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Exploring the Player Plus Bass Models | Fenderplay button

Exploring the Player Plus Bass Models | Fender

Fender

collapse expand iconDescription

The Fender Player Plus Jazz Bass leverages features from some of their top-tier USA-made instruments to expand the popular Ensenada-built Player Series and create instruments that we at Guitar Center think meet the needs of touring pros and serious enthusiast players. Powered by Fender's latest generation noiseless pickups and 3-band active EQ, players have access to an amazing range of bass tones, suitable for any genre or style. Plus, it plays like a dream.

Fender Player Plus Jazz Bass Main Features


Resonant, gloss-finished alder body with classic offset J-Bass contours and spectacular finishes
20 medium-jumbo fret, 34"-scale Modern C profile maple neck with rounded-edge 12"-radius pau ferro fingerboard. 1.5" nut width for easy fretting, and hours of comfort
4th-generation noiseless pickups with deferrable 3-band active EQ
Fender HiMass bridge for increased sustain and locking tuners for smooth action, stability and more sustain

Offset Curves That Catch the Eye


The smooth contours of the offset body of a Fender Jazz Bass is instantly identifiable, as are the classic Fender finishes, from sunburst to custom colors. The Player Plus Jazz Bass is no exception. Made of resonant alder, these J-Bass models carry that signature tone, and in your choice of several classic finishes, plus the new Belair Blue linear burst finish, they're a standout at any show, large or small.

Upgrades Where They Count the Most


The biggest upgrades for the Player Plus Jazz Bass lie in the neck. A neck may be the single most important part of any bass, since it serves are the direct interface to the instrument for any player. The traditional 34" scale is the same, but the new 12" fingerboard radius makes for quicker, easier playing and rolled edges add to long term playing comfort. Medium-jumbo frets add to both precise intonation and easier fretting. 

Thoroughly Modern Electronics


After the neck, the pickups are the center of any electric instrument's tone, and the Player Plus Jazz Bass is endowed with the latest generation of Fender's Noiseless Jazz Bass pickups. With the ability to go from smooth and crystal-clear to growling and aggressive while eschewing any background hum, these pickups carry the signature Jazz Bass tones to new worlds of tonal satisfaction. Adding to the bass' versatility is Fender's 3-band active EQ. With cut and boost for highs, mids and lows, it's easy to dial in any precise tone, and, for occasions when passive is preferable, flip the mini toggle switch and bypass the EQ altogether.

Solid Foundations


Sustain, precise intonation, resonance and tuning stability are some of the most important attributes of any bass. The Player Plus Jazz Bass has all these, thanks to Fender's HiMass bridge and traditional open-gear tuners. The mass of the bridge and saddles couples easily with the body while adding a solid foundation for increased sustain. Intonation adjusts smoothly and precisely with the chrome-plated zinc saddles. Fender's bass tuners have been a touchstone for stability and remain one of the simplest and best tuning machine designs.

A Bass That's Far from Basic


Who is the Player Plus Jazz Bass for? We think it's for any player who's been looking to up their game with a bass that features solidly pro features and great looks while delivering tremendous value. The migration of key features from some of Fender's top-tier instruments to the Player Plus Series makes them suitable for serious enthusiasts, touring pros and anybody who just wants a great-sounding, great-playing bass.
Open Box Fender Player Plus Active Jazz Bass Pau Ferro Fingerboard Level 2 3-Color Sunburst 197881280550
Open Box Fender Player Plus Active Jazz Bass Pau Ferro Fingerboard Level 2 3-Color Sunburst 197881280550
Open Box Fender Player Plus Active Jazz Bass Pau Ferro Fingerboard Level 2 3-Color Sunburst 197881280550

collapse expand iconFeatures

  • Alder body
  • Maple neck with C profile, pau ferro fretboard
  • Dual Player Plus Noiseless Jazz Bass single coils, active/passive 3-band EQ
  • HiMass bridge, open-gear tuners

collapse expand iconSpecs

Neck
  • Shape: C
  • Wood: Maple
  • Neck joint: Bolt-on
  • Scale length: 34”
  • Truss rod: Standard
  • Finish: Satin
Pickups
  • Pickup configuration: SS
  • Neck: Proprietary Single Coil
  • Bridge: Proprietary Single Coil
  • Control layout: Master volume
  • Special electronics: 3-band EQ
Fretboard
  • Material: Pau Ferro
  • Radius: 12"
  • Fret size: Medium-jumbo
  • Number of frets: 20
  • Inlays: Dot
  • Nut material/width: Synthetic Bone/1.5"
Body
  • Body Type: Solid Body Double Cutaway
  • Body wood: Alder
  • Body finish: Gloss
Hardware
  • Bridge/Tailpiece: High Mass
  • Tuning machines: Open-gear
  • Color: Hybrid
Other
  • Number of strings: 4 String
  • Case: Gig Bag
  • Country of origin: Mexico
  • Orientation: Right-Handed

collapse expand iconReviews

4.16

186 Reviews

81%

of respondents would recommend this to a friend

119527412362221

Most Liked Positive Review

4

A very cool guitar, if you're into the 1980's shred thing!

I have been in the market for an 80's style shredder for a few years now. As a big fan of George Lynch, in particular the stuff he did from 1985 to 1990, I've been looking for a used ESP Skulls and Snakes model. That said, they are hard to find on the used market, and they command a premium price. Enter the Friedman Cali model. With its high-output humbuckers, Floyd Rose tremolo, and single volume knob, it's got similar specs as the Skulls and Snakes, and with a much lower point of entry. So, I jumped on it, and I am glad I did. I've spent the last few days getting to know my new Friedman Cali and I can say with confidence this is an excellent guitar for the price. That said, it does have some minor drawbacks that I will gladly look past given how amazing the guitar feels and sounds. My particular guitar was a scratch and dent, which in my case means pre-owned. I say this because when I took delivery of the guitar, I noticed a tremolo stop had been installed, poorly I might add. I confirmed with Friedman they did not install these at the factory; hence my opinion the guitar was previously sold to another customer. In any case, there are no other blemishes or visual imperfections to speak of other than, of course, the factory relic job. After my initial inspection, I put the guitar back in the case to chill out for 24 hours to acclimate to the environment. After that, I remove the old strings, cleaned and polished the frets, lubricated the hardware, applied contact cleaner to the pot and switch, put on fresh strings, and gave it a proper set-up. Some things I noticed during the whole process: the b-string tuner doesn't seem to work as smoothly as the other tuners. These appear to be Hipshot open gear locking tuners, similar to what I have on my Tyler, and I know they usually work very well. Next time I change strings, i will pull the tuner and take it apart for inspection. Another thing I noticed is the screw-in style tremolo bar on the Floyd Rose. This is simply an antiquated design and needs to go the way of the rest of the dinosaurs: extinction. I much prefer the convenience, feel, and adjustability of the drop-in replacement bar, so that is what I installed. Now the tremolo feels expressive and smooth, and the bar drops in quickly. Once I got the Cali set up, I was amazed how comfortable it is to play. Let's first talk materials and craftsmanship. The relic job on the maple neck and fingerboard, combined with the rolled fret edges and slick fret crowning, make this guitar feel like you've been playing it for decades. It's really quite special and something you have to play to understand. because of the compound radius and excellent fretwork, I am able to set the action very low without excessive buzzing. I use 9-gauge strings, and two tremolo springs are sufficient to ensure the tremolo sits parallel to the body while keeping low tension on the strings. Bending is super easy and very smooth, and the tremolo feels so expressive. The guitar just feels slinky and rather addicting to play. On the tone front, it's an absolute monster. The Friedman Classic pickups feature Alnico 5 magnets, which happen to be my favorite for hard rock tones. The bridge pickup sounds thick with gobs of sustain, while the neck pickup is round and fat. Both pickups are articulate and clear, and allow single notes in complex chords to shine through. Rolling back the volume knob will clean up your tone nicely, especially with a good tube amp. These guitars were a collaboration between Dave Friedman and Grover Jackson. Unfortunately, they are no longer working together, and Grover has moved to the Nashville, TN area. I do believe Friedman guitars will be hitting the market again soon, made by someone other than Grover. With that said, the Grover-era are pretty amazing guitars, and may become harder to find. So, if you are in the market for a 1980's super-Strat style shredder, I'd recommend checking out a Grover-era Friedman while you can.

VS

Most Liked Negative Review

3

Amazing bass with a major flaw

Being mainly a guitarist, this bass is perfectly ideal for what my needs are. A great bass with a great sound/tone for recording, and many option with the knobs to fine tune and tweak that sound to my preference. However, my biggest gripe is that the string action is ridiculously tight for this bass. I like to play with ticker gauge strings, as I typically go for lower tunings, but this bass is (ironically with it being a 5 string) is simply not made for it. The action towards the neck of the fretboard makes thicker strings unplayable. They make contact with the fretboard at around the 2nd-3rd fret, and raising the bridge to compensate isn't enough. To make matters worse, the screws that are used to raise the strings on the bridge are very easily stripped, and I'm struggling to find any sort of replacements for them.

Filters
Best Uses
  1. Practice4
  2. Recording3
  3. All around great guitar1
  4. Metal songs1
  5. Rock songs1
Cons
  1. None6
  2. Poor Quality2
  3. Virtually no low end warmth.1
  4. Kind of expensive1
  5. Shipping box arrived damaged1
Describe Yourself
  1. Beginner2
  2. Stray player since 19741
  3. 74 years old, been playing 60 years.1
  4. Jazz, rock, classical player for 60 years1
  5. Metal,hard rock and instrumental rock1
Pros
  1. Sound4
  2. Attractive3
  3. Stays in Tune2
  4. Stays in tune2
  5. Tone2
  • Great all around strat

    5

    submitted6 days ago

    byCass

    fromDenver

    Price is right

  • Sounds really good

    5

    submitteda month ago

    byTrenton

    fromGladwin county

    This pedal sounds quite good. It is quite customizable. If you do buy this, if you do not have the cord used to power it, there is a battery adapter under the actual pedal part. you just put the black pins on the pedal in and take the pedal off. anyways, really good sound if you want a proper rock or metal distortion/overdrive for an affordable price.

  • Not too bad for the price

    3

    submitteda month ago

    byJeff

    fromNashville TN

    Typical Chinese bling, the sound is lacking.

  • This drum is just like the vintage ones

    5

    submitteda month ago

    byJeff

    fromSeattle, WA

    Play with freelance jazz and rock standards groups. All kinds of gigs and shows. I want to buy one of the sets.

  • Love this guitar.

    5

    submitteda month ago

    byLarry

    fromMinnesota

    Love this guitar. Easy/Good tuning, very playable, thin neck is fast.

  • Its so good it fits my church setting well

    5

    submitteda month ago

    byjordan

    fromHamilton, new jersey

    This product is the best drums i've ever played on because the shells are a nice color and when you tune the drums up, it sounds so good. When you play it in a open space it fills the room and when you play it in an enclosed space it sounds even better. All Im saying is that this is hands down one of the best drum sets.

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