Open Box Yamaha P-125ABLB Digital Piano With Wooden Stand and Bench Level 2 197881300784

Videos (1)
View All
Yamaha P-125a Digital Piano Overview

Description
The P-125ABLB digital piano is a sleek yet powerful digital piano combines Yamaha's acclaimed Pure CF Sound Engine and 88-key graded hammer standard keyboard to deliver the rich, nuanced tones of a concert grand piano. Designed for home use, the P-125ABLB includes a furniture-style wooden stand and bench, allowing musicians of all levels to enjoy an authentic acoustic piano experience in an affordable, space-saving package.
Pure CF Sound Engine Reproduces Legendary Yamaha CFIIIS Concert Grand Piano
At the heart of the P-125ABLB lies Yamaha's renowned Pure CF Sound Engine, which meticulously recreates the complex tonal characteristics of Yamaha's legendary CFIIIS concert grand piano. From the delicate resonance of the high treble keys to the deep, rich bass notes, the P-125ABLB conveys the soul and personality of a world-class grand piano in a digital format. With 24 carefully crafted instrument voices to choose from, this digital piano suits a variety of musical genres and performance needs.
Graded Hammer Standard Keyboard Provides Weighted, Responsive Feel
The P-125ABLB features an 88-key graded hammer standard keyboard, which progressively adds weight from the treble to bass keys to mimic the feel of hammers inside an acoustic grand piano. This premium keyboard provides superior feel and response, allowing more expressive control and dynamic range. Beginners and experienced players alike will appreciate the P-125ABLB's realistic, highly playable keyboard.
Compact, Stylish Design Includes Wooden Stand and Piano Bench
Measuring just over 52" wide, the P-125ABLB combines space-efficiency and style. The matching wooden stand raises the digital piano to a standard playing height, while a comfortable padded bench completes the acoustic piano experience, giving players an authentic place to sit and immerse themselves in performance or practice. With a sleek, contemporary design, the P-125ABLB enhances the ambiance of any space.
Connectivity and Additional Features for Expressive Potential
The P-125ABLB offers additional features for enhanced playability and connectivity. Dual/layer and split/duet modes allow for layering instrument sounds or splitting the keyboard to play different voices with the left and right hands. A metronome, transpose function and fine-tuning control aid in developing precision and technique, and two headphone jacks support private practice.

Features
- 4-level Pure CF sampling
- 192-note polyphony
- 24 Instrument Voices
- USB MIDI connectivity
- Smart Pianist app compatibility
- 20 simple drums and bass styles
- 50 Classical Music Masterpieces
- Stereophonic Optimizer
- Improved tweeter
- Split mode
- Damper Resonance
- Stereophonic Optimizer
- 2-way speaker system
Specs
- Yamaha P-125A digital piano
- Yamaha L-125 keyboard stand
- Yamaha BB1 padded piano bench
Reviews
4.15
188 Reviews
81%
of respondents would recommend this to a friend
Most Liked Positive Review
A very cool guitar, if you're into the 1980's shred thing!
I have been in the market for an 80's style shredder for a few years now. As a big fan of George Lynch, in particular the stuff he did from 1985 to 1990, I've been looking for a used ESP Skulls and Snakes model. That said, they are hard to find on the used market, and they command a premium price. Enter the Friedman Cali model. With its high-output humbuckers, Floyd Rose tremolo, and single volume knob, it's got similar specs as the Skulls and Snakes, and with a much lower point of entry. So, I jumped on it, and I am glad I did. I've spent the last few days getting to know my new Friedman Cali and I can say with confidence this is an excellent guitar for the price. That said, it does have some minor drawbacks that I will gladly look past given how amazing the guitar feels and sounds. My particular guitar was a scratch and dent, which in my case means pre-owned. I say this because when I took delivery of the guitar, I noticed a tremolo stop had been installed, poorly I might add. I confirmed with Friedman they did not install these at the factory; hence my opinion the guitar was previously sold to another customer. In any case, there are no other blemishes or visual imperfections to speak of other than, of course, the factory relic job. After my initial inspection, I put the guitar back in the case to chill out for 24 hours to acclimate to the environment. After that, I remove the old strings, cleaned and polished the frets, lubricated the hardware, applied contact cleaner to the pot and switch, put on fresh strings, and gave it a proper set-up. Some things I noticed during the whole process: the b-string tuner doesn't seem to work as smoothly as the other tuners. These appear to be Hipshot open gear locking tuners, similar to what I have on my Tyler, and I know they usually work very well. Next time I change strings, i will pull the tuner and take it apart for inspection. Another thing I noticed is the screw-in style tremolo bar on the Floyd Rose. This is simply an antiquated design and needs to go the way of the rest of the dinosaurs: extinction. I much prefer the convenience, feel, and adjustability of the drop-in replacement bar, so that is what I installed. Now the tremolo feels expressive and smooth, and the bar drops in quickly. Once I got the Cali set up, I was amazed how comfortable it is to play. Let's first talk materials and craftsmanship. The relic job on the maple neck and fingerboard, combined with the rolled fret edges and slick fret crowning, make this guitar feel like you've been playing it for decades. It's really quite special and something you have to play to understand. because of the compound radius and excellent fretwork, I am able to set the action very low without excessive buzzing. I use 9-gauge strings, and two tremolo springs are sufficient to ensure the tremolo sits parallel to the body while keeping low tension on the strings. Bending is super easy and very smooth, and the tremolo feels so expressive. The guitar just feels slinky and rather addicting to play. On the tone front, it's an absolute monster. The Friedman Classic pickups feature Alnico 5 magnets, which happen to be my favorite for hard rock tones. The bridge pickup sounds thick with gobs of sustain, while the neck pickup is round and fat. Both pickups are articulate and clear, and allow single notes in complex chords to shine through. Rolling back the volume knob will clean up your tone nicely, especially with a good tube amp. These guitars were a collaboration between Dave Friedman and Grover Jackson. Unfortunately, they are no longer working together, and Grover has moved to the Nashville, TN area. I do believe Friedman guitars will be hitting the market again soon, made by someone other than Grover. With that said, the Grover-era are pretty amazing guitars, and may become harder to find. So, if you are in the market for a 1980's super-Strat style shredder, I'd recommend checking out a Grover-era Friedman while you can.
Most Liked Negative Review
Amazing bass with a major flaw
Being mainly a guitarist, this bass is perfectly ideal for what my needs are. A great bass with a great sound/tone for recording, and many option with the knobs to fine tune and tweak that sound to my preference. However, my biggest gripe is that the string action is ridiculously tight for this bass. I like to play with ticker gauge strings, as I typically go for lower tunings, but this bass is (ironically with it being a 5 string) is simply not made for it. The action towards the neck of the fretboard makes thicker strings unplayable. They make contact with the fretboard at around the 2nd-3rd fret, and raising the bridge to compensate isn't enough. To make matters worse, the screws that are used to raise the strings on the bridge are very easily stripped, and I'm struggling to find any sort of replacements for them.
- Practice4
- Recording3
- All around great guitar1
- Metal songs1
- Rock songs1
- None6
- Poor Quality2
- Virtually no low end warmth.1
- Kind of expensive1
- Shipping box arrived damaged1
- Beginner2
- Stray player since 19741
- 74 years old, been playing 60 years.1
- Jazz, rock, classical player for 60 years1
- Metal,hard rock and instrumental rock1
- Sound4
- Attractive3
- Stays in Tune2
- Stays in tune2
- Tone2
Reviewed by 188 customers
Advertised as new
submitted3 days ago
byJay
fromNew Hampshire
Bought it a day ago.New 730. Came used the offered ten percent off. Came with a chip in the paint and a piece missing they fixed. Except I still paid more for this then if I would have bought used and the discount they said they would put through they didn't do.
Great multifex device, Easy to use.
submitted6 days ago
byJames
fromPortland, OR
I thought about getting this pedal for a while but the day Maris released the Enzo X I ordered that and the Mercury X from them. After playing on those for a couple weeks I had to order the LVX and I'm so glad that I did. Lots of great sounds and an easy user interface. I highly recommend.
Great all around strat
submitteda month ago
byCass
fromDenver
Price is right
Sounds really good
submitted2 months ago
byTrenton
fromGladwin county
This pedal sounds quite good. It is quite customizable. If you do buy this, if you do not have the cord used to power it, there is a battery adapter under the actual pedal part. you just put the black pins on the pedal in and take the pedal off. anyways, really good sound if you want a proper rock or metal distortion/overdrive for an affordable price.
Not too bad for the price
submitted2 months ago
byJeff
fromNashville TN
Typical Chinese bling, the sound is lacking.
This drum is just like the vintage ones
submitted2 months ago
byJeff
fromSeattle, WA
Play with freelance jazz and rock standards groups. All kinds of gigs and shows. I want to buy one of the sets.
Q&A
Have a question about this product? Our expert Gear Advisers have the answers.
No results but…
You can be the first to ask a new question.
It may be Answered within 48 hours.