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Roland SPD::ONE PERCUSSION Performanceplay button

Roland SPD::ONE PERCUSSION Performance

Roland SPD-1P Percussion Padplay button

Roland SPD-1P Percussion Pad

Roland SPD-1P Percussion Padplay button

Roland SPD-1P Percussion Pad

Roland SPD-1P Percussion Padplay button

Roland SPD-1P Percussion Pad

Roland

collapse expand iconDescription

The Roland SPD::ONE PERCUSSION is a new type of digital percussion pad, one that allows any musician to add authentic percussion sounds to their performances. It contains 22 realistic percussion sounds, including snare and kick drums, hi-hats, cymbals, shakers, tambourines, and more, and you can even import your own original audio data into one of the 12 internal sound banks. Once you’re ready to go, the SPD::ONE PERCUSSION’s robust-yet-sensitive pad can be played with sticks, hands, or feet, and the trigger threshold settings are easily adjusted with intuitive controls.

Powered by batteries or AC, the portable SPD::ONE PERCUSSION can be used on the floor or a tabletop, or mounted to any rig or drum setup with the included adapter. Operation is simple, even for those musicians who are not technical; just by using four knobs on the control panel, you can change the sound, volume, balance, and more. Whether you’re a drummer, percussion player, guitarist, DJ, or vocalist, the SPD::ONE PERCUSSION is a simple and flexible way to expand your sound palette and invigorate your performances.

A Digital Percussion Pad You Can Play with Sticks, Hands, or Feet
Every musician is individual, and your instruments need to complement your creativity and performance style. The SPD::ONE PERCUSSION lets you play the way you want to; this compact digital percussion pad can be played with drumsticks, hands, or even your feet. What’s more, you can adjust sensitivity and trigger threshold settings in seconds using two control dials on the side of the unit. Drummers and percussionists will love the solid feel and natural rebound, guitarists can confidently stomp on the unit for four-on-the-floor beats, and practically any musician can play sounds by hand without fear of sore palms and fingers at the end of the night.

Take Instruments to the Gig That You Can’t Fit in Your Bag, from Shakers to Timpani
The SPD::ONE PERCUSSION features a total of 22 onboard sounds. Each is a faithful reproduction of an acoustic sound, so you can use instruments that you wouldn’t normally bring, including kick drums, snare drums, gongs, and even timpani. While a shaker may be small and transportable, it still requires a microphone to be amplified on the stage; the SPD::ONE PERCUSSION can provide your shaker sound in one song, and a completely different instrument in the next song of the set. Adding great sounding accompaniments has never been this flexible, simple, or portable.

Easily Fits Into Any Instrument Setup
The SPD::ONE PERCUSSION is compact enough to fit into your existing instrument setup without needing to move your other gear. With the included mounting adapter, you can easily clamp the pad to a hi-hat, cymbal, or tom stand,* or even a mic stand. Alternately, the SPD::ONE PERCUSSION can be played without mounting it to anything at all—simply place it on the floor, a tabletop, or any solid surface.
*Fits percussion stand rod diameters from 8.0-12.7 mm.

Portable and Built for the Road
You can take the SPD::ONE PERCUSSION wherever you want, thanks to its compact size and battery operation. It’s lightweight enough to be dropped into a bag or instrument case, and robust enough to travel thanks to its metal-body construction. You can even play and produce your own sounds on the move via headphones, and include them in your set list that night.

Easy Control Using Just Four Knobs
Operating the SPD::ONE PERCUSSION is very simple. There are no complex submenus or button sequences—just select your sounds by turning the bank selector to any of the 12 positions, and hit the pad to play. With just four main knobs on the front panel, everything you need is at hand, including the ability to customize sounds, adjust overall volume, and balance levels on the fly.

Enhance Your Performances with User Sample Import
The SPD::ONE PERCUSSION is loaded with great sounds, but sometimes you just need to use your own samples. Via USB, you can import WAV audio files up to five seconds long simply by dragging and dropping your files. Your sounds can then be modified just like any of the internal sounds using the tuning and effect control knobs. If you need to use sounds longer than five seconds, check out the dedicated SPD::ONE WAV PAD, which can handle up to 4 GB of WAV audio.

Compact MIDI Controller for DAW Music Production
Thanks to its built-in USB-MIDI support, the SPD::ONE PERCUSSION can be used as a compact digital pad controller for a computer DAW. This provides a great way to play software-based sounds and enhance your productions with realistic MIDI percussion tracks.
Open Box Roland SPD::ONE Percussion Pad Level 2  197881296735
Open Box Roland SPD::ONE Percussion Pad Level 2  197881296735
Open Box Roland SPD::ONE Percussion Pad Level 2  197881296735

collapse expand iconFeatures

  • Light, compact digital percussion pad that can be played with drumsticks,
  • hands, or feet
  • 22 onboard sounds, including genuine drum and percussion sounds
  • Import your own WAV data via USB to one of the 12 sound banks
  • Edit and control your sounds easily with just four knobs
  • Powered by batteries (4 x AA) or AC adapter
  • Main output (mono) and headphones output (stereo) for monitoring
  • USB-MIDI support enables use as a pad controller for music software
  • Can be floor or tabletop mounted, or fitted to drum hardware and mic stands
  • using the included mount adapter

collapse expand iconSpecs

Configuration
  • Total pads: 1
  • Country of origin: Malaysia
Module
  • Display type: Not applicable
  • Drum kits: Not applicable
  • Sounds: 22
  • Effects: 2
  • Trigger inputs: Not specified
  • Line input: No
  • Headphone jack: Yes
  • USB: Micro-B type
  • MP3: Not specified
  • MIDI: Yes
  • Training functions: No
  • Click: No
  • Memory: Not specified
Pads
  • Pad material: Rubber
  • Hoop material: Not applicable
  • Zones: 1
Hardware
  • Rack material: Not applicable
  • Hardware pieces: 0
  • Kick pedal: Not included

collapse expand iconReviews

4.16

186 Reviews

81%

of respondents would recommend this to a friend

119527412362221

Most Liked Positive Review

4

A very cool guitar, if you're into the 1980's shred thing!

I have been in the market for an 80's style shredder for a few years now. As a big fan of George Lynch, in particular the stuff he did from 1985 to 1990, I've been looking for a used ESP Skulls and Snakes model. That said, they are hard to find on the used market, and they command a premium price. Enter the Friedman Cali model. With its high-output humbuckers, Floyd Rose tremolo, and single volume knob, it's got similar specs as the Skulls and Snakes, and with a much lower point of entry. So, I jumped on it, and I am glad I did. I've spent the last few days getting to know my new Friedman Cali and I can say with confidence this is an excellent guitar for the price. That said, it does have some minor drawbacks that I will gladly look past given how amazing the guitar feels and sounds. My particular guitar was a scratch and dent, which in my case means pre-owned. I say this because when I took delivery of the guitar, I noticed a tremolo stop had been installed, poorly I might add. I confirmed with Friedman they did not install these at the factory; hence my opinion the guitar was previously sold to another customer. In any case, there are no other blemishes or visual imperfections to speak of other than, of course, the factory relic job. After my initial inspection, I put the guitar back in the case to chill out for 24 hours to acclimate to the environment. After that, I remove the old strings, cleaned and polished the frets, lubricated the hardware, applied contact cleaner to the pot and switch, put on fresh strings, and gave it a proper set-up. Some things I noticed during the whole process: the b-string tuner doesn't seem to work as smoothly as the other tuners. These appear to be Hipshot open gear locking tuners, similar to what I have on my Tyler, and I know they usually work very well. Next time I change strings, i will pull the tuner and take it apart for inspection. Another thing I noticed is the screw-in style tremolo bar on the Floyd Rose. This is simply an antiquated design and needs to go the way of the rest of the dinosaurs: extinction. I much prefer the convenience, feel, and adjustability of the drop-in replacement bar, so that is what I installed. Now the tremolo feels expressive and smooth, and the bar drops in quickly. Once I got the Cali set up, I was amazed how comfortable it is to play. Let's first talk materials and craftsmanship. The relic job on the maple neck and fingerboard, combined with the rolled fret edges and slick fret crowning, make this guitar feel like you've been playing it for decades. It's really quite special and something you have to play to understand. because of the compound radius and excellent fretwork, I am able to set the action very low without excessive buzzing. I use 9-gauge strings, and two tremolo springs are sufficient to ensure the tremolo sits parallel to the body while keeping low tension on the strings. Bending is super easy and very smooth, and the tremolo feels so expressive. The guitar just feels slinky and rather addicting to play. On the tone front, it's an absolute monster. The Friedman Classic pickups feature Alnico 5 magnets, which happen to be my favorite for hard rock tones. The bridge pickup sounds thick with gobs of sustain, while the neck pickup is round and fat. Both pickups are articulate and clear, and allow single notes in complex chords to shine through. Rolling back the volume knob will clean up your tone nicely, especially with a good tube amp. These guitars were a collaboration between Dave Friedman and Grover Jackson. Unfortunately, they are no longer working together, and Grover has moved to the Nashville, TN area. I do believe Friedman guitars will be hitting the market again soon, made by someone other than Grover. With that said, the Grover-era are pretty amazing guitars, and may become harder to find. So, if you are in the market for a 1980's super-Strat style shredder, I'd recommend checking out a Grover-era Friedman while you can.

VS

Most Liked Negative Review

3

Amazing bass with a major flaw

Being mainly a guitarist, this bass is perfectly ideal for what my needs are. A great bass with a great sound/tone for recording, and many option with the knobs to fine tune and tweak that sound to my preference. However, my biggest gripe is that the string action is ridiculously tight for this bass. I like to play with ticker gauge strings, as I typically go for lower tunings, but this bass is (ironically with it being a 5 string) is simply not made for it. The action towards the neck of the fretboard makes thicker strings unplayable. They make contact with the fretboard at around the 2nd-3rd fret, and raising the bridge to compensate isn't enough. To make matters worse, the screws that are used to raise the strings on the bridge are very easily stripped, and I'm struggling to find any sort of replacements for them.

Filters
Best Uses
  1. Practice4
  2. Recording3
  3. All around great guitar1
  4. Metal songs1
  5. Rock songs1
Cons
  1. None6
  2. Poor Quality2
  3. Virtually no low end warmth.1
  4. Kind of expensive1
  5. Shipping box arrived damaged1
Describe Yourself
  1. Beginner2
  2. Stray player since 19741
  3. 74 years old, been playing 60 years.1
  4. Jazz, rock, classical player for 60 years1
  5. Metal,hard rock and instrumental rock1
Pros
  1. Sound4
  2. Attractive3
  3. Stays in Tune2
  4. Stays in tune2
  5. Tone2
  • Great all around strat

    5

    submitted20 days ago

    byCass

    fromDenver

    Price is right

  • Sounds really good

    5

    submitteda month ago

    byTrenton

    fromGladwin county

    This pedal sounds quite good. It is quite customizable. If you do buy this, if you do not have the cord used to power it, there is a battery adapter under the actual pedal part. you just put the black pins on the pedal in and take the pedal off. anyways, really good sound if you want a proper rock or metal distortion/overdrive for an affordable price.

  • Not too bad for the price

    3

    submitted2 months ago

    byJeff

    fromNashville TN

    Typical Chinese bling, the sound is lacking.

  • This drum is just like the vintage ones

    5

    submitted2 months ago

    byJeff

    fromSeattle, WA

    Play with freelance jazz and rock standards groups. All kinds of gigs and shows. I want to buy one of the sets.

  • Love this guitar.

    5

    submitted2 months ago

    byLarry

    fromMinnesota

    Love this guitar. Easy/Good tuning, very playable, thin neck is fast.

  • Its so good it fits my church setting well

    5

    submitted2 months ago

    byjordan

    fromHamilton, new jersey

    This product is the best drums i've ever played on because the shells are a nice color and when you tune the drums up, it sounds so good. When you play it in a open space it fills the room and when you play it in an enclosed space it sounds even better. All Im saying is that this is hands down one of the best drum sets.

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