Open Box Fender 70th Anniversary Player Stratocaster Electric Guitar Level 2 Nebula Noir 197881291228

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Fender 70th Anniversary Player Stratocaster | Demo and Overview with Michael Eisenstein

Description
The long and storied history of the Fender Stratocaster begins in 1953 as Leo Fender and Freddie Tavares, one of Fender's earliest and most valued employees, started sketching out designs. This revolutionary contoured-body, double-cutaway masterpiece first rolled out of Fender's Fullerton factory in 1954. To celebrate the 70th consecutive production year of this iconic guitar, Fender has designed a broad-ranging 70th Anniversary Stratocaster collection which are available in strictly limited quantities. The 70th Anniversary Player Strat in a sleek Nebula Noir finish is not just one of the most distinctive, but also one of the most accessible of these soon-to-be-treasured special instruments.

Seven Decades of Stratocaster
When the Strat first appeared in 1954, it was unlike any guitar seen before, with body-hugging carved contours, asymmetric double cutaways, a solidbody-first three-pickup configuration and, most of all, a brand-new bridge design. The look summoned the same futuristic feel as the swooping, streamlined, automobile designs of the times. Unlike those cars, though, the Stratocaster still looks contemporary today, and Fender's constant small improvements have kept the Strat as modern and exciting to play as it was 70 years ago.

A Strat Designed for the Player in You
The 70th Anniversary Player Strat is designed to summon up the vintage tonal heritage of the line with Fender's Pure Vintage '59 single-coil pickups. Loaded with all the bell-like chime and spank you want from a classic Stratocaster, these transducers work well across genres with just slight adjustments of the volume and tone knobs.

Classic Construction With Modern Touches
With a resonant alder body helping produce those vintage tones, the 70th Anniversary Player Stratocaster provides a modern feel with a fast 9.5"-radius rosewood fingerboard on a Modern C profile "skunk-stripe" maple neck. The pearloid pickguard is a perfect choice to offset the deep, dark, limited-edition Nebula Noir finish.

Classic Hardware Meets Versatile Electronics
The Fender Synchronized Tremolo Bridge (technically a vibrato, but tradition is tradition) was a feature that was revolutionary in the original 1954 design. While it wasn't the first six-saddle electric guitar bridge, it was the first one to offer both height and intonation adjustment for individual strings, and the combination of subtlety and brashness with which a player could approach the "whammy bar" was absolutely unprecedented. The evolution to a two-point pivot design enabled even more stability and made it easier to "float" the bridge without painstaking adjustments. Fender ClassicGear tuners complete the bridge and tuning setup, increasing stability and enabling wilder whammy action without going sour. The switching and control knobs are full-on classic Strat, a 5-way switch with master volume and a pair of tone knobs—one neck/middle and one for the bridge pickup—for a wide tonal palette.
This guitar would be a great accessible everyday player, but, as a special edition for the Stratocaster's 70th Anniversary, it's so much more than that. With the limited quantities available, you'll want to jump on it quickly, to make sure that you can be part of the celebration now and treasure the instrument for years to come.
Features
- Pure Vintage '59 single-coil Strat pickups
- Modern C profile maple neck
- 2-point synchronized tremolo bridge
- Fender ClassicGear tuners
Specs
- Body Wood: Alder
- Body Finish: Gloss polyester
- Neck: Maple
- Neck Construction: 4-bolt standard
- Neck Finish: Satin Urethane
- Fingerboard: Rosewood
- Fret Size: Medium jumbo
- Number of Frets: 22
- Position Inlays: White dot
- Side Dots: White
- Nut Material: Bone
- Nut Width: 1.650" (42 mm)
- Truss Rod: Standard
- Tuning Machines: Fender ClassicGear
- Scale Length: 25.5" (64.77 cm)
- Bridge: 2-point synchronized tremolo with bent steel saddles
- Pickguard: 4-ply white pearloid
- Pickup Configuration: SSS
- Bridge Pickup: Pure vintage '59 single-coil Strat
- Middle Pickup: Pure vintage '59 single-coil Strat
- Neck Pickup: Pure vintage '59 single-coil Strat
- Controls: Master volume, Tone 1: (neck/middle pickups); Tone 2 (bridge pickup)
- Switching: 5-position blade: Position 1: bridge pickup; Position 2: bridge and middle pickup; Position 3: middle pickup; Position 4: middle and neck pickup; Position 5: neck pickup
- hardware Finish: Nickel/chrome
- Strings: Fender USA 250l nickel-plated steel (.009–.042 gauges)
- Included: Deluxe gig bag
Reviews
4.16
186 Reviews
81%
of respondents would recommend this to a friend
Most Liked Positive Review
A very cool guitar, if you're into the 1980's shred thing!
I have been in the market for an 80's style shredder for a few years now. As a big fan of George Lynch, in particular the stuff he did from 1985 to 1990, I've been looking for a used ESP Skulls and Snakes model. That said, they are hard to find on the used market, and they command a premium price. Enter the Friedman Cali model. With its high-output humbuckers, Floyd Rose tremolo, and single volume knob, it's got similar specs as the Skulls and Snakes, and with a much lower point of entry. So, I jumped on it, and I am glad I did. I've spent the last few days getting to know my new Friedman Cali and I can say with confidence this is an excellent guitar for the price. That said, it does have some minor drawbacks that I will gladly look past given how amazing the guitar feels and sounds. My particular guitar was a scratch and dent, which in my case means pre-owned. I say this because when I took delivery of the guitar, I noticed a tremolo stop had been installed, poorly I might add. I confirmed with Friedman they did not install these at the factory; hence my opinion the guitar was previously sold to another customer. In any case, there are no other blemishes or visual imperfections to speak of other than, of course, the factory relic job. After my initial inspection, I put the guitar back in the case to chill out for 24 hours to acclimate to the environment. After that, I remove the old strings, cleaned and polished the frets, lubricated the hardware, applied contact cleaner to the pot and switch, put on fresh strings, and gave it a proper set-up. Some things I noticed during the whole process: the b-string tuner doesn't seem to work as smoothly as the other tuners. These appear to be Hipshot open gear locking tuners, similar to what I have on my Tyler, and I know they usually work very well. Next time I change strings, i will pull the tuner and take it apart for inspection. Another thing I noticed is the screw-in style tremolo bar on the Floyd Rose. This is simply an antiquated design and needs to go the way of the rest of the dinosaurs: extinction. I much prefer the convenience, feel, and adjustability of the drop-in replacement bar, so that is what I installed. Now the tremolo feels expressive and smooth, and the bar drops in quickly. Once I got the Cali set up, I was amazed how comfortable it is to play. Let's first talk materials and craftsmanship. The relic job on the maple neck and fingerboard, combined with the rolled fret edges and slick fret crowning, make this guitar feel like you've been playing it for decades. It's really quite special and something you have to play to understand. because of the compound radius and excellent fretwork, I am able to set the action very low without excessive buzzing. I use 9-gauge strings, and two tremolo springs are sufficient to ensure the tremolo sits parallel to the body while keeping low tension on the strings. Bending is super easy and very smooth, and the tremolo feels so expressive. The guitar just feels slinky and rather addicting to play. On the tone front, it's an absolute monster. The Friedman Classic pickups feature Alnico 5 magnets, which happen to be my favorite for hard rock tones. The bridge pickup sounds thick with gobs of sustain, while the neck pickup is round and fat. Both pickups are articulate and clear, and allow single notes in complex chords to shine through. Rolling back the volume knob will clean up your tone nicely, especially with a good tube amp. These guitars were a collaboration between Dave Friedman and Grover Jackson. Unfortunately, they are no longer working together, and Grover has moved to the Nashville, TN area. I do believe Friedman guitars will be hitting the market again soon, made by someone other than Grover. With that said, the Grover-era are pretty amazing guitars, and may become harder to find. So, if you are in the market for a 1980's super-Strat style shredder, I'd recommend checking out a Grover-era Friedman while you can.
Most Liked Negative Review
Amazing bass with a major flaw
Being mainly a guitarist, this bass is perfectly ideal for what my needs are. A great bass with a great sound/tone for recording, and many option with the knobs to fine tune and tweak that sound to my preference. However, my biggest gripe is that the string action is ridiculously tight for this bass. I like to play with ticker gauge strings, as I typically go for lower tunings, but this bass is (ironically with it being a 5 string) is simply not made for it. The action towards the neck of the fretboard makes thicker strings unplayable. They make contact with the fretboard at around the 2nd-3rd fret, and raising the bridge to compensate isn't enough. To make matters worse, the screws that are used to raise the strings on the bridge are very easily stripped, and I'm struggling to find any sort of replacements for them.
- Practice4
- Recording3
- All around great guitar1
- Metal songs1
- Rock songs1
- None6
- Poor Quality2
- Virtually no low end warmth.1
- Kind of expensive1
- Shipping box arrived damaged1
- Beginner2
- Stray player since 19741
- 74 years old, been playing 60 years.1
- Jazz, rock, classical player for 60 years1
- Metal,hard rock and instrumental rock1
- Sound4
- Attractive3
- Stays in Tune2
- Stays in tune2
- Tone2
Reviewed by 186 customers
Great all around strat
submitted12 days ago
byCass
fromDenver
Price is right
Sounds really good
submitteda month ago
byTrenton
fromGladwin county
This pedal sounds quite good. It is quite customizable. If you do buy this, if you do not have the cord used to power it, there is a battery adapter under the actual pedal part. you just put the black pins on the pedal in and take the pedal off. anyways, really good sound if you want a proper rock or metal distortion/overdrive for an affordable price.
Not too bad for the price
submitteda month ago
byJeff
fromNashville TN
Typical Chinese bling, the sound is lacking.
This drum is just like the vintage ones
submitteda month ago
byJeff
fromSeattle, WA
Play with freelance jazz and rock standards groups. All kinds of gigs and shows. I want to buy one of the sets.
Love this guitar.
submitted2 months ago
byLarry
fromMinnesota
Love this guitar. Easy/Good tuning, very playable, thin neck is fast.
Its so good it fits my church setting well
submitted2 months ago
byjordan
fromHamilton, new jersey
This product is the best drums i've ever played on because the shells are a nice color and when you tune the drums up, it sounds so good. When you play it in a open space it fills the room and when you play it in an enclosed space it sounds even better. All Im saying is that this is hands down one of the best drum sets.
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