Digidesign Mbox 2 Factory Bundle


Description
The Mbox 2 Factory also includes over $1,000 worth of additional professional plug-ins, plus an iLok USB Smart Key to handle your plug-in authorizations.
¢Maxim” must-have, world-class peak limiting and sound level maximizing plug-in that optimizes the overall level of audio input while preserving the integrity of the original sound
¢moogerfooger Analog Delay” A warm delay meticulously based on Bob Moog's classic analog design
¢Joemeek SC2 Compressor”a compressor with a unique edge, modeled after hardware units used by top producers around the globe
¢Joemeek VC5 Meequalizer”An equalizer that recreates a custom Joe Meek box that featured a treble and bass circuit with a sweepable mid control
¢Cosmonaut Voice”An "out-of-this-world" plug-in that offers a telephone voice, interplanetary effects, distortion, squelch, and even an authentic tone culled from recently declassified Russian space footage, all through a funky-looking interface
Hardware
The Mbox 2 hardware interface is both powerful and easy to use, featuring a distinctive industrial design, impressive sound quality, and extensive input and output options.
Software
Pro Tools software is used in countless professional studios around the world, and includes all the tools you need to easily compose, record, edit, mix, and master your projects with pro results”every time.



Features
- 100% USB powered for maximum portability
- 2 analog inputs, 2 analog outputs
- 2 channels of S/PDIF digital I/O
- 1 MIDI input and 1 MIDI output (16 channels in/16 channels out)
- Zero-latency monitoring
- Superior sonic performance
- 48V phantom power for condenser microphones
- Separate source selection and gain control per channel
- Headphone output with dedicated volume control
- Dedicated studio monitor volume control
- Award-winning Pro Tools recording, editing, and mixing
- 48 simultaneous stereo audio tracks (expandable with Toolkit options)
- Includes dozens of pro effects processing plug-ins and virtual instruments
- Professional MIDI sequencing with dedicated MIDI Editor window
- Integrated Score Editor based on award-winning Sibelius notation software
- Full Elastic Time and Elastic Pitch to easily adjust timing and pitch on your tracks
- Unique Beat Detective LE automatic groove analysis and correction tool
- ReWire support for streaming you favorite applications right into Pro Tools
- Support for the Digidesign C|24 and Command|8 control surfaces
- Huge selection of compatible third-party plug-ins and software options
- Works on Windows and Mac computers
- Cosmonaut Voice
- JOEMEEK SC2 Photo Optical Compressor
- JOEMEEK VC5 Meequalizer
- Moogerfooger 12-Stage Phaser
- Moogerfooger Analog Delay
- Moogerfooger Lowpass Filter
- Moogerfooger Ring Modulator
- Boom drum machine and sequencer
- DB-33 tonewheel organ emulator with rotating speaker simulation
- Mini Grand acoustic grand piano
- Vacuum monophonic vacuum tube synthesizer
- Xpand!2 multitimbral synth and sample workstation
- Structure Free sample player
- FXpansion BFD Lite acoustic drum module
- 1-Band EQ III
- 4-Band EQ III
- 7-Band EQ III
- AIR Chorus
- AIR Distortion
- AIR Dynamic Delay
- AIR Enhancer
- AIR Ensemble
- AIR Filter Gate
- AIR Flanger
- AIR Frequency Shifter
- AIR FuzzWah
- AIR KillEQ
- AIR Lo-Fi
- AIR MultiChorus
- AIR Multi-Delay
- AIR Nonlinear Reverb
- AIR Phaser
- AIR Reverb
- AIR Spring Reverb
- AIR StereoWidth
- AIR Talkbox
- AIR Vintage Filter
- BF76 Compressor
- BF Essential Clip Remover
- BF Essential Correlation Meter
- BF Essential Meter Bridge
- BF Essential Noise Meter
- Celemony Melodyne Essential
- Chorus
- Click
- Compressor/Limiter
- D-Verb
- DC Offset Removal
- De-Esser
- Delay
- DigiReWire
- Dither
- Duplicate
- Eleven Free
- Expander/Gate
- Extra Long Delay II
- Flanger
- Gain
- Invert
- Lo-Fi
- Long Delay II
- Maxim
- Medium Delay II
- Multi-Tap Delay
- Normalize
- Ping-Pong Delay
- Pitch
- Pitch Shift
- POWr Dither
- Recti-Fi
- Reverse
- SansAmp
- Sci-Fi
- Signal Generator
- Short Delay II
- Slap Delay II
- Time Compression Expansion
- Time Shift
- TL AutoPan
- TL InTune
- TL MasterMeter
- TL Metro
- Trim
- Vari-Fi
Specs
- Digidesign-qualified Windows Vista- (32-bit Business or Ultimate), Windows XP- or Mac OS X 10.5-based computer
- Minimum 1 GB of RAM
- DVD-ROM or equivalent optical drive for software installation
- Available USB port for for Mbox 2 system (USB hubs not supported)
- Available USB port for iLok USB Smart Key
- Separate source selection and gain control per channel
- Mic: XLR with 48V phantom power
- Mic preamp: >120 db EIN @ > 50 dB gain
- Line: ¼"
- DI: ¼"
- Maximum Input: 8.7 V RMS (balanced), or +21 dBu
- 24-bit clean to/from the computer
- USB type B socket (v. 1.1); cable included (does not support passive USB hubs)
- Maximum Output: +4 dBV into 1 kohm
- Unbalanced output connectors
- Height, box: 4.9cm; with handle: 7.7cm; with handle cover: 5.6cm
- Width: 22.4cm
- Depth: 18.4cm (includes knobs)
- Weight: 1.23 kg.
- Separate volume control;
- ¼" output
- > 6 mW into 50 ohm
- Sample Rate: 44.1, 48 kHz
- Dynamic Range: 106 dB (A-weighted), 103 dB (unweighted)1,2
- THD+N (line input): 0.00079% (-102 dB) @ 1 kHz1,3
- THD+N @ 40 dB gain (mic input): 0.006% (-84 dB) @ 1 kHz1
- Mic EIN (unweighted): -120 dB @ 40 dB gain, 150 ohm source
- Frequency Response: +0/-0.5 dB, 20 Hz ” 20 kHz3
- Maximum Input: +21 dBu
- Input Impedance (pad off): Mic=3.5 kOhm; Line=10 kOhm; DI= >1 MOhm
- S/PDIF I/O (24-bit)
- RCA jacks
- Sample Rate: 44.1, 48 kHz
- Dynamic Range: 106 dB (A-weighted), 103 dB (unweighted)1,4
- THD+N: 0.003% (-90.4 dB); -1 dBFS @ 1 kHz1,3
- Frequency Response: +/-0.5 dB, 20 Hz ” 20 kHz3
- 1 Measurement made using balanced connectors
- 2 ADC measured -60 dBFS method with minimum gain setting
- 3 Measured relative to level at 1 kHz
- 4 Measured with digital input at -60 dBFS @ 1 kHz
Reviews
4.16
186 Reviews
81%
of respondents would recommend this to a friend
Most Liked Positive Review
A very cool guitar, if you're into the 1980's shred thing!
I have been in the market for an 80's style shredder for a few years now. As a big fan of George Lynch, in particular the stuff he did from 1985 to 1990, I've been looking for a used ESP Skulls and Snakes model. That said, they are hard to find on the used market, and they command a premium price. Enter the Friedman Cali model. With its high-output humbuckers, Floyd Rose tremolo, and single volume knob, it's got similar specs as the Skulls and Snakes, and with a much lower point of entry. So, I jumped on it, and I am glad I did. I've spent the last few days getting to know my new Friedman Cali and I can say with confidence this is an excellent guitar for the price. That said, it does have some minor drawbacks that I will gladly look past given how amazing the guitar feels and sounds. My particular guitar was a scratch and dent, which in my case means pre-owned. I say this because when I took delivery of the guitar, I noticed a tremolo stop had been installed, poorly I might add. I confirmed with Friedman they did not install these at the factory; hence my opinion the guitar was previously sold to another customer. In any case, there are no other blemishes or visual imperfections to speak of other than, of course, the factory relic job. After my initial inspection, I put the guitar back in the case to chill out for 24 hours to acclimate to the environment. After that, I remove the old strings, cleaned and polished the frets, lubricated the hardware, applied contact cleaner to the pot and switch, put on fresh strings, and gave it a proper set-up. Some things I noticed during the whole process: the b-string tuner doesn't seem to work as smoothly as the other tuners. These appear to be Hipshot open gear locking tuners, similar to what I have on my Tyler, and I know they usually work very well. Next time I change strings, i will pull the tuner and take it apart for inspection. Another thing I noticed is the screw-in style tremolo bar on the Floyd Rose. This is simply an antiquated design and needs to go the way of the rest of the dinosaurs: extinction. I much prefer the convenience, feel, and adjustability of the drop-in replacement bar, so that is what I installed. Now the tremolo feels expressive and smooth, and the bar drops in quickly. Once I got the Cali set up, I was amazed how comfortable it is to play. Let's first talk materials and craftsmanship. The relic job on the maple neck and fingerboard, combined with the rolled fret edges and slick fret crowning, make this guitar feel like you've been playing it for decades. It's really quite special and something you have to play to understand. because of the compound radius and excellent fretwork, I am able to set the action very low without excessive buzzing. I use 9-gauge strings, and two tremolo springs are sufficient to ensure the tremolo sits parallel to the body while keeping low tension on the strings. Bending is super easy and very smooth, and the tremolo feels so expressive. The guitar just feels slinky and rather addicting to play. On the tone front, it's an absolute monster. The Friedman Classic pickups feature Alnico 5 magnets, which happen to be my favorite for hard rock tones. The bridge pickup sounds thick with gobs of sustain, while the neck pickup is round and fat. Both pickups are articulate and clear, and allow single notes in complex chords to shine through. Rolling back the volume knob will clean up your tone nicely, especially with a good tube amp. These guitars were a collaboration between Dave Friedman and Grover Jackson. Unfortunately, they are no longer working together, and Grover has moved to the Nashville, TN area. I do believe Friedman guitars will be hitting the market again soon, made by someone other than Grover. With that said, the Grover-era are pretty amazing guitars, and may become harder to find. So, if you are in the market for a 1980's super-Strat style shredder, I'd recommend checking out a Grover-era Friedman while you can.
Most Liked Negative Review
Amazing bass with a major flaw
Being mainly a guitarist, this bass is perfectly ideal for what my needs are. A great bass with a great sound/tone for recording, and many option with the knobs to fine tune and tweak that sound to my preference. However, my biggest gripe is that the string action is ridiculously tight for this bass. I like to play with ticker gauge strings, as I typically go for lower tunings, but this bass is (ironically with it being a 5 string) is simply not made for it. The action towards the neck of the fretboard makes thicker strings unplayable. They make contact with the fretboard at around the 2nd-3rd fret, and raising the bridge to compensate isn't enough. To make matters worse, the screws that are used to raise the strings on the bridge are very easily stripped, and I'm struggling to find any sort of replacements for them.
- Practice4
- Recording3
- All around great guitar1
- Metal songs1
- Rock songs1
- None6
- Poor Quality2
- Virtually no low end warmth.1
- Kind of expensive1
- Shipping box arrived damaged1
- Beginner2
- Stray player since 19741
- 74 years old, been playing 60 years.1
- Jazz, rock, classical player for 60 years1
- Metal,hard rock and instrumental rock1
- Sound4
- Attractive3
- Stays in Tune2
- Stays in tune2
- Tone2
Reviewed by 186 customers
Great all around strat
submitted16 days ago
byCass
fromDenver
Price is right
Sounds really good
submitteda month ago
byTrenton
fromGladwin county
This pedal sounds quite good. It is quite customizable. If you do buy this, if you do not have the cord used to power it, there is a battery adapter under the actual pedal part. you just put the black pins on the pedal in and take the pedal off. anyways, really good sound if you want a proper rock or metal distortion/overdrive for an affordable price.
Not too bad for the price
submitted2 months ago
byJeff
fromNashville TN
Typical Chinese bling, the sound is lacking.
This drum is just like the vintage ones
submitted2 months ago
byJeff
fromSeattle, WA
Play with freelance jazz and rock standards groups. All kinds of gigs and shows. I want to buy one of the sets.
Love this guitar.
submitted2 months ago
byLarry
fromMinnesota
Love this guitar. Easy/Good tuning, very playable, thin neck is fast.
Its so good it fits my church setting well
submitted2 months ago
byjordan
fromHamilton, new jersey
This product is the best drums i've ever played on because the shells are a nice color and when you tune the drums up, it sounds so good. When you play it in a open space it fills the room and when you play it in an enclosed space it sounds even better. All Im saying is that this is hands down one of the best drum sets.
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