|
This Item requires building a kit.
Please start below
|
|
Store Availability
Some styles available online may not be available in stores. Contact your local Guitar Center store to check the availability of this product.
The simplicity of a stompbox. The control of an effects switching system.
Get the best of both worlds with the DigiTech RP500 Guitar Pedal. The RP500 features a Pedalboard mode that allows you to turn on and off individual stompboxes and effects by pushing buttons 1-5. You get the expressiveness of stompboxes and you can change them from preset to preset. Next take the Amp/Cabinet Bypass button that defeats the internal amplifiers and cabinets leaving you with only stompboxes and effects and you have a switching machine. Save each combo in a preset for a uniquely switchable pedal setup not found anywhere else but pro switching systems.
The RP500 multi effects pedal is built like a tank, from a cast metal chassis to the 9 vacuum-style switches. A large 10 character LED display makes for easy stage use topped by an built-in expression pedal to control wahs, volume, Whammy™ and other parameters.
Your sound is king so having control of your sound is imperative. The DigiTech RP500 pedal gives you the control to express yourself the way you want No longer will the lack of control stand in the way of your expression.
DigiTech RP500 Guitar Multi Effects Pedal Features:
- Exclusive Pedalboard mode changes the RP500 into 5 individual stompboxes and effects
- Amp/Cabinet Bypass turns the RP500 into a true effects processor that works with your amp's tone
- Heavy-duty vacuum switches for program changes, effect on / off changes, bank up and down, tap tempo and tuner
- Bright LEDs display program status and effect on / off
- Large 8 character LED display for program name, bank name and tuner
- Large 2 character display for program number and tuning reference
- Built-in expression pedal controls the RP500's internal wahs, volume, Whammy™ and other parameters
- Stompboxes based on:
Compressor / Sustainers: - Boss® CS-2Compressor / Sustainer
- DigiTech® Main Squeeze Compressor
- MXR® Dynacomp™
- Wah / Volume: Dunlop® Cry Baby Wah™
- DigiTech® Full Range Wah
- Vox® Clyde McCoy Wah™
- Volume Pedal
Distortions & Overdrives: - SCREAMER (Based on an Ibanez® TS-9)
- TS 808 (Based on an Ibanez TS-808 Tube Screamer)
- SPARKDRIVE (Based on a Voodoo® Lab Sparkle Drive®)
- OD OVERDRIVE (Based on a Guyatone® Overdrive OD-2)
- DOD 250 (Based on a DOD® 250 Overdrive/Preamp)
- RODENT (Based on a Pro Co RAT™)
- MX DISTORTION (Based on an MXR® Distortion +)
- DS (Based on a Boss® DS-1™ Distortion)
- GRUNGE (DigiTech® Grunge®)
- ZONE (Based on a Boss MT-2 Metal Zone®)
- DEATH METAL (DigiTech Death Metal™)
- GONKULATOR (Based on a DOD® Gonkulator Ring Modulator)
- 8TAVIA (Based on a Roger Mayer Octavia™)
- FUZZLATOR (Based on a Demeter Fuzzulator)
- CLASSIC FUZZ (Based on a DOD Classic Fuzz)
- FUZZY FACE (Based on an Arbiter® Fuzz Face™)
- BIG PI (Based on an Electro-Harmonix® Big Muff Pi®)
- DigiTech Redline Overdrive
Amplifiers & Acoustics: - 57 CHAMP Based on a '57 Fender® Tweed Champ®
- 57 DELUXE Based on a '57 Fender® Tweed Deluxe™
- 59 BASSMAN Based on a '59 Fender® Tweed Bassman®
- 62 BROWN BASSMAN Based on a '62 Fender® Brownface Bassman®
- 65 TWIN REVERB Based on a '65 Fender® Blackface Twin Reverb®
- 65 REVERB(Based on a '65 Fender Blackface Deluxe Reverb®
- 65 JTM-45(Based on a '65 Marshall® JTM-45
- 68 SUPER LEAD PLEXI Based on a '68 Marshall 100 Watt Super Lead (plexi)
- 68 JUMP PANEL Based on a '68 Marshall Jump Panel
- 77 MASTER VOLUME Based on a '77 Marshall Master Volume
- 83 JCM800 Based on an '83 Marshall JCM800
- 93 JCM900 Based on a '93 Marshall JCM900
- 01 JCM2000 Based on an '01 Marshall JCM2000 (Solo Channel)
- 62 AC15 Based on a '62 Vox® AC15
- 63 AC30 TOP BOOST Based on a '63 Vox AC30 Top Boost
- 69 HIGH WATTAGE Based on a '69 Hiwatt® Custom 100 DR103
- 81 MARK IIC Based on an '81 Mesa Boogie® Mark II C
- 01 DUAL RECTIFIED Based on an '01 Mesa Boogie Dual Rectifier
- 99 LEGACY VL-100 Based on a Carvin® Legacy VL-100
- 96 MATCH HC-30 Based on a '96 MatchlessTM HC30
- 88 SLO-100 Based on an '88 Soldano SLO-100
- Gibson® GA-40
- Peavey® 5150® II
- Roland JC-120
- Sunn® 100S
- Randall® HT-100
- DIGITECH SOLO DigiTech® Solo
- DIGITECH METAL DigiTech Metal
- DIGITECH BRIGHT CLEAN DigiTech Bright Clean
- DIGITECH CHUNK DigiTech Chunk
- DIGITECH CLEAN TUBE DigiTech 2101 Clean Tube
- DIGITECH CRUNCH DigiTech Crunch
- DIGITECH BLUES DigiTech Blues
- DIGITECH FUZZ DigiTech Fuzz
- DIGITECH SPANK DigiTech Spank
- DIGITECH HIGH GAIN DigiTech High Gain
- DIGITECH MONSTER - Maxed out gain
- DIGITECH "TWEEDFACE" Tweed preamp w/Blackface poweramp
- DIGITECH "65 Blackface Bassman" '65 Blackface preamp w/ Bassman poweramp
- DIGITECH STONERROCK Thick, sludgy distorted amp tone
- DIGITECH DARKMETAL Responsive, tight metal tone
- DIGITECH TRANSISTOR Solid state transistor amp sound
- DIGITECH BROWNSOUND Hot rodded 80's stack tone
- DIGITECH MOSH Chunky metal tone with just the right amount of sizzle
- 2101 CLEAN TUBE DigiTech GSP2101TM Artist Clean Tube
- 2101 SATURATED TUBE DigiTech GSP2101 Artist Saturated Tube
- DIRECT No amp model
- DREADAUGHT ACOUSTIC
- JUMBO ACOUSTIC
Cabinets: - CHAMP 1X8 Based on a 1x8 '57 Fender® Tweed Champ®
- DELUXE 1X12 Based on a 1x12 '57 Fender Tweed Deluxe®
- DELUXE REVERB 1X12 Based on a 1x12 '65 Fender Blackface Deluxe Reverb
- BRITISH 1X12 Based on a 1x12 '62 Vox® AC15 w/20W Vox Speaker
- BLONDE 2X12 Based on a 2x12 '57 Fender Blonde Bassman®
- TWIN 2X12 Based on a 2x12 '65 Fender Blackface Twin Reverb®
- BRITISH 2X12 Based on a 2x12 '63 Vox® AC0 Top Boost w/ Jensen® Blue Backs
- BASSMAN 4X10 Based on a 4x10 '59 Fender Tweed Bassman®
- BRITISH 4X12 Based on a 4x12 Marshall® 1969 Straight w/ Celestion® G12-T70
- GREENBACK 4X12 Based on a 4x12 Marshall 1969 Slant w/ Celestion 25W Green backs
- FANE 4X12 Based on a 4x12 Hiwatt® Custom w/ Fane Speakers
- BOUTIQUE 4X12 Based on a 4x12 '96 VHT® Slant w/ Celestion Vintage 30's
- VINTAGE 4X12 Based on a 4x12 Johnson® Straight w/ Celestion Vintage 30's
- DIGITECH SOLO 4X12 4x12 DigiTech® Solo
- DIGITECH BRIGHT 2X12 2x12 DigiTech Bright
- DIGITECH METAL 4X12 4x12 DigiTech Metal
- DIGITECH ROCK 4X12 4x12 DigiTech Rock
- DIGITECH ALT 4X12 4x12 DigiTech Alt Rock
- DIGITECH VINTAGE 4X12 4x12 DigiTech Vintage
- DIGITECH CHUNK 4X12 4x12 DigiTech Chunk
- DIGITECH SPANK 4X12 4x12 DigiTech Spank
- DIGITECH SPEAKER COMP 4x12 DigiTech Speaker Compensation
- DIRECT No cabinet model
FX Models:
Chorus Stompbox Models based on: - Boss® CE-2 Chorus
- DigiTech Dual Chorus
- DigiTech Multi-Chorus
- TC Electronics® Chorus
- DIGITECH GLISTENING Chorus
Flanger Models based on: - MXR® Flanger
- DigiTech® Triggered Flanger
- Electro Harmonix® Electric Mistress™
- ADA® Flanger
Phaser Models based on: - MXR® Phase 100
- DigiTech® Phaser
- Electro Harmonix® Small Stone™
Pitch Models based on: - DigiTech® Whammy™
- DigiTech® Pitch Shift
- DigiTech® Detune
- DigiTech® IPS
- Boss® OC-2 Octaver™
- Vibrato / Rotary Models based on:
- DigiTech® Vibrato
- DigiTech® Rotary
- DigiTech® Vibro / Pan
- Unicord UniVibe™
Tremolo Models based on: - DigiTech® Tremolo
- DigiTech® Panner
- Fender® Opto Tremolo™
- Vox® Bias Tremolo
- DIGITECH SCATTERTREM Dual tremolo effect
- Envelope / Special Models based on:
- DOD® FX25 Envelope Filter
- DigiTech® Auto Yah™
- DigiTech® YaYa™
- DigiTech® Synth Talk™
- DigiTech® Step Filter
- DigiTech® Sample & Hold
Delays: - Digital Delay
- Analog Delay
- Pong Delay
- Modulated Delay
- Tape Delay
- Reverse Delay
- DM Analog Delay - based on Boss® DM2 Analog Delay
- Echo Plex - based on Maestro EP-1 Tube Echoplex
Reverbs based on: - Lexicon® Ambience
- Lexicon® Hall
- Lexicon® Room
- Lexicon® Studio
- EMT Plate - based on EMT® 240 Plate Reverb
- Spring - based on Fender® Twin Reverb™
With our 30/30 Guarantee on most products, you can be assured of complete satisfaction and the lowest available price, or your money back!
| Sort Reviews By |
|
NEW REVIEW - An Effects Station for Every Style Desired!
I was very pleased with this purchase. I have played guitar for many years, almost my whole life now and normally I tend to play straight through my amp and use overdrive or not for my playing. I wanted to get a new multi effects pedal as the one I purchased years ago by ART I didnt feel was a very good one, nor did it have a wide variety of great sounds.
With this Effects pedal I found not only does it have amazing sounds, but it has so many effects for every style of playing. I tend to play different styles so this was great for me. I absolutely love the fact that you can create your own, and adjust the Amp's as well. This pedal has more then anyone can dream of offering at least for me.
I have been enjoying playing my different guitars and find that I am playing more now with this pedal then I ever did straight through an amp on it's own.
I also love the fact that it has the built in Wah pedal too, one thing my last effects center did not have.
I would highly recommend this effects center for anyone who enjoys playing different styles, and who wants to have a unit with a lot to offer!
Reviewed by Warren on 8/25/2008 who plays Rock, Metal, Punk, Alternative, Blues, Pop, Etc....
4 people found this review helpful.
0 people found this review unhelpful.
Did you find this review helpful? Yes or No
|
Digitech RP500 ROCKS!!!!!!!!!
I have been looking for a new mulit-effects processor for a while now and I haven't had much luck. I have had trouble finding one that had a lot of strong effects in it, that was simple to use on stage. This model beats every other multieffects processor in its price range. I love the idea that you can make 40 different preset chains on it and then turn each individual effect off and on at will during a song. It's like having 40 custom boards at your feet.
Another bonus is that it had an internal amp and cabinet simulator. This helps so much when you want to just plug right into the board, instead of the hassle of miking your amps.
This system rocks and I would recommend it to anyone that wants a GREAT processor at a reasonable price.
Reviewed by Joey James on 5/5/2008 who plays Rock to Metal to Country.
99 people found this review helpful.
7 people found this review unhelpful.
Did you find this review helpful? Yes or No
|
Amazing
The metal chassis is solid and everything sounds great, had to replace a plastic Zoom 606 after 3+ years of abuse. Bought this with my rebate check; the wahs sounds spectacular and i'm gonna try to fill up all 100 sound banks with my own tones. The built-in Whammy, amp/cabinet simulators and Cubase are worth the price of admission alone.
Reviewed by King of Albanmar on 6/2/2008 who plays Metal/Experimental.
17 people found this review helpful.
3 people found this review unhelpful.
Did you find this review helpful? Yes or No
|
The best in multi- effects
I have been using pedals for awhile, including the RPs, I wanted to up grade to a bigger pedal board to eliminate some pedals, I tried the Boss multi- effects, (sounds all the same no change in distortions) Zoom, Line 6. But the new Rp 500 is by far the best on the market. All my stompboxes are by digitech and they even work with the RP 500 without bypassing. If I were you go get one, You'll love it.
Reviewed by Ryan Deusenberry on 6/19/2008 who plays Metal, rock.
13 people found this review helpful.
0 people found this review unhelpful.
Did you find this review helpful? Yes or No
|
|
|
|
