Epiphone

collapse expand iconDescription

Epiphone is proud to present the Epiphone ES-175 Premium, a faithful new reissue of what many consider the most famous electric archtop in popular music, heard on classics from jazz to rock in the hands of pioneers like Joe Pass, Scotty Moore, and Wes Montgomery. Epiphone's long history of innovation began with designing archtop guitars. And now, Epiphone steps up its game again with the new ES-175 Premium featuring Gibson USA '57 Classic pickups and a vintage-inspired "aged" lacquer finish that will make you think you're playing a 50's original but at a price anyone can afford.

The Roots of A Legend
The ES-175 was introduced in 1949 as a mid-size, more affordable version of the venerable L-5, the very first modern archtop and the inspiration for the best Gibson and Epiphone archtops of the jazz era. The original ES-175 was truly a modern guitar that anticipated a new era of jazz and pop music that was hotter, louder, and constantly stretching musical boundaries. The ES-175 was the first archtop with a Florentine (sharp) cutaway. And by 1957, it came with the innovative and now standard humbucker pickup. The ES-175 quickly the preferred model for both jazz players and rock and rollers with a background in jazz, especially for guitarists looking for the "Wes Montgomery" L-5 sound at a lower cost.

The new Epiphone ES-175 Premium is just like the original--a fully hollow jazz box that's easy to hold, easy to play and affordable. And with the addition of Gibson '57 Classic pickups, the Epiphone ES-175 Premium is versatile enough for any genre with cool crisp archtop tone from its all-maple construction and killer humbucker pickups.

Epiphone Archtops, the Modern Standard

The introduction of the ES-175 Premium brings Epiphone full circle in its long history of producing affordable, professional instruments that can deliver pro sound night after night. The Epiphone ES-175 Premium features a traditional laminated Maple body with single ply binding with a vintage-inspired "aged" lacquer finish topped off with a traditional 3-ply black and white pickguard.

The ES-175 Premium has a hand-fitted, glued-in mahogany neck with a SlimTaperTM profile and a 24.75" scale that's poised to come alive with the very first note you play. The bound rosewood fingerboard has classic split-parallelogram inlays and Epiphone's iconic "sloped dovewing" headstock is fitted with Grover 18:1 machine heads for quick, accurate, and intuitive tuning, and a standard 1.68" nut.

Gibson USA '57 Classic Pickups

Every great electric archtop has great pickups and the ES-175 Premium truly becomes a time-traveling marvel with the inclusion of two Gibson USA ˜57 Classic humbucker pickups that recreate the wide tonal range and incredible sensitivity of the ES-175's original PAF-style pickups that today are the most sought after vintage pickups in the world.

Classic Hardware

All Epiphone instruments feature rock solid hardware that's guaranteed for life. The ES-175 Premium comes with Epiphone "Deluxe" machine heads and full range controls for volume and tone all equipped with Epiphone's full-size 1" 500K„¦ potentiometers, a rim-mounted output jack, and Epiphone's 3-way all metal toggle mounted on a traditional rubber grommet. The bridge is set up with a traditional floating rosewood base supporting a fully adjustable nickel Tune-o-matic bridge. The bridge is "pinned" to ensure perfect placement and intonation every time. And the classic "Zig-Zag" Trapeze tailpiece makes the new ES-175 Premium virtually indistinguishable from a vintage original-except for the price! An optional premium hard case is also available.

Limited Lifetime Warranty
One thing you can't get with a vintage instrument is Epiphone's Limited Lifetime Warranty and Gibson 24/7/365 Customer Service.
Epiphone ES-175 Premium Hollowbody Electric Guitar Wine Red.
Epiphone ES-175 Premium Hollowbody Electric Guitar Wine Red.
Epiphone ES-175 Premium Hollowbody Electric Guitar Wine Red.

collapse expand iconFeatures

  • Top Material: Laminated Maple
  • Body Material: Laminated Maple
  • Neck Material: Solid Mahogany
  • Neck Shape: SlimTaper
  • Neck Joint: Glued-In, Set Neck
  • Scale Length: 24.75"
  • Fingerboard Material: Rosewood with parallelogram inlays
  • Fingerboard Radius: 12"
  • Binding: Body, Fingerboard
  • Nut Width: 1.68"
  • Hardware: Nickel
  • Machine Heads: Epiphone deluxe
  • Neck Pickup: Gibson USA '57 Classic Humbucker
  • Bridge Pickup: Gibson USA '57 Classic Humbucker
  • Controls: 2- Volume, 2- Tone
  • Pickup Selector: 3-way Epiphone all-metal toggle on traditional rubber grommet
  • Bridge: Floating rosewood base with tune-o-matic bridge; pinned
  • tailpiece: traditional "Zig-Zag" trapeze
  • Pickguard: 3-ply: Black/White/Black
  • Finish: Vintage-Inspired, "aged" lacquer
  • Case sold separately

collapse expand iconReviews

4.15

185 Reviews

81%

of respondents would recommend this to a friend

118527412362221

Most Liked Positive Review

4

A very cool guitar, if you're into the 1980's shred thing!

I have been in the market for an 80's style shredder for a few years now. As a big fan of George Lynch, in particular the stuff he did from 1985 to 1990, I've been looking for a used ESP Skulls and Snakes model. That said, they are hard to find on the used market, and they command a premium price. Enter the Friedman Cali model. With its high-output humbuckers, Floyd Rose tremolo, and single volume knob, it's got similar specs as the Skulls and Snakes, and with a much lower point of entry. So, I jumped on it, and I am glad I did. I've spent the last few days getting to know my new Friedman Cali and I can say with confidence this is an excellent guitar for the price. That said, it does have some minor drawbacks that I will gladly look past given how amazing the guitar feels and sounds. My particular guitar was a scratch and dent, which in my case means pre-owned. I say this because when I took delivery of the guitar, I noticed a tremolo stop had been installed, poorly I might add. I confirmed with Friedman they did not install these at the factory; hence my opinion the guitar was previously sold to another customer. In any case, there are no other blemishes or visual imperfections to speak of other than, of course, the factory relic job. After my initial inspection, I put the guitar back in the case to chill out for 24 hours to acclimate to the environment. After that, I remove the old strings, cleaned and polished the frets, lubricated the hardware, applied contact cleaner to the pot and switch, put on fresh strings, and gave it a proper set-up. Some things I noticed during the whole process: the b-string tuner doesn't seem to work as smoothly as the other tuners. These appear to be Hipshot open gear locking tuners, similar to what I have on my Tyler, and I know they usually work very well. Next time I change strings, i will pull the tuner and take it apart for inspection. Another thing I noticed is the screw-in style tremolo bar on the Floyd Rose. This is simply an antiquated design and needs to go the way of the rest of the dinosaurs: extinction. I much prefer the convenience, feel, and adjustability of the drop-in replacement bar, so that is what I installed. Now the tremolo feels expressive and smooth, and the bar drops in quickly. Once I got the Cali set up, I was amazed how comfortable it is to play. Let's first talk materials and craftsmanship. The relic job on the maple neck and fingerboard, combined with the rolled fret edges and slick fret crowning, make this guitar feel like you've been playing it for decades. It's really quite special and something you have to play to understand. because of the compound radius and excellent fretwork, I am able to set the action very low without excessive buzzing. I use 9-gauge strings, and two tremolo springs are sufficient to ensure the tremolo sits parallel to the body while keeping low tension on the strings. Bending is super easy and very smooth, and the tremolo feels so expressive. The guitar just feels slinky and rather addicting to play. On the tone front, it's an absolute monster. The Friedman Classic pickups feature Alnico 5 magnets, which happen to be my favorite for hard rock tones. The bridge pickup sounds thick with gobs of sustain, while the neck pickup is round and fat. Both pickups are articulate and clear, and allow single notes in complex chords to shine through. Rolling back the volume knob will clean up your tone nicely, especially with a good tube amp. These guitars were a collaboration between Dave Friedman and Grover Jackson. Unfortunately, they are no longer working together, and Grover has moved to the Nashville, TN area. I do believe Friedman guitars will be hitting the market again soon, made by someone other than Grover. With that said, the Grover-era are pretty amazing guitars, and may become harder to find. So, if you are in the market for a 1980's super-Strat style shredder, I'd recommend checking out a Grover-era Friedman while you can.

VS

Most Liked Negative Review

3

Amazing bass with a major flaw

Being mainly a guitarist, this bass is perfectly ideal for what my needs are. A great bass with a great sound/tone for recording, and many option with the knobs to fine tune and tweak that sound to my preference. However, my biggest gripe is that the string action is ridiculously tight for this bass. I like to play with ticker gauge strings, as I typically go for lower tunings, but this bass is (ironically with it being a 5 string) is simply not made for it. The action towards the neck of the fretboard makes thicker strings unplayable. They make contact with the fretboard at around the 2nd-3rd fret, and raising the bridge to compensate isn't enough. To make matters worse, the screws that are used to raise the strings on the bridge are very easily stripped, and I'm struggling to find any sort of replacements for them.

Filters

Best Uses

  1. Practice4
  2. Recording3
  3. Metal songs1
  4. Rock songs1
  5. fun. and looking cool shredding for the normies1

Cons

  1. None5
  2. Poor Quality2
  3. Virtually no low end warmth.1
  4. Kind of expensive1
  5. Shipping box arrived damaged1

Describe Yourself

  1. Beginner2
  2. 74 years old, been playing 60 years.1
  3. Jazz, rock, classical player for 60 years1
  4. Metal,hard rock and instrumental rock1
  5. Retired 64 YO beginning amateur1

Pros

  1. Sound4
  2. Attractive3
  3. Stays in Tune2
  4. Stays in tune2
  5. Tone2
  • Sounds really good

    5

    submitted20 days ago

    byTrenton

    fromGladwin county

    This pedal sounds quite good. It is quite customizable. If you do buy this, if you do not have the cord used to power it, there is a battery adapter under the actual pedal part. you just put the black pins on the pedal in and take the pedal off. anyways, really good sound if you want a proper rock or metal distortion/overdrive for an affordable price.

  • Not too bad for the price

    3

    submitteda month ago

    byJeff

    fromNashville TN

    Typical Chinese bling, the sound is lacking.

  • This drum is just like the vintage ones

    5

    submitteda month ago

    byJeff

    fromSeattle, WA

    Play with freelance jazz and rock standards groups. All kinds of gigs and shows. I want to buy one of the sets.

  • Love this guitar.

    5

    submitteda month ago

    byLarry

    fromMinnesota

    Love this guitar. Easy/Good tuning, very playable, thin neck is fast.

  • Its so good it fits my church setting well

    5

    submitteda month ago

    byjordan

    fromHamilton, new jersey

    This product is the best drums i've ever played on because the shells are a nice color and when you tune the drums up, it sounds so good. When you play it in a open space it fills the room and when you play it in an enclosed space it sounds even better. All Im saying is that this is hands down one of the best drum sets.

  • 23862 SYCAMORE DR

    1

    submitteda month ago

    byETHAN

    fromMission Viejo, CA

    Electronics are really good. Was going to use it for jamming and professional playing. However, I could not lower the action due to stripped saddle screws

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