See Pete Griffin demo the Ashdown Geezer Butler Combo of Doom and explain its versatile tones for rock, metal, funk and old-school R&B.

See Nicholas Veinoglou demo the Fender Player II Advanced HSS HT Stratocaster, a GC-exclusive hardtail with Seymour Duncan pickups.

Discover the refreshed Mitchell acoustic lineup at Guitar Center, featuring updated acoustic and acoustic-electric models.

Guitar Center crowns its Drum-Off 2026 Champion at the Fonda Theatre after a national finale with six finalists, all-star judges and live performances.

Meet Guitar Center’s Drum-Off 2026 finalists and hear how they’re preparing for the return of the legendary drumming competition.

Billy Idol and Steve Stevens join Guitar Center’s Rockwalk Class of Legends, celebrating decades of music, collaboration and influence.

Explore the Martin 16 Series at Guitar Center, including D-16E, GPC-16E, 000C12-16E Nylon and BC-16E acoustic-electric models.

Take a closer look at Yamaha DXR mk3 powered speakers, including D-Remote control, onboard DSP and portable PA workflow features.

Compare Shawn Mendes’ Martin 000-10E and 000-28 signature guitars, from tonewoods and tone to stage-ready and collectible features.

The Stratocaster has maintained its place as Fender's top-selling electric guitar, and in this article we're going to take a look at some of the best models for your first (or your fifth) Strat.

Learn the history of the Fender Jazz Bass and compare current Squier and Fender models, from affordable classics to artist signatures and premium builds.

Explore Fender Telecaster tone, history and model differences, from Squier and Player II to American Professional, Ultra, artist and Custom Shop Teles.

Learn how Neumann evolved the KH 310 into the KH 310 II with higher SPL, onboard DSP, digital connectivity and MA 1 room alignment.

Dave Kushner discusses Velvet Revolver, composing for Sons of Anarchy and building a lasting music career on Inside The Noise with Gabe Dalporto.

Dan Estrin discusses Hoobastank’s Agoura Hills roots, building a band through obsession and writing “The Reason” on Inside The Noise.