ARP 2600 M Synthesizer With Case

Videos (1)
View All
ARP2600M - A Legend, Reborn
Description
The ARP 2600 M synthesizer delivers the sound of one of the most iconic and recognizable synthesizers of all time, in a more compact and portable format. It includes a slew of added features that make it the ideal incarnation of this historic synth.
A Legend, Reborn
The ARP 2600 M is around 60% the original size, making it lighter, more portable and easier to place and use in a studio. It integrates the same analog circuitry and components as the ARP 2600 FS, thus faithfully reproducing the characteristic ARP sound.
Proudly Designed and Made in Japan
The ARP 2600 M is built in Japan with the same care and extraordinary quality standard as the ARP 2600 FS, and uses the same analog components to accurately reproduce the sound and feel of the original. The spring reverb has been re-engineered and adapted to the new size body with the same lush effect.
With the intense focus on quality, the largely hand-assembled ARP 2600 M is not a typical mass-produced instrument. Due to this boutique nature, manufacturing quantities each month will be in line with their commitment of delivering a truly prized investment.
The ARP 2600 M comes with a dedicated carry case, a set of exclusive ARP stickers, as well as a KORG microKEY2 37-key controller, so you can start playing right away.
Its dedicated case not only protects your instrument, but also makes it easier to transport, thanks to its custom casters with special anti-shock damping technology. There is also enough space to carry other gear together, like your favourite volca, SQ-64 or MIDI controller.
A Must-Have in the Studio
It is not by chance that the ARP 2600 has been so extremely popular to this day. More than a synthesizer, the ARP 2600 M is a complete sound design studio. Even today, the ARP 2600 stands as a bridge between the individual elements of modular synthesis and the immediacy of a production/performance instrument.
Included are an ample supply of oscillators, envelopes, a filter and amplifier—all of the building blocks of analog synthesis. The ARP 2600 M goes even further, with a spring reverb tank and a pair of built-in monitor speakers. Also present is much of the versatility of a vintage modular system, including ring modulation, lag and voltage processors, an envelope follower, audio preamp, clockable switch, noise source, sample-and-hold module, signal inverters, auxiliary mixer and even a set of parallel-wired/multi jacks.
Free Bundle of Music Software
The ARP 2600 M comes with a diverse variety of music software from iZotope including Ozone Elements, which lets you not only create songs, but also master them using AI; Skoove, which helps you improve your keyboard playing skills; Reason Lite DAW software, as well as software synths from KORG and other brands.
In other words, the moment you get your hands on this synthesizer, you'll have a variety of tools to help you take your music to the next level.



Features
- KORG Gadget 2 Le (music production studio DAW app)
- KORG Module (piano/keyboard sound module app)
- KORG Collection M1 Le (synthesizer sound module)
- UVI Digital Synsations (synthesizer sound module)
- AAS Ultra Analog Session (synthesizer sound module)
- AAS Strum Session (acoustic guitar sound module)
- AAS Lounge Lizard Session (electric piano sound module)
- Propellerhead Reason Lite (DAW music production software)
- Skoove free 3-month trial of Skoove Premium (online piano lesson)
- KORG Gadget 2 Le for Mac (DAW music production software)
- iZotope Ozone Elements (audio mastering plug-in software)
- ARP 2600 M SynthesizerRoad case
- AC power cord (KA320)
- Patch cables
- Owner’s manual
- ARP sticker
WARNING: This product can expose you to chemicals including Di(2-ethylhexyl)phthalate (DEHP), which is known to the State of California to cause birth defects or other reproductive harm. For more information go to www.P65Warnings.ca.gov.
Specs
- Operating temperature range: 0–+40°C (non‐condensing)
- Maximum Polyphony: 2 voices for duophonic; normally monophonic
- VCO-1 (Voltage Controlled Oscilator 1) waveforms: Sawtooth, square
- Frequency range: Approx. .03Hz–30Hz (low freq. mode), approx. 10Hz–10kHz (audio mode)
- Voltage controlled response: 1V/oct.
- VCO-2 (Voltage Controlled Oscillator 2) waveforms: Sawtooth, pulse (dynamic pulse), triangle, sine
- Frequency range: Approx. .03Hz–30Hz (low freq. mode), approx. 10Hz–10kHz (audio mode)
- Pulse width: 10%–90%
- Voltage controlled response: 1V/oct.
- VCO-3 (Voltage Controlled Oscilator 3) waveforms: Sawtooth, pulse (dynamic pulse)
- Frequency range: Approx. 0.03Hz–30Hz (low freq. mode), approx. 10Hz–0kHz (audio mode)
- Pulse width: 10%–90%
- Voltage controlled response: 1V/oct.
- VCF (Voltage Controlled Filter) type: Low-pass (TYPE I: early 24dB/oct., TYPE II: late 24dB/oct.)
- Frequency range: Approx. 10Hz–10kHz
- Resonance: 1/2 self-oscillate
- VCA (Voltage Controlled Amplifier) control voltage: AR type (internally connected), ADSR type (internally connected)
- Noise generator: Noise spectrum types (white and pink)
- Ring modulator type: Analog multiplier
- Input signal (internally connected): VCO-1 sawtooth wave, VCO-2 sine wave
- Sampled signal: Noise (internally connected)
- Front panel L/R output jack connector: 3.5 mm monaural phone jack
- Maximum output level: +9dBu @ 10 kohms load
- Output impedance: 1.2 kohms
- Side panel connector: 6.3 mm monaural phone jack
- Maximum output level +4dBu @ 600 kohms load
- Output impedance: 1.2 kohms
- Headphone jack connector: 6.3 mm stereo phone jack
- Maximum output level: 50 mW + 50mW @ 33 ohm load
- Output impedance: 20 ohms
- Jack connector: 3.5 mm monaural phone jack
- Maximum input level +2dBu *range x10, GAIN knob
- Max input impedance: 10 kohms
- MIDI connector in: USB port Type A, Type B
- Power supply: AC power supply terminal (KA320)
- Power consumption: 13W
- Dimensions (WxDxH): 20.5" x 5" x 12.2"
- Weight: 13 lb.
Reviews
4.16
186 Reviews
81%
of respondents would recommend this to a friend
Most Liked Positive Review
A very cool guitar, if you're into the 1980's shred thing!
I have been in the market for an 80's style shredder for a few years now. As a big fan of George Lynch, in particular the stuff he did from 1985 to 1990, I've been looking for a used ESP Skulls and Snakes model. That said, they are hard to find on the used market, and they command a premium price. Enter the Friedman Cali model. With its high-output humbuckers, Floyd Rose tremolo, and single volume knob, it's got similar specs as the Skulls and Snakes, and with a much lower point of entry. So, I jumped on it, and I am glad I did. I've spent the last few days getting to know my new Friedman Cali and I can say with confidence this is an excellent guitar for the price. That said, it does have some minor drawbacks that I will gladly look past given how amazing the guitar feels and sounds. My particular guitar was a scratch and dent, which in my case means pre-owned. I say this because when I took delivery of the guitar, I noticed a tremolo stop had been installed, poorly I might add. I confirmed with Friedman they did not install these at the factory; hence my opinion the guitar was previously sold to another customer. In any case, there are no other blemishes or visual imperfections to speak of other than, of course, the factory relic job. After my initial inspection, I put the guitar back in the case to chill out for 24 hours to acclimate to the environment. After that, I remove the old strings, cleaned and polished the frets, lubricated the hardware, applied contact cleaner to the pot and switch, put on fresh strings, and gave it a proper set-up. Some things I noticed during the whole process: the b-string tuner doesn't seem to work as smoothly as the other tuners. These appear to be Hipshot open gear locking tuners, similar to what I have on my Tyler, and I know they usually work very well. Next time I change strings, i will pull the tuner and take it apart for inspection. Another thing I noticed is the screw-in style tremolo bar on the Floyd Rose. This is simply an antiquated design and needs to go the way of the rest of the dinosaurs: extinction. I much prefer the convenience, feel, and adjustability of the drop-in replacement bar, so that is what I installed. Now the tremolo feels expressive and smooth, and the bar drops in quickly. Once I got the Cali set up, I was amazed how comfortable it is to play. Let's first talk materials and craftsmanship. The relic job on the maple neck and fingerboard, combined with the rolled fret edges and slick fret crowning, make this guitar feel like you've been playing it for decades. It's really quite special and something you have to play to understand. because of the compound radius and excellent fretwork, I am able to set the action very low without excessive buzzing. I use 9-gauge strings, and two tremolo springs are sufficient to ensure the tremolo sits parallel to the body while keeping low tension on the strings. Bending is super easy and very smooth, and the tremolo feels so expressive. The guitar just feels slinky and rather addicting to play. On the tone front, it's an absolute monster. The Friedman Classic pickups feature Alnico 5 magnets, which happen to be my favorite for hard rock tones. The bridge pickup sounds thick with gobs of sustain, while the neck pickup is round and fat. Both pickups are articulate and clear, and allow single notes in complex chords to shine through. Rolling back the volume knob will clean up your tone nicely, especially with a good tube amp. These guitars were a collaboration between Dave Friedman and Grover Jackson. Unfortunately, they are no longer working together, and Grover has moved to the Nashville, TN area. I do believe Friedman guitars will be hitting the market again soon, made by someone other than Grover. With that said, the Grover-era are pretty amazing guitars, and may become harder to find. So, if you are in the market for a 1980's super-Strat style shredder, I'd recommend checking out a Grover-era Friedman while you can.
Most Liked Negative Review
Amazing bass with a major flaw
Being mainly a guitarist, this bass is perfectly ideal for what my needs are. A great bass with a great sound/tone for recording, and many option with the knobs to fine tune and tweak that sound to my preference. However, my biggest gripe is that the string action is ridiculously tight for this bass. I like to play with ticker gauge strings, as I typically go for lower tunings, but this bass is (ironically with it being a 5 string) is simply not made for it. The action towards the neck of the fretboard makes thicker strings unplayable. They make contact with the fretboard at around the 2nd-3rd fret, and raising the bridge to compensate isn't enough. To make matters worse, the screws that are used to raise the strings on the bridge are very easily stripped, and I'm struggling to find any sort of replacements for them.
- Practice4
- Recording3
- All around great guitar1
- Metal songs1
- Rock songs1
- None6
- Poor Quality2
- Virtually no low end warmth.1
- Kind of expensive1
- Shipping box arrived damaged1
- Beginner2
- Stray player since 19741
- 74 years old, been playing 60 years.1
- Jazz, rock, classical player for 60 years1
- Metal,hard rock and instrumental rock1
- Sound4
- Attractive3
- Stays in Tune2
- Stays in tune2
- Tone2
Reviewed by 186 customers
Great all around strat
submitted9 days ago
byCass
fromDenver
Price is right
Sounds really good
submitteda month ago
byTrenton
fromGladwin county
This pedal sounds quite good. It is quite customizable. If you do buy this, if you do not have the cord used to power it, there is a battery adapter under the actual pedal part. you just put the black pins on the pedal in and take the pedal off. anyways, really good sound if you want a proper rock or metal distortion/overdrive for an affordable price.
Not too bad for the price
submitteda month ago
byJeff
fromNashville TN
Typical Chinese bling, the sound is lacking.
This drum is just like the vintage ones
submitteda month ago
byJeff
fromSeattle, WA
Play with freelance jazz and rock standards groups. All kinds of gigs and shows. I want to buy one of the sets.
Love this guitar.
submitted2 months ago
byLarry
fromMinnesota
Love this guitar. Easy/Good tuning, very playable, thin neck is fast.
Its so good it fits my church setting well
submitted2 months ago
byjordan
fromHamilton, new jersey
This product is the best drums i've ever played on because the shells are a nice color and when you tune the drums up, it sounds so good. When you play it in a open space it fills the room and when you play it in an enclosed space it sounds even better. All Im saying is that this is hands down one of the best drum sets.
Q&A
Have a question about this product? Our expert Gear Advisers have the answers.
No results but…
You can be the first to ask a new question.
It may be Answered within 48 hours.