Epiphone

collapse expand iconDescription

Few guitars embody the essence of rock 'n' roll to such an extent as the Les Paul. Synonymous with many of the finest players throughout history, the timeless silhouette has helped shape the sound of rock’s greatest stars. While there are thousands upon thousands of exemplary models in circulation, not many have attained the notoriety of a particular 1959 Les Paul Standard dubbed "Greeny." This illustrious instrument was originally owned by Fleetwood Mac founder Peter Green, whose Les Paul tone throughout his tenure with the band became one of the most influential sounds of all time. Green later sold his iconic 1959 LP Standard to Thin Lizzy’s Gary Moore, who kept the guitar for three decades before it landed in the hands of Kirk Hammett from Metallica. Such a storied instrument is bound to have its charming quirks, which is why Epiphone and the Gibson Custom Shop teamed up to put a replica in the hands of players everywhere. The Epiphone Kirk Hammett "Greeny" 1959 Les Paul Standard allows every guitarist to experience the mojo of a certified classic.

Epiphone Greeny Kirk Hammett Les Paul Pickups

Gibson USA Greenybucker Pickups

Peter Green’s distinctive sound owes itself to his masterful ability, as well as to some happy accidents from the Gibson factory that produced his guitar. Original Patent Applied For (PAF) humbuckers were handwound using a machine that didn’t count the windings. No two pickups were alike, and to Green’s further advantage, the neck pickup was wound in reverse polarity. At one time, doing some of his own tech work, Green removed the neck pickup in his 1959 LP Standard and accidentally reinstalled it backwards with the pole pieces facing the bridge. These factors contributed to the sound created by the middle position on Greeny’s pickup selector, which became part of his signature tone that others have sought to replicate for decades. The Epiphone Kirk Hammett Greeny LP distinguishes these hallmark features with a pair of Gibson USA Greenybuckers, complete with a reverse-mounted, reverse-polarity neck position to sound the part of an iconic guitar.   

Epiphone Greeny Kirk Hammett Les Paul Greeny Burst

Signature Greeny Burst

Collectors will tell you that what separates a decent vintage Les Paul Standard from an outstanding one is the quality of the flame maple top and how well it's faded over the years. Greeny, being its fabled self, has a gorgeous flame and a dignified faded burst finish—a testament to its stateliness. The Epiphone Kirk Hammett LP Standard comes with a maple top on a mahogany body, capped by a AAA flame maple veneer finished in a custom Greeny Burst. The guitar looks especially stylish without a pickguard, keeping in line with the authentic Greeny, and completing the characteristic image is a Gibson USA “open book” headstock. An homage to its inspiration, the Kirk Hammett Epiphone looks wise beyond its years.

Epiphone Greeny Kirk Hammett Les Paul Controls

Premium Hardware and Components

Trademark sonics and vintage looks separate Greeny from a "regular" Les Paul Standard, but it’s the consideration Epiphone has put into the hardware and components that further make this a noteworthy guitar. Everything is top-notch, including a Switchcraft pickup selector and 1/4" output jack, CTS potentiometers, Mallory capacitors and Grover Rotomatic tuners. The Kirk Hammett Greeny also features mismatched pairs of volume and tone knobs, just like the original. This is a player's guitar built to serve musicians, just as Greeny has done for three legendary guitarists over more than five decades.

Epiphone Greeny Kirk Hammett Les Paul Neck and Headstock

Custom Neck Carve

The Epiphone Greeny rocks a one-piece mahogany neck with an Indian laurel fingerboard. It’s carved to its own custom profile based on a rounded '50s Les Paul neck, with 22 frets and a 12" radius. Elite playability is a key ingredient of any Les Paul, and the Epiphone Greeny has plenty of it. The standard 24.75" scale length provides just enough speed, even on thicker, rounder neck profiles like those from the '50s and '60s. Trapezoid mother-of-pearl inlays complete the classic look of the Epiphone Kirk Hammett Greeny.

Rarely does the opportunity to own a revered, mythical instrument come along. While Gibson has modeled the historic Greeny in the past, Epiphone presents it to a much broader audience. The attention to detail that’s gone into reproducing a time-honored guitar is profound, but the ability to do so while also creating an instrument that stands on its own is perhaps most impressive. The Epiphone Kirk Hammett "Greeny" 1959 Les Paul Standard carries on the legacy shared by some of guitar history's greatest treasures.

collapse expand iconFeatures

  • Mahogany body with AAA flame maple veneer
  • One-piece mahogany neck, Indian laurel fingerboard
  • LockTone stopbar tailpiece, Grover Rotomatic tuners, Epiphone ABR bridge
  • Gibson USA Greenybucker pickups, Switchcraft pickup selector

collapse expand iconSpecs

Body
  • Top wood: Maple With AAA Flame Maple Veneer
  • Body wood: Mahogany
Neck
  • Neck shape: Custom
  • Neck wood: One-piece Mahogany
  • Scale length: 24.75"
Fingerboard
  • Material: Indian Laurel
  • Number of frets: 22
  • Inlays: Mother of Pearl Trapezoid
  • Nut width/material: Graph Tech
Electronics
  • Configuration: HH
  • Neck: Gibson USA Greenybucker With Reversed Magnetic Polarity, Reverse Mounted
  • Bridge: Gibson USA Greenybucker
  • Control layout: 2 Volume, 2 Tone, 50s Wiring, CTS Potentiometers, Mallory Capacitors
  • Pickup switch: Switchcraft pickup selector
Hardware
  • Bridge type: Fixed
  • Bridge design: Epiphone ABR
  • Tailpiece: LockTone Stopbar
  • Tuning machines: Grover Rotomatic with kidney buttons
  • Color: Nickel
Other
  • Number of strings: 6-string
  • Case: Hardshell case
  • Orientation: Right-handed

collapse expand iconReviews

4.16

186 Reviews

81%

of respondents would recommend this to a friend

119527412362221

Most Liked Positive Review

4

A very cool guitar, if you're into the 1980's shred thing!

I have been in the market for an 80's style shredder for a few years now. As a big fan of George Lynch, in particular the stuff he did from 1985 to 1990, I've been looking for a used ESP Skulls and Snakes model. That said, they are hard to find on the used market, and they command a premium price. Enter the Friedman Cali model. With its high-output humbuckers, Floyd Rose tremolo, and single volume knob, it's got similar specs as the Skulls and Snakes, and with a much lower point of entry. So, I jumped on it, and I am glad I did. I've spent the last few days getting to know my new Friedman Cali and I can say with confidence this is an excellent guitar for the price. That said, it does have some minor drawbacks that I will gladly look past given how amazing the guitar feels and sounds. My particular guitar was a scratch and dent, which in my case means pre-owned. I say this because when I took delivery of the guitar, I noticed a tremolo stop had been installed, poorly I might add. I confirmed with Friedman they did not install these at the factory; hence my opinion the guitar was previously sold to another customer. In any case, there are no other blemishes or visual imperfections to speak of other than, of course, the factory relic job. After my initial inspection, I put the guitar back in the case to chill out for 24 hours to acclimate to the environment. After that, I remove the old strings, cleaned and polished the frets, lubricated the hardware, applied contact cleaner to the pot and switch, put on fresh strings, and gave it a proper set-up. Some things I noticed during the whole process: the b-string tuner doesn't seem to work as smoothly as the other tuners. These appear to be Hipshot open gear locking tuners, similar to what I have on my Tyler, and I know they usually work very well. Next time I change strings, i will pull the tuner and take it apart for inspection. Another thing I noticed is the screw-in style tremolo bar on the Floyd Rose. This is simply an antiquated design and needs to go the way of the rest of the dinosaurs: extinction. I much prefer the convenience, feel, and adjustability of the drop-in replacement bar, so that is what I installed. Now the tremolo feels expressive and smooth, and the bar drops in quickly. Once I got the Cali set up, I was amazed how comfortable it is to play. Let's first talk materials and craftsmanship. The relic job on the maple neck and fingerboard, combined with the rolled fret edges and slick fret crowning, make this guitar feel like you've been playing it for decades. It's really quite special and something you have to play to understand. because of the compound radius and excellent fretwork, I am able to set the action very low without excessive buzzing. I use 9-gauge strings, and two tremolo springs are sufficient to ensure the tremolo sits parallel to the body while keeping low tension on the strings. Bending is super easy and very smooth, and the tremolo feels so expressive. The guitar just feels slinky and rather addicting to play. On the tone front, it's an absolute monster. The Friedman Classic pickups feature Alnico 5 magnets, which happen to be my favorite for hard rock tones. The bridge pickup sounds thick with gobs of sustain, while the neck pickup is round and fat. Both pickups are articulate and clear, and allow single notes in complex chords to shine through. Rolling back the volume knob will clean up your tone nicely, especially with a good tube amp. These guitars were a collaboration between Dave Friedman and Grover Jackson. Unfortunately, they are no longer working together, and Grover has moved to the Nashville, TN area. I do believe Friedman guitars will be hitting the market again soon, made by someone other than Grover. With that said, the Grover-era are pretty amazing guitars, and may become harder to find. So, if you are in the market for a 1980's super-Strat style shredder, I'd recommend checking out a Grover-era Friedman while you can.

VS

Most Liked Negative Review

3

Amazing bass with a major flaw

Being mainly a guitarist, this bass is perfectly ideal for what my needs are. A great bass with a great sound/tone for recording, and many option with the knobs to fine tune and tweak that sound to my preference. However, my biggest gripe is that the string action is ridiculously tight for this bass. I like to play with ticker gauge strings, as I typically go for lower tunings, but this bass is (ironically with it being a 5 string) is simply not made for it. The action towards the neck of the fretboard makes thicker strings unplayable. They make contact with the fretboard at around the 2nd-3rd fret, and raising the bridge to compensate isn't enough. To make matters worse, the screws that are used to raise the strings on the bridge are very easily stripped, and I'm struggling to find any sort of replacements for them.

Filters
Best Uses
  1. Practice4
  2. Recording3
  3. All around great guitar1
  4. Metal songs1
  5. Rock songs1
Cons
  1. None6
  2. Poor Quality2
  3. Virtually no low end warmth.1
  4. Kind of expensive1
  5. Shipping box arrived damaged1
Describe Yourself
  1. Beginner2
  2. Stray player since 19741
  3. 74 years old, been playing 60 years.1
  4. Jazz, rock, classical player for 60 years1
  5. Metal,hard rock and instrumental rock1
Pros
  1. Sound4
  2. Attractive3
  3. Stays in Tune2
  4. Stays in tune2
  5. Tone2
  • Great all around strat

    5

    submitted12 days ago

    byCass

    fromDenver

    Price is right

  • Sounds really good

    5

    submitteda month ago

    byTrenton

    fromGladwin county

    This pedal sounds quite good. It is quite customizable. If you do buy this, if you do not have the cord used to power it, there is a battery adapter under the actual pedal part. you just put the black pins on the pedal in and take the pedal off. anyways, really good sound if you want a proper rock or metal distortion/overdrive for an affordable price.

  • Not too bad for the price

    3

    submitteda month ago

    byJeff

    fromNashville TN

    Typical Chinese bling, the sound is lacking.

  • This drum is just like the vintage ones

    5

    submitteda month ago

    byJeff

    fromSeattle, WA

    Play with freelance jazz and rock standards groups. All kinds of gigs and shows. I want to buy one of the sets.

  • Love this guitar.

    5

    submitted2 months ago

    byLarry

    fromMinnesota

    Love this guitar. Easy/Good tuning, very playable, thin neck is fast.

  • Its so good it fits my church setting well

    5

    submitted2 months ago

    byjordan

    fromHamilton, new jersey

    This product is the best drums i've ever played on because the shells are a nice color and when you tune the drums up, it sounds so good. When you play it in a open space it fills the room and when you play it in an enclosed space it sounds even better. All Im saying is that this is hands down one of the best drum sets.

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