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Yamaha Folk Guitar Series | Introducing FG Red Labelplay button

Yamaha Folk Guitar Series | Introducing FG Red Label

Atmosfeel | Pickup and Preamp Demoplay button

Atmosfeel | Pickup and Preamp Demo

Yamaha

collapse expand iconDescription

Yamaha's FGX3 Red Label is a dreadnought acoustic-electric guitar features an A.R.E. treated solid Sitka spruce top and scalloped top bracing to help deliver a rich midrange and low-frequency response. Yamaha has paired the FGX3 with a solid mahogany for a boost of warmth, more woody tone and to bolster the midrange. The FGX3 Red Label dreadnought has also been equipped with the new for 2019 Atmosfeel 3-way pickup system which mixes piezo, mic and sheet sensor pickups for a full, natural-sounding plugged-in sound.

Timeless design with modern inspiration

Yamaha’s “Red Label” Folk Guitar series was first launched in 1966 as their first production of steel-string acoustics, which is considered by many as the iconic Yamaha acoustic line. Yamaha’s new Red Label series retains the vintage aesthetic of the original ’60s models—with a semi-gloss finish, open-gear tuners, the original V-shaped headstock with the time-honored "tuning fork" logo and, of course, the red label inside—but uses everything Yamaha has refined and developed over their more than half-century of making acoustic guitars.

New scalloped bracing

Yamaha guitars are well known for their balanced sound. However, when defining the voice of Red Label, Yamaha wanted to add more low end for a fuller, warmer tone that would be ideal for solo singer-songwriters and modern folk music. To achieve this, new bracing designs were developed for the FG and FS Red Label guitars, which are optimized for each body shape and the natural characteristics of the tonewoods. The new scalloped bracing delivers plenty of volume and enhances low-frequency response without compromising durability.

Acoustic Resonance Enhancement (A.R.E)

As tonewoods age, they vibrate more freely and become more resonant, producing a louder, more powerful sound with enhanced high-frequency response and more sustain in the lows and low-mids. Yamaha’s Acoustic Resonance Enhancement (A.R.E.) process achieves those same characteristics by using heat, humidity and pressure to simulate the effects of time on the soundboards. The A.R.E. process of accelerating the aging of the wood gives Red Label models the same rich, vintage-quality tone and response of a guitar you’ve been playing for years.

Atmosfeel three-way pickup and preamp system

The Atmosfeel system uses an under-saddle piezo pickup in the bridge for low frequencies, an internal mic to capture lows and mids, and a proprietary flat contact sensor in the top for high frequencies. The combination results in warm and natural plugged-in tone with extremely simple controls. The Master Volume knob controls the overall volume, while the Mic Blend knob lets you blend the microphone sound into the premixed pickup sound. The Bass EQ knob is a peaking filter that raises the center frequency when boosting and lowers when attenuating. This allows you to remove boomy frequencies when you need to, but not add them when you want more low end.
Open Box Yamaha FGX3 Red Label Dreadnought Acoustic-Electric Guitar Level 2 Natural Matte 197881294830
Open Box Yamaha FGX3 Red Label Dreadnought Acoustic-Electric Guitar Level 2 Natural Matte 197881294830
Open Box Yamaha FGX3 Red Label Dreadnought Acoustic-Electric Guitar Level 2 Natural Matte 197881294830

collapse expand iconFeatures

  • Elixir NANOWEB 80/20 Bronze Light strings
  • Black ABS bridge pins with white dots
  • Black and white body binding, soundhole inlay
  • Black pickguard
  • Classic V-shaped heastock with "Tuning Fork" logo
  • Comes with a hex wrench, gig bag, soundhole cover, 2 x AA batteries

collapse expand iconSpecs

Body
  • Body type: Dreadnought
  • Cutaway: No
  • Top wood: Solid Sitka spruce
  • Back and sides: Solid Mahogany
  • Bracing pattern: Scalloped
  • Body finish: Semi-gloss
  • Orientation: Right handed
Neck
  • Neck shape: Not specified
  • Nut width: 1.75" (44 mm)
  • Fingerboard: Ebony
  • Neck wood: African mahogany
  • Scale length: 25"
  • Number of frets:
  • Neck finish: Matte
Electronics
  • Pickup/preamp: No
  • Brand: Yamaha
  • Configuration: Piezo and mic and sheet sensor
  • Preamp EQ: 2-band
  • Feedback filter: No
  • Tuner: No
Other
  • Headstock overlay: Not specified
  • Tuning machines: Open Gear chrome
  • Bridge: Ebony
  • Saddle and nut: Urea
  • Number of strings: 6
  • Special features:
  • Case: Hard bag
  • Accessories: None
  • Country of origin: China

collapse expand iconReviews

4.15

188 Reviews

81%

of respondents would recommend this to a friend

120527413362221

Most Liked Positive Review

4

A very cool guitar, if you're into the 1980's shred thing!

I have been in the market for an 80's style shredder for a few years now. As a big fan of George Lynch, in particular the stuff he did from 1985 to 1990, I've been looking for a used ESP Skulls and Snakes model. That said, they are hard to find on the used market, and they command a premium price. Enter the Friedman Cali model. With its high-output humbuckers, Floyd Rose tremolo, and single volume knob, it's got similar specs as the Skulls and Snakes, and with a much lower point of entry. So, I jumped on it, and I am glad I did. I've spent the last few days getting to know my new Friedman Cali and I can say with confidence this is an excellent guitar for the price. That said, it does have some minor drawbacks that I will gladly look past given how amazing the guitar feels and sounds. My particular guitar was a scratch and dent, which in my case means pre-owned. I say this because when I took delivery of the guitar, I noticed a tremolo stop had been installed, poorly I might add. I confirmed with Friedman they did not install these at the factory; hence my opinion the guitar was previously sold to another customer. In any case, there are no other blemishes or visual imperfections to speak of other than, of course, the factory relic job. After my initial inspection, I put the guitar back in the case to chill out for 24 hours to acclimate to the environment. After that, I remove the old strings, cleaned and polished the frets, lubricated the hardware, applied contact cleaner to the pot and switch, put on fresh strings, and gave it a proper set-up. Some things I noticed during the whole process: the b-string tuner doesn't seem to work as smoothly as the other tuners. These appear to be Hipshot open gear locking tuners, similar to what I have on my Tyler, and I know they usually work very well. Next time I change strings, i will pull the tuner and take it apart for inspection. Another thing I noticed is the screw-in style tremolo bar on the Floyd Rose. This is simply an antiquated design and needs to go the way of the rest of the dinosaurs: extinction. I much prefer the convenience, feel, and adjustability of the drop-in replacement bar, so that is what I installed. Now the tremolo feels expressive and smooth, and the bar drops in quickly. Once I got the Cali set up, I was amazed how comfortable it is to play. Let's first talk materials and craftsmanship. The relic job on the maple neck and fingerboard, combined with the rolled fret edges and slick fret crowning, make this guitar feel like you've been playing it for decades. It's really quite special and something you have to play to understand. because of the compound radius and excellent fretwork, I am able to set the action very low without excessive buzzing. I use 9-gauge strings, and two tremolo springs are sufficient to ensure the tremolo sits parallel to the body while keeping low tension on the strings. Bending is super easy and very smooth, and the tremolo feels so expressive. The guitar just feels slinky and rather addicting to play. On the tone front, it's an absolute monster. The Friedman Classic pickups feature Alnico 5 magnets, which happen to be my favorite for hard rock tones. The bridge pickup sounds thick with gobs of sustain, while the neck pickup is round and fat. Both pickups are articulate and clear, and allow single notes in complex chords to shine through. Rolling back the volume knob will clean up your tone nicely, especially with a good tube amp. These guitars were a collaboration between Dave Friedman and Grover Jackson. Unfortunately, they are no longer working together, and Grover has moved to the Nashville, TN area. I do believe Friedman guitars will be hitting the market again soon, made by someone other than Grover. With that said, the Grover-era are pretty amazing guitars, and may become harder to find. So, if you are in the market for a 1980's super-Strat style shredder, I'd recommend checking out a Grover-era Friedman while you can.

VS

Most Liked Negative Review

3

Amazing bass with a major flaw

Being mainly a guitarist, this bass is perfectly ideal for what my needs are. A great bass with a great sound/tone for recording, and many option with the knobs to fine tune and tweak that sound to my preference. However, my biggest gripe is that the string action is ridiculously tight for this bass. I like to play with ticker gauge strings, as I typically go for lower tunings, but this bass is (ironically with it being a 5 string) is simply not made for it. The action towards the neck of the fretboard makes thicker strings unplayable. They make contact with the fretboard at around the 2nd-3rd fret, and raising the bridge to compensate isn't enough. To make matters worse, the screws that are used to raise the strings on the bridge are very easily stripped, and I'm struggling to find any sort of replacements for them.

Filters
Best Uses
  1. Practice4
  2. Recording3
  3. All around great guitar1
  4. Metal songs1
  5. Rock songs1
Cons
  1. None6
  2. Poor Quality2
  3. Virtually no low end warmth.1
  4. Kind of expensive1
  5. Shipping box arrived damaged1
Describe Yourself
  1. Beginner2
  2. Stray player since 19741
  3. 74 years old, been playing 60 years.1
  4. Jazz, rock, classical player for 60 years1
  5. Metal,hard rock and instrumental rock1
Pros
  1. Sound4
  2. Attractive3
  3. Stays in Tune2
  4. Stays in tune2
  5. Tone2
  • Advertised as new

    3

    submitted3 days ago

    byJay

    fromNew Hampshire

    Bought it a day ago.New 730. Came used the offered ten percent off. Came with a chip in the paint and a piece missing they fixed. Except I still paid more for this then if I would have bought used and the discount they said they would put through they didn't do.

  • Great multifex device, Easy to use.

    5

    submitted7 days ago

    byJames

    fromPortland, OR

    I thought about getting this pedal for a while but the day Maris released the Enzo X I ordered that and the Mercury X from them. After playing on those for a couple weeks I had to order the LVX and I'm so glad that I did. Lots of great sounds and an easy user interface. I highly recommend.

  • Great all around strat

    5

    submitteda month ago

    byCass

    fromDenver

    Price is right

  • Sounds really good

    5

    submitted2 months ago

    byTrenton

    fromGladwin county

    This pedal sounds quite good. It is quite customizable. If you do buy this, if you do not have the cord used to power it, there is a battery adapter under the actual pedal part. you just put the black pins on the pedal in and take the pedal off. anyways, really good sound if you want a proper rock or metal distortion/overdrive for an affordable price.

  • Not too bad for the price

    3

    submitted2 months ago

    byJeff

    fromNashville TN

    Typical Chinese bling, the sound is lacking.

  • This drum is just like the vintage ones

    5

    submitted2 months ago

    byJeff

    fromSeattle, WA

    Play with freelance jazz and rock standards groups. All kinds of gigs and shows. I want to buy one of the sets.

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