Blueridge

collapse expand iconDescription

The Blueridge BR-160A dreadnought acoustic guitar provides bold, articulate tone inspired by prewar classics. Since 1990, Blueridge has been crafting all-solid wood instruments that capture vintage acoustic sound at an affordable price. The BR-160A features an Adirondack spruce top and Indian rosewood back and sides, a prized combination that yields rich resonance and projection. The slim mahogany neck offers a fast, comfortable feel for intricate fingerpicking or aggressive strumming.

Legendary Tonewoods for Voice and Volume

Adirondack spruce, known as the "holy grail" of tonewoods, gives the BR-160A's top superior clarity and dynamic range. Solid Indian rosewood back and sides add warmth, depth and strong projection. Together, these tonewoods produce the bold yet balanced sound that defined dreadnoughts of the 1930s. The scalloped bracing optimizes resonance, allowing each note to ring out with fullness. Whether fingerpicking complex melodies or strumming full chords, the BR-160A delivers the articulate tone and volume that flatpickers and singer-songwriters crave.

Fast, Comfortable Playability

The BR-160A's slim mahogany neck provides a smooth, fast feel ideal for intricate playing styles. Its 1.75" nut width and medium action facilitate barre chords and rapid runs up and down the fingerboard. The rosewood fingerboard, a classic pairing with mahogany, offers hardness and stability. Nickel open-gear tuners keep the guitar tuned accurately through long sessions. Overall, the BR-160A's comfortable design enables you to focus on the creative process rather than struggling with your instrument.

Vintage-Inspired Aesthetics

With distinctive herringbone binding, tortoise pickguard and snowflake fingerboard inlays, the BR-160A evokes the style of prewar dreadnoughts. These vintage-accurate appointments, combined with a hand-rubbed gloss finish, give the guitar a gently aged appearance that complements its rich, woody sound. The BR-160A comes with a deluxe Blueridge gig bag for convenient transport and protection. For authentic tone and timeless looks you can afford, the Blueridge BR-160A Historic Craftsman Series dreadnought is an ideal choice.

Open Box Blueridge BR-160A Historic Craftsman Series Dreadnought Acoustic Guitar Level 2 Aging Toner 197881270193
Open Box Blueridge BR-160A Historic Craftsman Series Dreadnought Acoustic Guitar Level 2 Aging Toner 197881270193
Open Box Blueridge BR-160A Historic Craftsman Series Dreadnought Acoustic Guitar Level 2 Aging Toner 197881270193

collapse expand iconFeatures

  • Adirondack spruce top, Indian rosewood back and sides
  • Slim mahogany neck, 1.75" nut width, rosewood fingerboard
  • Scalloped bracing, nickel open-gear tuners
  • Herringbone binding, tortoise pickguard, snowflake inlays

collapse expand iconSpecs

Body
  • Shape: Dreadnought
  • Top: Premium solid Adirondack spruce
  • Bracing pattern: Scalloped
  • Back & Sides: Select solid East Indian rosewood
  • Finish: Natural high gloss
Neck
  • Material: Select mahogany
  • Truss rod: Adjustable
Fingerboard
  • Material: East Indian rosewood
  • Inlays: Snowflake position markers
  • Nut material: Natural bone
  • Nut width: 1.75"
Hardware
  • Tuning machines: Nickel-plated 14:1 ratio
  • Trim: Distinctive herringbone marquetry
  • Pickguard: Tortoise style
Other
  • Case included: ProTour BV-2510 Deluxe gig bag with Blueridge logo
  • Number of strings: 6
  • Orientation: Right handed

collapse expand iconReviews

4.16

186 Reviews

81%

of respondents would recommend this to a friend

119527412362221

Most Liked Positive Review

4

A very cool guitar, if you're into the 1980's shred thing!

I have been in the market for an 80's style shredder for a few years now. As a big fan of George Lynch, in particular the stuff he did from 1985 to 1990, I've been looking for a used ESP Skulls and Snakes model. That said, they are hard to find on the used market, and they command a premium price. Enter the Friedman Cali model. With its high-output humbuckers, Floyd Rose tremolo, and single volume knob, it's got similar specs as the Skulls and Snakes, and with a much lower point of entry. So, I jumped on it, and I am glad I did. I've spent the last few days getting to know my new Friedman Cali and I can say with confidence this is an excellent guitar for the price. That said, it does have some minor drawbacks that I will gladly look past given how amazing the guitar feels and sounds. My particular guitar was a scratch and dent, which in my case means pre-owned. I say this because when I took delivery of the guitar, I noticed a tremolo stop had been installed, poorly I might add. I confirmed with Friedman they did not install these at the factory; hence my opinion the guitar was previously sold to another customer. In any case, there are no other blemishes or visual imperfections to speak of other than, of course, the factory relic job. After my initial inspection, I put the guitar back in the case to chill out for 24 hours to acclimate to the environment. After that, I remove the old strings, cleaned and polished the frets, lubricated the hardware, applied contact cleaner to the pot and switch, put on fresh strings, and gave it a proper set-up. Some things I noticed during the whole process: the b-string tuner doesn't seem to work as smoothly as the other tuners. These appear to be Hipshot open gear locking tuners, similar to what I have on my Tyler, and I know they usually work very well. Next time I change strings, i will pull the tuner and take it apart for inspection. Another thing I noticed is the screw-in style tremolo bar on the Floyd Rose. This is simply an antiquated design and needs to go the way of the rest of the dinosaurs: extinction. I much prefer the convenience, feel, and adjustability of the drop-in replacement bar, so that is what I installed. Now the tremolo feels expressive and smooth, and the bar drops in quickly. Once I got the Cali set up, I was amazed how comfortable it is to play. Let's first talk materials and craftsmanship. The relic job on the maple neck and fingerboard, combined with the rolled fret edges and slick fret crowning, make this guitar feel like you've been playing it for decades. It's really quite special and something you have to play to understand. because of the compound radius and excellent fretwork, I am able to set the action very low without excessive buzzing. I use 9-gauge strings, and two tremolo springs are sufficient to ensure the tremolo sits parallel to the body while keeping low tension on the strings. Bending is super easy and very smooth, and the tremolo feels so expressive. The guitar just feels slinky and rather addicting to play. On the tone front, it's an absolute monster. The Friedman Classic pickups feature Alnico 5 magnets, which happen to be my favorite for hard rock tones. The bridge pickup sounds thick with gobs of sustain, while the neck pickup is round and fat. Both pickups are articulate and clear, and allow single notes in complex chords to shine through. Rolling back the volume knob will clean up your tone nicely, especially with a good tube amp. These guitars were a collaboration between Dave Friedman and Grover Jackson. Unfortunately, they are no longer working together, and Grover has moved to the Nashville, TN area. I do believe Friedman guitars will be hitting the market again soon, made by someone other than Grover. With that said, the Grover-era are pretty amazing guitars, and may become harder to find. So, if you are in the market for a 1980's super-Strat style shredder, I'd recommend checking out a Grover-era Friedman while you can.

VS

Most Liked Negative Review

3

Amazing bass with a major flaw

Being mainly a guitarist, this bass is perfectly ideal for what my needs are. A great bass with a great sound/tone for recording, and many option with the knobs to fine tune and tweak that sound to my preference. However, my biggest gripe is that the string action is ridiculously tight for this bass. I like to play with ticker gauge strings, as I typically go for lower tunings, but this bass is (ironically with it being a 5 string) is simply not made for it. The action towards the neck of the fretboard makes thicker strings unplayable. They make contact with the fretboard at around the 2nd-3rd fret, and raising the bridge to compensate isn't enough. To make matters worse, the screws that are used to raise the strings on the bridge are very easily stripped, and I'm struggling to find any sort of replacements for them.

Filters
Best Uses
  1. Practice4
  2. Recording3
  3. All around great guitar1
  4. Metal songs1
  5. Rock songs1
Cons
  1. None6
  2. Poor Quality2
  3. Virtually no low end warmth.1
  4. Kind of expensive1
  5. Shipping box arrived damaged1
Describe Yourself
  1. Beginner2
  2. Stray player since 19741
  3. 74 years old, been playing 60 years.1
  4. Jazz, rock, classical player for 60 years1
  5. Metal,hard rock and instrumental rock1
Pros
  1. Sound4
  2. Attractive3
  3. Stays in Tune2
  4. Stays in tune2
  5. Tone2
  • Great all around strat

    5

    submitted21 days ago

    byCass

    fromDenver

    Price is right

  • Sounds really good

    5

    submitteda month ago

    byTrenton

    fromGladwin county

    This pedal sounds quite good. It is quite customizable. If you do buy this, if you do not have the cord used to power it, there is a battery adapter under the actual pedal part. you just put the black pins on the pedal in and take the pedal off. anyways, really good sound if you want a proper rock or metal distortion/overdrive for an affordable price.

  • Not too bad for the price

    3

    submitted2 months ago

    byJeff

    fromNashville TN

    Typical Chinese bling, the sound is lacking.

  • This drum is just like the vintage ones

    5

    submitted2 months ago

    byJeff

    fromSeattle, WA

    Play with freelance jazz and rock standards groups. All kinds of gigs and shows. I want to buy one of the sets.

  • Love this guitar.

    5

    submitted2 months ago

    byLarry

    fromMinnesota

    Love this guitar. Easy/Good tuning, very playable, thin neck is fast.

  • Its so good it fits my church setting well

    5

    submitted2 months ago

    byjordan

    fromHamilton, new jersey

    This product is the best drums i've ever played on because the shells are a nice color and when you tune the drums up, it sounds so good. When you play it in a open space it fills the room and when you play it in an enclosed space it sounds even better. All Im saying is that this is hands down one of the best drum sets.

collapse expand iconQ&A

Have a question about this product? Our expert Gear Advisers have the answers.

No results but…

You can be the first to ask a new question.

It may be Answered within 48 hours.