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Bill Edwards Publishing Fretboard Logic 3 Applications Book
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Description
This best-selling guitar method package brings together guitar lessons learned in the first 2 volumes of Fretboard Logic with a nonlinear approach that allows each guitarist to focus on the elements of their favorite style.
Among the things discussed under Fretboard Logic III Systems are: the guitarists Menu, Analysis, Creativity and Learning & Memory.
Subjects covered under Theory are: Notation Formats, Rhythm, Keys, and Intervals.
Discussed under Technique are: Technical Development and Articulation Techniques.
Lessons under Rhythm Playing: Forms and Progressions, Chord Progressions, Rhythms and Progressions combined.
Covered under Lead Playing: Rhythmic, Iterative and Melodic Phrasing.
Lessons under Styles: Classical, Baroque, Romantic, Blues, Folk and Bluegrass, Rock and Roll, Hard Rock and Metal.
Discussed under Guitar Arrangement: Chord Melody and Fingerpicking. Also discussed are Sonics and the Guitar's Tuning. Included in the latest edition are the complete Transcriptions to the Video II study pieces. Where the focus of Volumes I and II were necessarily narrow, the focus of Volume III is intentionally broad.
Among the things discussed under Fretboard Logic III Systems are: the guitarists Menu, Analysis, Creativity and Learning & Memory.
Subjects covered under Theory are: Notation Formats, Rhythm, Keys, and Intervals.
Discussed under Technique are: Technical Development and Articulation Techniques.
Lessons under Rhythm Playing: Forms and Progressions, Chord Progressions, Rhythms and Progressions combined.
Covered under Lead Playing: Rhythmic, Iterative and Melodic Phrasing.
Lessons under Styles: Classical, Baroque, Romantic, Blues, Folk and Bluegrass, Rock and Roll, Hard Rock and Metal.
Discussed under Guitar Arrangement: Chord Melody and Fingerpicking. Also discussed are Sonics and the Guitar's Tuning. Included in the latest edition are the complete Transcriptions to the Video II study pieces. Where the focus of Volumes I and II were necessarily narrow, the focus of Volume III is intentionally broad.