The module was easy to setup all 16 channels with two Interfaces. I just Plugged one "adat out of interface 1 to the P16 for channels 1-8" and used the "Adat 1 out from interface 2 into channel 9-16 Adat input." I had to make a custom I/O and "remap the outputs of 16 BUS channels" in PT12, so I created 16 new BUS channels and changed the outputs of each to "A interface A Adat 1-8 and B interface Adat 1-8". For example, the BUS 1 output will be changed to A Adat1, and repeat down the line. I changed the bus names to to "HP 1, HP 2, etc." I tested all of the channels with a random song and all of the channels worked in about a 20 minute setup. The quality is as expected and everyone who used these modules in my studio so far enjoys the full control over their personal mixes.

I work at a small church with a small budget. In order to combat the ever-present villain of stage noise, I needed an in-ear monitor system that wouldn't break the bank (you know what I'm talking about). I was hesitant to try these, but I've had good experience with Behringer products so I took an affordable risk. I was pleasantly surprised by the sound quality and solid construction of each unit (this P16-I, the P16-D, and the P16-M). We now use these across our entire band, saving tons of rehearsal time (no "tell the sound guy to give me more X in my monitor) and improving the quality of our room's sound (no uncontrollable stage noise). PROS Affordable! Quality Construction Easily Expandable (buy more P16-D and just daisy-chain) Sounds Great More Features Than Competition CONS High Noise Floor* "Muddy" Out-Of-Box Sound** Non-Intuitive Controls*** (This is regarding the personal mixers, P16-M) *The noise floor seems pretty high, but I'm not sure if that's my setup (our analog mixer is aurally pretty "dirty") or something present in this system. This is easily fixed with proper gain structure, though. **Out of the box, the sound seemed a bit "muddy" but again, this is also easily fixed with the built-in channel-specific EQ (which the competition doesn't have!). Also, this could actually be because of our current setup - I'm using the INSERT on each channel as the send to the ADC (P16-I, this unit), which is unprocessed signal direct from the stage. ***All of the proper information is in the manuals, but remembering it all is a struggle because it's not completely intuitive. For example, there is both a "Master" volume (top right of the P16-M) AND a "main" volume button to be controlled like another channel. Why have two master volume controls like this? It will probably take more than one class to teach your team how to use the IEM effectively. Yes I would absolutely recommend these to a friend. Try these first before you try any other IEM.

Pros No learning curve Easy to set up Extremely affordable (defines entry-level personal mixing) Sounds great for performing Cons Cat-5 connectors on front of unit I wish the analog connections came in on D-Subs so there would be room to put the Cat-5 connectors on the rear of the unit. That alone would make this a 5-star piece for me.