Epiphone

collapse expand iconDescription

The Epiphone 1963 Firebird V, inspired by the Gibson Custom original, lets you channel the iconic style and sound of a classic. With its eye-catching design, this sleek solidbody electric guitar authentically captures a vintage vibe made famous by legends, including blues icon Johnny Winter, Keith Richards and Brian Jones of The Rolling Stones, Eric Clapton and Phil Manzanera of Roxy Music. The Epiphone 1963 Firebird V is built for today’s player while staying true to tradition, offering timeless tone and smooth playability for those who dig its hot-rodded, future-retro trappings.

Epiphone 1963 Firebird V Automotive Design

Inimitable Automotive Design Brings Vintage Flair

One look at the Epiphone 1963 Firebird V and you’ll see the sleek lines and classy appointments that made the original a legend. The unique offset double-cutaway body was originally dreamt up by acclaimed automotive designer Ray Dietrich, featuring a sporty—yet refined—aesthetic. The Firebird shape is instantly recognizable, sure to turn heads wherever you play, or even just “look the part” in your home studio. Of course, the 1963 Firebird V isn’t just about visuals—its construction also contributes to the great tone and playing experience that makes this a modern classic.

Epiphone 1963 Firebird V Body

9-Ply Neck-Through-Body Offers Stability and Sustain

The 1963 Firebird V by Epiphone features a solid 9-ply neck-through-body design that enhances resonance for singing sustain. Constructed using quality mahogany and walnut, the multi-ply neck runs the length of the body for excellent stability and a rich, full-figured tone. Attached mahogany wings complete the body, producing clear and balanced sound across the tonal spectrum. The neck features a 22-fret Indian laurel fingerboard and sports a comfortable, period-accurate ’63 profile that feels great in your hands. Put simply, the 1963 Firebird V's choice woods and quality craftsmanship let your playing shine.

Epiphone 1963 Firebird V Pickup Selector

Authentic Gibson Mini-Humbuckers Capture Classic Tone

When it comes to sound, the 1963 Firebird V takes you back in time thanks to a pair of vintage-spec Gibson USA Mini-Humbuckers. Wound to perfectly replicate the original transducers, these Alnico 5 pickups deliver the singing leads and growling crunch expected when the Firebird revs its engine. From warm, clean tones to snarling overdrive, the mini humbuckers help you conjure iconic classic rock and blues mojo. The premium electronics also include virtually failproof CTS potentiometers, Mallory capacitors, and a Switchcraft output jack and three-way pickup toggle.

Epiphone 1963 Firebird V Hardware

Premium Hardware Mimics Hot-Rodded Style

While being true to its vintage design, the 1963 Firebird V plays like a dream thanks to its premium appointments. Kluson “banjo-style” Planetary tuners keep your strings locked in key, while the Epiphone ABR bridge and Maestro Vibrola tailpiece provide excellent intonation, sustain and warbling vibrato. In short, the 1963 Firebird V gives you the perfect blend of classic vibe and modern playability. Plug in and experience the iconic style and sound that made the Firebird a classic.

For guitarists who want the true vintage Gibson Custom experience with modern refinements and affordability, the Epiphone 1963 Firebird V is a top choice. Its iconic offset double-cutaway shape turns heads, while the solid neck-through-body design provides substantial resonance. The Gibson USA Mini-Humbuckers authentically capture the Firebird’s legendary tone, and premium components make this classic comfortable and playable. If you want timeless, automotive-inspired looks with exceptional sound and playability, don’t pass up the Epiphone 1963 Firebird V, inspired by the legendary Gibson Custom models of the early ’60s.

collapse expand iconFeatures

  • Neck-through-body mahogany and walnut construction with mahogany wings
  • 1963 Firebird neck profile with Indian laurel fingerboard
  • 2x Gibson USA Firebird mini humbucker pickups
  • Kluson planetary geared "banjo style" tuners and Epiphone ABR bridge with Maestro Vibrola tailpiece
  • Switchcraft 1/4" output jack, CTS pots and Mallory cap

collapse expand iconSpecs

Body
  • Body Type: Offset
  • Body wood: Multi-piece mahogany/walnut
  • Body finish: Gloss
Neck
  • Neck shape: Custom
  • Neck wood: Multi-piece mahogany/walnut
  • Joint: Neck-through
  • Scale length: 24.75"
Fingerboard
  • Material: Indian laurel
  • Radius: 12"
  • Fret size: Medium-jumbo
  • Number of frets: 22
  • Inlays: Mother-of-pearl trapezoids
  • Nut width/material: 1.69 in. (43 mm) GraphTech
Electronics
  • Configuration: HH
  • Neck: Proprietary Humbucker
  • Bridge: Proprietary Humbucker
  • Control layout: Individual volume, individual tone
  • Switching: 3-way
Hardware
  • Bridge type: Fixed Bridge
  • Bridge design: Floating
  • Tailpiece: Hardtail
  • Tuning machines: Vintage-style
  • Color: Nickel
Other
  • Number of strings: 6
  • Case: Hardshell Case
  • Orientation: Right Handed

collapse expand iconReviews

4.16

186 Reviews

81%

of respondents would recommend this to a friend

119527412362221

Most Liked Positive Review

4

A very cool guitar, if you're into the 1980's shred thing!

I have been in the market for an 80's style shredder for a few years now. As a big fan of George Lynch, in particular the stuff he did from 1985 to 1990, I've been looking for a used ESP Skulls and Snakes model. That said, they are hard to find on the used market, and they command a premium price. Enter the Friedman Cali model. With its high-output humbuckers, Floyd Rose tremolo, and single volume knob, it's got similar specs as the Skulls and Snakes, and with a much lower point of entry. So, I jumped on it, and I am glad I did. I've spent the last few days getting to know my new Friedman Cali and I can say with confidence this is an excellent guitar for the price. That said, it does have some minor drawbacks that I will gladly look past given how amazing the guitar feels and sounds. My particular guitar was a scratch and dent, which in my case means pre-owned. I say this because when I took delivery of the guitar, I noticed a tremolo stop had been installed, poorly I might add. I confirmed with Friedman they did not install these at the factory; hence my opinion the guitar was previously sold to another customer. In any case, there are no other blemishes or visual imperfections to speak of other than, of course, the factory relic job. After my initial inspection, I put the guitar back in the case to chill out for 24 hours to acclimate to the environment. After that, I remove the old strings, cleaned and polished the frets, lubricated the hardware, applied contact cleaner to the pot and switch, put on fresh strings, and gave it a proper set-up. Some things I noticed during the whole process: the b-string tuner doesn't seem to work as smoothly as the other tuners. These appear to be Hipshot open gear locking tuners, similar to what I have on my Tyler, and I know they usually work very well. Next time I change strings, i will pull the tuner and take it apart for inspection. Another thing I noticed is the screw-in style tremolo bar on the Floyd Rose. This is simply an antiquated design and needs to go the way of the rest of the dinosaurs: extinction. I much prefer the convenience, feel, and adjustability of the drop-in replacement bar, so that is what I installed. Now the tremolo feels expressive and smooth, and the bar drops in quickly. Once I got the Cali set up, I was amazed how comfortable it is to play. Let's first talk materials and craftsmanship. The relic job on the maple neck and fingerboard, combined with the rolled fret edges and slick fret crowning, make this guitar feel like you've been playing it for decades. It's really quite special and something you have to play to understand. because of the compound radius and excellent fretwork, I am able to set the action very low without excessive buzzing. I use 9-gauge strings, and two tremolo springs are sufficient to ensure the tremolo sits parallel to the body while keeping low tension on the strings. Bending is super easy and very smooth, and the tremolo feels so expressive. The guitar just feels slinky and rather addicting to play. On the tone front, it's an absolute monster. The Friedman Classic pickups feature Alnico 5 magnets, which happen to be my favorite for hard rock tones. The bridge pickup sounds thick with gobs of sustain, while the neck pickup is round and fat. Both pickups are articulate and clear, and allow single notes in complex chords to shine through. Rolling back the volume knob will clean up your tone nicely, especially with a good tube amp. These guitars were a collaboration between Dave Friedman and Grover Jackson. Unfortunately, they are no longer working together, and Grover has moved to the Nashville, TN area. I do believe Friedman guitars will be hitting the market again soon, made by someone other than Grover. With that said, the Grover-era are pretty amazing guitars, and may become harder to find. So, if you are in the market for a 1980's super-Strat style shredder, I'd recommend checking out a Grover-era Friedman while you can.

VS

Most Liked Negative Review

3

Amazing bass with a major flaw

Being mainly a guitarist, this bass is perfectly ideal for what my needs are. A great bass with a great sound/tone for recording, and many option with the knobs to fine tune and tweak that sound to my preference. However, my biggest gripe is that the string action is ridiculously tight for this bass. I like to play with ticker gauge strings, as I typically go for lower tunings, but this bass is (ironically with it being a 5 string) is simply not made for it. The action towards the neck of the fretboard makes thicker strings unplayable. They make contact with the fretboard at around the 2nd-3rd fret, and raising the bridge to compensate isn't enough. To make matters worse, the screws that are used to raise the strings on the bridge are very easily stripped, and I'm struggling to find any sort of replacements for them.

Filters
Best Uses
  1. Practice4
  2. Recording3
  3. All around great guitar1
  4. Metal songs1
  5. Rock songs1
Cons
  1. None6
  2. Poor Quality2
  3. Virtually no low end warmth.1
  4. Kind of expensive1
  5. Shipping box arrived damaged1
Describe Yourself
  1. Beginner2
  2. Stray player since 19741
  3. 74 years old, been playing 60 years.1
  4. Jazz, rock, classical player for 60 years1
  5. Metal,hard rock and instrumental rock1
Pros
  1. Sound4
  2. Attractive3
  3. Stays in Tune2
  4. Stays in tune2
  5. Tone2
  • Great all around strat

    5

    submitted21 days ago

    byCass

    fromDenver

    Price is right

  • Sounds really good

    5

    submitteda month ago

    byTrenton

    fromGladwin county

    This pedal sounds quite good. It is quite customizable. If you do buy this, if you do not have the cord used to power it, there is a battery adapter under the actual pedal part. you just put the black pins on the pedal in and take the pedal off. anyways, really good sound if you want a proper rock or metal distortion/overdrive for an affordable price.

  • Not too bad for the price

    3

    submitted2 months ago

    byJeff

    fromNashville TN

    Typical Chinese bling, the sound is lacking.

  • This drum is just like the vintage ones

    5

    submitted2 months ago

    byJeff

    fromSeattle, WA

    Play with freelance jazz and rock standards groups. All kinds of gigs and shows. I want to buy one of the sets.

  • Love this guitar.

    5

    submitted2 months ago

    byLarry

    fromMinnesota

    Love this guitar. Easy/Good tuning, very playable, thin neck is fast.

  • Its so good it fits my church setting well

    5

    submitted2 months ago

    byjordan

    fromHamilton, new jersey

    This product is the best drums i've ever played on because the shells are a nice color and when you tune the drums up, it sounds so good. When you play it in a open space it fills the room and when you play it in an enclosed space it sounds even better. All Im saying is that this is hands down one of the best drum sets.

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