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Felix Pastorius Plays American Ultra II Jazz Bass | Ultra II | Fenderplay button

Felix Pastorius Plays American Ultra II Jazz Bass | Ultra II | Fender

NEW Fender American Ultra II Jazz Bass | Demo and Overview with Jonny Gooodplay button

NEW Fender American Ultra II Jazz Bass | Demo and Overview with Jonny Goood

Fender

collapse expand iconDescription

The Fender American Ultra II Jazz Bass is designed for bassists who demand the ultimate in performance, tone, and versatility. Featuring a select alder body with sculpted contours, this Jazz Bass provides the iconic style and ergonomic design that players expect. The quartersawn maple neck with a Modern D profile and Ultra Satin finish ensures effortless playability, while the 10"-14" compound radius maple fingerboard delivers precision and comfort. Whether you need vintage warmth or modern punch, this bass can handle it all.

Ultra II Noiseless Pickups for Dynamic, Hum-Free Tone

Equipped with Ultra II Noiseless Vintage Jazz Bass pickups, the American Ultra II Jazz Bass offers a wide range of tones without any hum or interference. From smooth, round lows to articulate highs, these pickups provide the clarity and punch needed for any musical style. The active/passive S-1 switch unlocks even more tonal possibilities, allowing you to switch between a passive vintage tone and an active modern tone with ease.

Advanced Electronics for Tonal Control and Flexibility

The redesigned preamp gives you full control over your sound with 3-band active EQ and a switchable midrange frequency selector, offering precise tonal shaping. The passive tone control adds further flexibility, making it easy to dial in the perfect tone for any playing situation. Whether you're recording in the studio or performing live, this bass provides an incredible range of sounds with professional-level control.

Precision Hardware for Enhanced Performance

The 4-saddle HiMass bridge offers both string-through-body and top-load options, providing maximum sustain and tuning stability. Fender lightweight tuners with tapered shafts ensure fast, accurate tuning, and the knurled aluminum control knobs make tonal adjustments smooth and precise. Built for the rigors of the road, the American Ultra II Jazz Bass delivers consistent, reliable performance in any setting.

For Players Who Demand Versatility and Power

The American Ultra II Jazz Bass is designed for professional bassists who need versatility, precision, and reliability. Whether you're laying down a groove in the studio, performing live on stage, or practicing at home, this bass delivers the tonal flexibility and advanced features needed to excel in any musical environment. With its modern design and iconic Fender tone, the Ultra II Jazz Bass is the ultimate tool for serious players.

Open Box Fender American Ultra II Jazz Bass Maple Fingerboard Level 2 Sinister Red 197881280499
Open Box Fender American Ultra II Jazz Bass Maple Fingerboard Level 2 Sinister Red 197881280499
Open Box Fender American Ultra II Jazz Bass Maple Fingerboard Level 2 Sinister Red 197881280499

collapse expand iconFeatures

  • Select alder body with sculpted body contours for added comfort
  • Ultra II Noiseless Vintage Jazz Bass pickups for hum-free, dynamic tone
  • HiMass bridge with string-through-body or top-load options for enhanced sustain
  • Quartersawn maple neck with 10"-14" compound radius maple fingerboard

collapse expand iconSpecs

Body
  • Body shape: Jazz Bass
  • Body wood: Select alder
  • Body finish: Gloss urethane
Neck
  • Neck wood: Quartersawn maple
  • Neck shape: Modern D
  • Neck finish: Ultra satin urethane
  • Scale length: 34" (86.36 cm)
  • Fingerboard: Quartersawn maple
  • Fingerboard radius: 10"-14" compound radius
  • Number of frets: 21
  • Fret size: Medium jumbo
  • Nut material: Graph Tech TUSQ
  • Nut width: 1.5" (38.1 mm)
  • Position inlays: Black pearloid dot - 7 mm
  • Side dots: Luminlay
  • Truss rod: Bi-Flex
Electronics
  • Pickup configuration: SS
  • Bridge pickup: Ultra II Noiseless Vintage Jazz Bass
  • Middle pickup: Ultra II Noiseless Vintage Jazz Bass
  • Special electronics: S-1 switch for active/passive mode, 2-way mini-toggle midrange frequency selector (325 Hz or 750 Hz)
  • Controls: Master volume (S-1 switch), pan pot (pickup selector), stacked concentric midrange boost/cut + passive tone control, stacked concentric treble boost/cut + bass boost/cut, mini-toggle midrange frequency selector
  • Switching: Pan pot
Hardware
  • Bridge: 4-saddle adjustable HiMass (string-through-body or top-load)
  • Tuning machines: Fender F lightweight vintage-paddle keys with tapered shafts
  • Pickguard: 1-ply black anodized aluminum
  • Control knobs: Heavy knurled flat-top
  • Hardware finish: Nickel/chrome
Other
  • Strings: Fender 7250M nickel plated steel roundwound, long scale (.045-.105 gauges)
  • Orientation: Right handed
  • Case: Deluxe molded
  • Country of origin: USA

collapse expand iconReviews

4.16

186 Reviews

81%

of respondents would recommend this to a friend

119527412362221

Most Liked Positive Review

4

A very cool guitar, if you're into the 1980's shred thing!

I have been in the market for an 80's style shredder for a few years now. As a big fan of George Lynch, in particular the stuff he did from 1985 to 1990, I've been looking for a used ESP Skulls and Snakes model. That said, they are hard to find on the used market, and they command a premium price. Enter the Friedman Cali model. With its high-output humbuckers, Floyd Rose tremolo, and single volume knob, it's got similar specs as the Skulls and Snakes, and with a much lower point of entry. So, I jumped on it, and I am glad I did. I've spent the last few days getting to know my new Friedman Cali and I can say with confidence this is an excellent guitar for the price. That said, it does have some minor drawbacks that I will gladly look past given how amazing the guitar feels and sounds. My particular guitar was a scratch and dent, which in my case means pre-owned. I say this because when I took delivery of the guitar, I noticed a tremolo stop had been installed, poorly I might add. I confirmed with Friedman they did not install these at the factory; hence my opinion the guitar was previously sold to another customer. In any case, there are no other blemishes or visual imperfections to speak of other than, of course, the factory relic job. After my initial inspection, I put the guitar back in the case to chill out for 24 hours to acclimate to the environment. After that, I remove the old strings, cleaned and polished the frets, lubricated the hardware, applied contact cleaner to the pot and switch, put on fresh strings, and gave it a proper set-up. Some things I noticed during the whole process: the b-string tuner doesn't seem to work as smoothly as the other tuners. These appear to be Hipshot open gear locking tuners, similar to what I have on my Tyler, and I know they usually work very well. Next time I change strings, i will pull the tuner and take it apart for inspection. Another thing I noticed is the screw-in style tremolo bar on the Floyd Rose. This is simply an antiquated design and needs to go the way of the rest of the dinosaurs: extinction. I much prefer the convenience, feel, and adjustability of the drop-in replacement bar, so that is what I installed. Now the tremolo feels expressive and smooth, and the bar drops in quickly. Once I got the Cali set up, I was amazed how comfortable it is to play. Let's first talk materials and craftsmanship. The relic job on the maple neck and fingerboard, combined with the rolled fret edges and slick fret crowning, make this guitar feel like you've been playing it for decades. It's really quite special and something you have to play to understand. because of the compound radius and excellent fretwork, I am able to set the action very low without excessive buzzing. I use 9-gauge strings, and two tremolo springs are sufficient to ensure the tremolo sits parallel to the body while keeping low tension on the strings. Bending is super easy and very smooth, and the tremolo feels so expressive. The guitar just feels slinky and rather addicting to play. On the tone front, it's an absolute monster. The Friedman Classic pickups feature Alnico 5 magnets, which happen to be my favorite for hard rock tones. The bridge pickup sounds thick with gobs of sustain, while the neck pickup is round and fat. Both pickups are articulate and clear, and allow single notes in complex chords to shine through. Rolling back the volume knob will clean up your tone nicely, especially with a good tube amp. These guitars were a collaboration between Dave Friedman and Grover Jackson. Unfortunately, they are no longer working together, and Grover has moved to the Nashville, TN area. I do believe Friedman guitars will be hitting the market again soon, made by someone other than Grover. With that said, the Grover-era are pretty amazing guitars, and may become harder to find. So, if you are in the market for a 1980's super-Strat style shredder, I'd recommend checking out a Grover-era Friedman while you can.

VS

Most Liked Negative Review

3

Amazing bass with a major flaw

Being mainly a guitarist, this bass is perfectly ideal for what my needs are. A great bass with a great sound/tone for recording, and many option with the knobs to fine tune and tweak that sound to my preference. However, my biggest gripe is that the string action is ridiculously tight for this bass. I like to play with ticker gauge strings, as I typically go for lower tunings, but this bass is (ironically with it being a 5 string) is simply not made for it. The action towards the neck of the fretboard makes thicker strings unplayable. They make contact with the fretboard at around the 2nd-3rd fret, and raising the bridge to compensate isn't enough. To make matters worse, the screws that are used to raise the strings on the bridge are very easily stripped, and I'm struggling to find any sort of replacements for them.

Filters
Best Uses
  1. Practice4
  2. Recording3
  3. All around great guitar1
  4. Metal songs1
  5. Rock songs1
Cons
  1. None6
  2. Poor Quality2
  3. Virtually no low end warmth.1
  4. Kind of expensive1
  5. Shipping box arrived damaged1
Describe Yourself
  1. Beginner2
  2. Stray player since 19741
  3. 74 years old, been playing 60 years.1
  4. Jazz, rock, classical player for 60 years1
  5. Metal,hard rock and instrumental rock1
Pros
  1. Sound4
  2. Attractive3
  3. Stays in Tune2
  4. Stays in tune2
  5. Tone2
  • Great all around strat

    5

    submitted10 days ago

    byCass

    fromDenver

    Price is right

  • Sounds really good

    5

    submitteda month ago

    byTrenton

    fromGladwin county

    This pedal sounds quite good. It is quite customizable. If you do buy this, if you do not have the cord used to power it, there is a battery adapter under the actual pedal part. you just put the black pins on the pedal in and take the pedal off. anyways, really good sound if you want a proper rock or metal distortion/overdrive for an affordable price.

  • Not too bad for the price

    3

    submitteda month ago

    byJeff

    fromNashville TN

    Typical Chinese bling, the sound is lacking.

  • This drum is just like the vintage ones

    5

    submitteda month ago

    byJeff

    fromSeattle, WA

    Play with freelance jazz and rock standards groups. All kinds of gigs and shows. I want to buy one of the sets.

  • Love this guitar.

    5

    submitted2 months ago

    byLarry

    fromMinnesota

    Love this guitar. Easy/Good tuning, very playable, thin neck is fast.

  • Its so good it fits my church setting well

    5

    submitted2 months ago

    byjordan

    fromHamilton, new jersey

    This product is the best drums i've ever played on because the shells are a nice color and when you tune the drums up, it sounds so good. When you play it in a open space it fills the room and when you play it in an enclosed space it sounds even better. All Im saying is that this is hands down one of the best drum sets.

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