Ableton Push 2 Software Controller Instrument With Live Intro

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Ableton Push 2

Sakura Tsuruta Push 2 Performance

Sakura Tsuruta Push 2 Performance Walkthrough

DJ Step1 Push 2 Performance

Description
Play or program beats, melodies, and harmonies with Push’s 64 pads. When playing drums, Push’s grid of 64 pads is divided into three sections, allowing you to play in real time, step sequence and adjust the length of your loop, all at the same time.
Capture your music
Play or step sequence all of your musical ideas. Whether playing drums or pitched instruments, Push adapts to your musical needs, with great feeling pads and controls that keep you in the flow.
Play and tweak samples. Slice beats, play one shots or mangle samples with warping
Push gives you a range of ways to play and manipulate your samples. Slice samples across the pads, play single hits or warp long samples so that they always stay in time with your song.
All of your sounds, at your fingertips
Access all of Live’s devices, your third-party plug-ins and samples. Use Push to browse, preview and load your sounds. Get fast hands-on access to Live’s built-in devices, VST or Audio Units plug-ins, and your sample library.
Tweak instruments, samples, and effects
The color display shows your sample or device parameters, enabling intuitive but powerful sound design from the touch-sensitive encoders.
Play drums
Play beats live with velocity sensitive pads and adjust sounds and kits while you play with eight touch-sensitive endless encoders. Hold a pad to repeat notes in time with your track and adjust the repeat divisions or swing in real time.
Step sequence beats
Step sequence beats directly using the pads for precise control. Select any step and tweak timing, velocity, and parameter values individually for each cell. See velocity and accents for each step shown on Push’s pads.
Play notes on the grid
When playing instruments, Push 2 "folds" a keyboard’s worth of notes to its 64 pads. Pad colors show key center, other notes in the key, and any notes you’ve recorded. Push’s condensed layout means large intervals can be reached easily, and patterns can be played with the same fingerings in all keys. Use Push’s touch slider for pitch bend or modulation.
Mix and refine
Get hands-on with your mix using the encoders and adjust levels, pans and sends with immediate feedback on the display.
Play and perform
Push 2 is equally at home in the studio or on stage. Keep your performances in the moment by switching between improvising with loops and playing drums, notes and chords—all from the same expressive grid of pads.



Features
- 64-pad controller made to integrate seamlessly with Ableton Live
- Play beats live or step sequence them
- Intuitively play notes and chords
- Includes Ableton Live Intro
Reviews
4.15
185 Reviews
81%
of respondents would recommend this to a friend
Most Liked Positive Review
A very cool guitar, if you're into the 1980's shred thing!
I have been in the market for an 80's style shredder for a few years now. As a big fan of George Lynch, in particular the stuff he did from 1985 to 1990, I've been looking for a used ESP Skulls and Snakes model. That said, they are hard to find on the used market, and they command a premium price. Enter the Friedman Cali model. With its high-output humbuckers, Floyd Rose tremolo, and single volume knob, it's got similar specs as the Skulls and Snakes, and with a much lower point of entry. So, I jumped on it, and I am glad I did. I've spent the last few days getting to know my new Friedman Cali and I can say with confidence this is an excellent guitar for the price. That said, it does have some minor drawbacks that I will gladly look past given how amazing the guitar feels and sounds. My particular guitar was a scratch and dent, which in my case means pre-owned. I say this because when I took delivery of the guitar, I noticed a tremolo stop had been installed, poorly I might add. I confirmed with Friedman they did not install these at the factory; hence my opinion the guitar was previously sold to another customer. In any case, there are no other blemishes or visual imperfections to speak of other than, of course, the factory relic job. After my initial inspection, I put the guitar back in the case to chill out for 24 hours to acclimate to the environment. After that, I remove the old strings, cleaned and polished the frets, lubricated the hardware, applied contact cleaner to the pot and switch, put on fresh strings, and gave it a proper set-up. Some things I noticed during the whole process: the b-string tuner doesn't seem to work as smoothly as the other tuners. These appear to be Hipshot open gear locking tuners, similar to what I have on my Tyler, and I know they usually work very well. Next time I change strings, i will pull the tuner and take it apart for inspection. Another thing I noticed is the screw-in style tremolo bar on the Floyd Rose. This is simply an antiquated design and needs to go the way of the rest of the dinosaurs: extinction. I much prefer the convenience, feel, and adjustability of the drop-in replacement bar, so that is what I installed. Now the tremolo feels expressive and smooth, and the bar drops in quickly. Once I got the Cali set up, I was amazed how comfortable it is to play. Let's first talk materials and craftsmanship. The relic job on the maple neck and fingerboard, combined with the rolled fret edges and slick fret crowning, make this guitar feel like you've been playing it for decades. It's really quite special and something you have to play to understand. because of the compound radius and excellent fretwork, I am able to set the action very low without excessive buzzing. I use 9-gauge strings, and two tremolo springs are sufficient to ensure the tremolo sits parallel to the body while keeping low tension on the strings. Bending is super easy and very smooth, and the tremolo feels so expressive. The guitar just feels slinky and rather addicting to play. On the tone front, it's an absolute monster. The Friedman Classic pickups feature Alnico 5 magnets, which happen to be my favorite for hard rock tones. The bridge pickup sounds thick with gobs of sustain, while the neck pickup is round and fat. Both pickups are articulate and clear, and allow single notes in complex chords to shine through. Rolling back the volume knob will clean up your tone nicely, especially with a good tube amp. These guitars were a collaboration between Dave Friedman and Grover Jackson. Unfortunately, they are no longer working together, and Grover has moved to the Nashville, TN area. I do believe Friedman guitars will be hitting the market again soon, made by someone other than Grover. With that said, the Grover-era are pretty amazing guitars, and may become harder to find. So, if you are in the market for a 1980's super-Strat style shredder, I'd recommend checking out a Grover-era Friedman while you can.
Most Liked Negative Review
Amazing bass with a major flaw
Being mainly a guitarist, this bass is perfectly ideal for what my needs are. A great bass with a great sound/tone for recording, and many option with the knobs to fine tune and tweak that sound to my preference. However, my biggest gripe is that the string action is ridiculously tight for this bass. I like to play with ticker gauge strings, as I typically go for lower tunings, but this bass is (ironically with it being a 5 string) is simply not made for it. The action towards the neck of the fretboard makes thicker strings unplayable. They make contact with the fretboard at around the 2nd-3rd fret, and raising the bridge to compensate isn't enough. To make matters worse, the screws that are used to raise the strings on the bridge are very easily stripped, and I'm struggling to find any sort of replacements for them.
Filters
Best Uses
- Practice4
- Recording3
- Metal songs1
- Rock songs1
- fun. and looking cool shredding for the normies1
Cons
- None5
- Poor Quality2
- Virtually no low end warmth.1
- Kind of expensive1
- Shipping box arrived damaged1
Describe Yourself
- Beginner2
- 74 years old, been playing 60 years.1
- Jazz, rock, classical player for 60 years1
- Metal,hard rock and instrumental rock1
- Retired 64 YO beginning amateur1
Pros
- Sound4
- Attractive3
- Stays in Tune2
- Stays in tune2
- Tone2
Reviewed by 185 customers
Sounds really good
submitted22 days ago
byTrenton
fromGladwin county
This pedal sounds quite good. It is quite customizable. If you do buy this, if you do not have the cord used to power it, there is a battery adapter under the actual pedal part. you just put the black pins on the pedal in and take the pedal off. anyways, really good sound if you want a proper rock or metal distortion/overdrive for an affordable price.
Not too bad for the price
submitteda month ago
byJeff
fromNashville TN
Typical Chinese bling, the sound is lacking.
This drum is just like the vintage ones
submitteda month ago
byJeff
fromSeattle, WA
Play with freelance jazz and rock standards groups. All kinds of gigs and shows. I want to buy one of the sets.
Love this guitar.
submitteda month ago
byLarry
fromMinnesota
Love this guitar. Easy/Good tuning, very playable, thin neck is fast.
Its so good it fits my church setting well
submitteda month ago
byjordan
fromHamilton, new jersey
This product is the best drums i've ever played on because the shells are a nice color and when you tune the drums up, it sounds so good. When you play it in a open space it fills the room and when you play it in an enclosed space it sounds even better. All Im saying is that this is hands down one of the best drum sets.
23862 SYCAMORE DR
submitted2 months ago
byETHAN
fromMission Viejo, CA
Electronics are really good. Was going to use it for jamming and professional playing. However, I could not lower the action due to stripped saddle screws
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