frets, lubricated the hardware, applied contact cleaner to the pot and switch, put on fresh strings, and gave it a proper set-up. Some things I noticed during the whole process: the b-string tuner doesn't seem to work as smoothly as the other tuners. These appear to be Hipshot open gear locking tuners, similar to what I have on my Tyler, and I know they usually work very well. Next time I change strings, i will pull the tuner and take it apart for inspection. Another thing I noticed is the screw-in style tremolo bar on the Floyd Rose. This is simply an antiquated design and needs to go the way of the rest of the dinosaurs: extinction. I much prefer the convenience, feel, and adjustability of the drop-in replacement bar, so that is what I installed. Now the tremolo feels expressive and smooth, and the bar drops in quickly. Once I got the Cali set up, I was amazed how comfortable it is to play. Let's first talk materials and craftsmanship. The relic job on the maple neck and fingerboard, combined with the rolled fret edges and slick fret crowning, make this guitar feel like you've been playing it for decades. It's really quite special and something you have to play to understand. because of the compound radius and excellent fretwork, I am able to set the action very low without excessive buzzing. I use 9-gauge strings, and two tremolo springs are sufficient to ensure the tremolo sits parallel to the body while keeping low tension on the strings. Bending is super easy and very smooth, and the tremolo feels so expressive. The guitar just feels slinky and rather addicting to play. On the tone front, it's an absolute monster. The Friedman Classic pickups feature Alnico 5 magnets, which happen to be my favorite for hard rock tones. The bridge pickup sounds thick with gobs of sustain, while the neck pickup is round and fat. Both pickups are articulate and clear, and allow single notes in complex chords to shine through. Rolling back the volume knob will clean up your tone nicely, especially with a good tube amp. These guitars were a collaboration between Dave Friedman and Grover Jackson. Unfortunately, they are no longer working together, and Grover has moved to the Nashville, TN area. I do believe Friedman guitars will be hitting the market again soon, made by someone other than Grover. With that said, the Grover-era are pretty amazing guitars, and may become harder to find. So, if you are in the market for a 1980's super-Strat style shredder, I'd recommend checking out a Grover-era Friedman while you can.

VS

Most Liked Negative Review

3

Amazing bass with a major flaw

Being mainly a guitarist, this bass is perfectly ideal for what my needs are. A great bass with a great sound/tone for recording, and many option with the knobs to fine tune and tweak that sound to my preference. However, my biggest gripe is that the string action is ridiculously tight for this bass. I like to play with ticker gauge strings, as I typically go for lower tunings, but this bass is (ironically with it being a 5 string) is simply not made for it. The action towards the neck of the fretboard makes thicker strings unplayable. They make contact with the fretboard at around the 2nd-3rd fret, and raising the bridge to compensate isn't enough. To make matters worse, the screws that are used to raise the strings on the bridge are very easily stripped, and I'm struggling to find any sort of replacements for them.

Filters
Best Uses
  1. Practice4
  2. Recording3
  3. All around great guitar1
  4. Metal songs1
  5. Rock songs1
Cons
  1. None6
  2. Poor Quality2
  3. Virtually no low end warmth.1
  4. Kind of expensive1
  5. Shipping box arrived damaged1
Describe Yourself
  1. Beginner2
  2. Stray player since 19741
  3. 74 years old, been playing 60 years.1
  4. Jazz, rock, classical player for 60 years1
  5. Metal,hard rock and instrumental rock1
Pros
  1. Sound4
  2. Attractive3
  3. Stays in Tune2
  4. Stays in tune2
  5. Tone2
  • Great all around strat

    5

    submitted20 days ago

    byCass

    fromDenver

    Price is right

  • Sounds really good

    5

    submitteda month ago

    byTrenton

    fromGladwin county

    This pedal sounds quite good. It is quite customizable. If you do buy this, if you do not have the cord used to power it, there is a battery adapter under the actual pedal part. you just put the black pins on the pedal in and take the pedal off. anyways, really good sound if you want a proper rock or metal distortion/overdrive for an affordable price.

  • Not too bad for the price

    3

    submitted2 months ago

    byJeff

    fromNashville TN

    Typical Chinese bling, the sound is lacking.

  • This drum is just like the vintage ones

    5

    submitted2 months ago

    byJeff

    fromSeattle, WA

    Play with freelance jazz and rock standards groups. All kinds of gigs and shows. I want to buy one of the sets.

  • Love this guitar.

    5

    submitted2 months ago

    byLarry

    fromMinnesota

    Love this guitar. Easy/Good tuning, very playable, thin neck is fast.

  • Its so good it fits my church setting well

    5

    submitted2 months ago

    byjordan

    fromHamilton, new jersey

    This product is the best drums i've ever played on because the shells are a nice color and when you tune the drums up, it sounds so good. When you play it in a open space it fills the room and when you play it in an enclosed space it sounds even better. All Im saying is that this is hands down one of the best drum sets.

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